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Social Justice and Art in the 19th Century

Francisco José de Goya y Lucientes
Los Desastres de la Guerra, pl 47 (33): Así Sucedió (This is How it Happened)
1810 - 1820
etching, burnished lavis, drypoint, burin and burnisher | paper
Gift of Mrs. Charles F. Weber.
1977/2.15
A shepherdess stands between two cows who are grazing at the center of the image. In the foreground is the indication of a rough track leading towards the distance at left. At the right is a woman bending over beneath a tree.
Jean-François Millet
Two Cows
1814 - 1875
drypoint and roulette | pale blue laid paper
Museum Purchase
1930.18
Paper size: h 33 3/5cm x tw 42 1/2cm &amp; bw 42 3/10cm. Image size: h 22 7/10cm x w 31 2/5cm.<br />
This lithograph is printed is tones of brown ink on cream colored paper. There is a large dappled horse standing in a stall with its left rear hoof raised. On the left, a man, standing with feet braced and muscular arms extended, uses tools to attach a shoe to the horse's hoof. Steam billows from the hot metal shoe. On the right, a man stands leaning against the stall and a small child reaches up toward the horse's head. The horse bends its head down toward the child. There is an English inscription below this scene that identifies the artist, title and publisher.
Théodore Géricault
The Flemish Farrier
1821
lithograph | cream wove paper
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.374
Honoré Victorin Daumier
Le juste milieu va bien, mais les affaires ne vont pas (Caricature politique, No
1832
hand-colored lithograph | paper
The Paul Leroy Grigaut Memorial Collection
1969/2.114
Honoré Victorin Daumier
Les Gens de Justice. Pl. 18: Maître Chapotard lisant...l'éloge de lui même...
1846
lithograph | paper
Museum Purchase
1949/2.43
Honoré Victorin Daumier
The Urchin of Paris in the Tuileries (Le Gamin de Paris aux Tuileries)
1848
lithograph | newsprint
Bequest of Doris Margaret Grigaut for the Paul Leroy Grigaut Memorial Collection
1981/1.319
A ramshackle, half-timbered house fills most of the plate. Seen from an angle, the view of the house is accented by the sharp shadows created by dormer windows and a patchwork of overhanging roof. In the foreground, at the left, a dog is curled up sleeping in the sun; next to him leaning against the house is a pitchfork. At the center foreground, two children speak to one another through a partially open doorway or gate in the yard.
James McNeill Whistler
The Unsafe Tenement, One of the 'Twelve Etchings from Nature,' or the 'French Se
1858
etching, printed in black ink | Japan paper, laid down on white wove paper
Bequest of Margaret Watson Parker
1954/1.324
Francisco José de Goya y Lucientes
Proverbios
1864
etching and aquatint
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.153.6
Francisco José de Goya y Lucientes
Proverbios
1864
etching and aquatint
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.153.10
Francisco José de Goya y Lucientes
Proverbios
1864
etching and aquatint
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.153.1
Francisco José de Goya y Lucientes
Proverbios
1864
etching and aquatint
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.153.14
Francisco José de Goya y Lucientes
Proverbios
1864
etching and aquatint
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.153.18

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Activism — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
Comparative — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
Cultural criticism — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
Human rights — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
Politics — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
Social criticism — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
Social history — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
Social justice — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
Social realism — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)

Part of 3 Learning Collections

American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

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Last Updated

January 25, 2019 12:35 p.m.

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