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Postcolonial Art

Art that engages in critique of colonialism.

Enrique Chagoya
UtopianCannibal.org
color lithograph, woodcut, chine collé, and collage
7 1/2 in. x 92 in. ( 19 cm x 233.7 cm )
Museum Purchase made possible by the Jean Paul Slusser Memorial Fund
Metal figural sculpture made of decommissioned AK-47s welded together
Ouk Chim Vichet
Apsara Warrior
metal
89 in x 44 ⅞ in x 47 ¼ in (226.06 cm x 113.98 cm x 120.02 cm);89 in x 44 ⅞ in x 47 ¼ in (226.06 cm x 113.98 cm x 120.02 cm)
Museum purchase made possible by Guy and Nora Barron
Photograph of field with wild flowers. Church is visible in background. Dark, thick clouds loom overhead.<br /><br />
Eva Caston 2017
Elliott Erwitt
Church at Wounded Knee, from "Portfolio of 15 Photographs"
gelatin silver print on paper
16 in. x 19 15/16 in. ( 40.7 cm x 50.7 cm )
Gift of Gerald Lotenberg
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
etching, aquatint, spitbite, and sugarlift on Rives BFK paper
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
etching, aquatint, spitbite, sugarlift on Rives BF
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
This print has rows of stencilled black text in all capital letters on black background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
etching, aquatint, spitbite, and sugarlift on Rives BFK paper
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
This print has rows of stenciled black text in all capital letters on black background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon; Gregory Burnet
Untitled
etching, aquatint, spitbite, sugarlift on Rives BFK paper
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
aquatint and etching on light cream Somerset Satin wove paper
34 7/8 x 23 3/8 in. (88.5 x 59.3 cm);40 x 28 x 1 in. (101.6 x 71.12 x 2.54 cm)
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
aquatint and etching on light cream Somerset Satin wove paper
34 13/16 x 23 3/8 in. (88.4 x 59.3 cm);40 x 27 1/2 x 1 in. (101.6 x 69.85 x 2.54 cm)
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
aquatint and etching on light cream Somerset Satin wove paper
34 11/16 x 23 1/4 in. (88 x 59 cm)
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
aquatint and etching on light cream Somerset Satin wove paper
34 3/4 x 23 5/16 in. (88.2 x 59.2 cm)
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
aquatint and etching on light cream Somerset Satin wove paper
34 11/16 x 23 5/16 in. (88.1 x 59.1 cm)
Museum purchase made possible by the Jean Paul Slusser Memorial Fund

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Agency — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Comparative — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Empires — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Identity — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Ideology — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Imperialism — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Nation and nationalism — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Politics — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Postcolonial theory — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Race and ethnicity — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Social class — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Social inclusion and exclusion — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)

Part of 6 Learning Collections

31 Collection Object Sources

Apsara Warrior (2007/2.79)
Untitled (1993/2.13.1)
Untitled (1993/2.13.2)
Untitled (1993/2.13.3)
Untitled (1993/2.13.4)
Colored (2003/1.406)
After Manet (2004/2.3)
No Heroes Developed (2000/2.14.39)
El Mercado (1950/1.172)
Hat Makers (1964/2.42)
Workman (1948/1.25)
Colonisation (2015/2.48)
King of Spades (2008/2.311)

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Creative Commons by-nc-sa (University of Michigan Museum of Art)

Last Updated

April 4, 2020 12:59 p.m.

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