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Postcolonial Art

Art that engages in critique of colonialism.

Enrique Chagoya
UtopianCannibal.org
2000
color lithograph, woodcut, chine collé, and collage
Museum Purchase made possible by the Jean Paul Slusser Memorial Fund
2001/2.81
Metal figural sculpture made of decommissioned AK-47s welded together
Ouk Chim Vichet
Apsara Warrior
1999 - 2009
metal
Museum purchase made possible by Guy and Nora Barron
2007/2.79
Photograph of field with wild flowers. Church is visible in background. Dark, thick clouds loom overhead.<br /><br />
Eva Caston 2017
Elliott Erwitt
Church at Wounded Knee, from "Portfolio of 15 Photographs"
1969 - 1988
gelatin silver print | paper
Gift of Gerald Lotenberg
1981/2.194.1
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
1992
etching, aquatint, spitbite, sugarlift | Rives BFK paper
Museum Purchase
1993/2.13.1
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
1992
etching, aquatint, spitbite, sugarlift | Rives BFK paper
Museum Purchase
1993/2.13.2
This print has rows of stencilled black text in all capital letters on black background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
1992
etching, aquatint, spitbite, sugarlift | Rives BFK paper
Museum Purchase
1993/2.13.3
This print has rows of stenciled black text in all capital letters on black background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon;Gregory Burnet
Untitled
1992
etching, aquatint, spitbite, sugarlift | Rives BFK paper
Museum Purchase
1993/2.13.4
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.1
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.2
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.3
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.4
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.5

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Agency — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Comparative — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Empires — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Identity — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Ideology — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Imperialism — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Nation and nationalism — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Politics — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Postcolonial theory — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Race and ethnicity — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Social class — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)
Social inclusion and exclusion — by seth@whirl-i-gig.com (February 13 2017 @ 12:50 pm)

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Last Updated

January 17, 2019 10:02 a.m.

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