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Between and Mortarboard


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Social Justice

In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text "Mendez" and "1945" is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city. 
1949/1.181
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br />
Text:<br />
To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
2010/1.205
1949/2.43
1968/1.122
1972/2.363
A fallen man in the red coat of the 18th c. British military officer lies face down in a landscape. To the left, holding his hand, is a grieving widow and infant son. Behind the grouping is a landscape that opens off to the left with the reddish glow of continued combat. Behind the figures, a drapery has been set in the trees to frame the grouping and separate it from the distant landscape behind them.
2006/1.156
This painted miniature Shahnama page was made by the Shiraz and Timurid schools, ca. 1460 in Baghdad, Iraq. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene, <em>Iraj is Slain by His Brothers</em>, is part of the Shahnama of Firdausi, the Persian book of kings. 
1963/1.41
Shown in court attaire, a man stands with arms bent at his waist, and left hand holding both a rolled up document and a small pair of spectacles.  It reads above the man's head "M. Labori", who was Captain Dreyfus' defense attorney.
2011/1.112.3
Around and behind a central image of a sewing machine are overlapping images of people, ships, a building fire, the Statue of Liberty, and small blocks of text.
1943.2
1981/1.319
1962/1.111
1962/1.112

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Activism — by seth@whirl-i-gig.com (February 13 2017 @ 12:59 pm)
Comparative — by seth@whirl-i-gig.com (February 13 2017 @ 12:59 pm)
Cultural criticism — by seth@whirl-i-gig.com (February 13 2017 @ 12:59 pm)
Human rights — by seth@whirl-i-gig.com (February 13 2017 @ 12:59 pm)
Politics — by seth@whirl-i-gig.com (February 13 2017 @ 12:59 pm)
Radicalism — by seth@whirl-i-gig.com (February 13 2017 @ 12:59 pm)
Rebellion — by seth@whirl-i-gig.com (February 13 2017 @ 12:59 pm)
Social criticism — by seth@whirl-i-gig.com (February 13 2017 @ 12:59 pm)
Social history — by seth@whirl-i-gig.com (February 13 2017 @ 12:59 pm)
Social justice — by seth@whirl-i-gig.com (February 13 2017 @ 12:59 pm)
Social realism — by seth@whirl-i-gig.com (February 13 2017 @ 12:59 pm)

Part of 3 Learning Collections

American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

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Last Updated

June 13, 2017 3:08 p.m.

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