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Between and Mortarboard


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Representations of Native Americans and Native American Sites

John Hillers
Zuni Watching
1874 - 1884
albumen print | paper
Museum Purchase made possible by the Friends of the Museum of Art
1980/1.145
A photograph of a man resting on two large fallen trees. He has a large moustache and wears a casual suit and a hat. 
Imogen Cunningham
Northwest Native
1934
gelatin silver print | paper
Gift of the Marvin Felheim Collection
1983/1.287
Laton Alton Huffman
Jennie Wallace, Crow Girl
1880 - 1905
toned gelatin silver print | paper
Gift of Mr. and Mrs. Douglas M. Kenyon
1987/1.216
Peter Maverick
Bookplate: N.Y. Society Library
1755 - 1811
engraving | paper
The Paul Leroy Grigaut Memorial Collection
1969/2.134
A photograph of a hand-made ceramic bowl placed on a desert rock. Two abstract human figures are etched into the surface of the bowl, with decorative textures carved into the surface on either side.
Edward S. Curtis
Wishham Bowl
1909 - 1911
photogravure | paper
Gift of Mr. and Mrs. Douglas M. Kenyon
1987/1.198
A photograph of adobe structures in a desert landscape. Each structure is square, many with small windows. To the left, a wooden structure is visible in the background.
Edward S. Curtis
A Corner of Taos and a Kiva Entrance
1925 - 1926
photogravure | paper
Gift of Mr. and Mrs. Douglas M. Kenyon
1987/1.209
A photograph of wooden structures in a landscape. The structures are formed of crossing beams to form caches that are several feet off the ground. Beams of lumber are stored in the structures. 
Edward S. Curtis
Caches at Celilo
1909 - 1911
photogravure | paper
Gift of Mr. and Mrs. Douglas M. Kenyon
1987/1.201
A portrait of an aging man. He wears a tusk septum piercing and two long braids, with a garment draped over his soulders. A circular embroidered design is visible near the bottom of the frame.
Edward S. Curtis
Spídĭs—Wishham
1910 - 1911
photogravure | paper
Gift of Mr. and Mrs. Douglas M. Kenyon
1987/1.210
A photograph of a landscape. The image plane is divided in half, the lower foreground showing a field of grass, and large, dense trees growing at the horizon line.
Edward S. Curtis
Fort Lapwai
1910 - 1911
photogravure | paper
Gift of Mr. and Mrs. Douglas M. Kenyon
1987/1.202
A portrait of a woman with long braids, large earrings, and beaded jewelry. She wears a shirt with geometric lines embroidered into the fabric, and an ornate belt.
Edward S. Curtis
Cayuse Woman
1910 - 1911
photogravure | paper
Gift of Mr. and Mrs. Douglas M. Kenyon
1987/1.207
In this painting, done in broad brush strokes, the figures of two women fill the composition. The woman on the right is seated in profile and the other, standing behind her, gazes out into the distance. They both wear shawls which make their bodies monolithic forms. A strong outline appears, especially around their heads, because they are set againist a plain white wall. There is also a strong color contrast between the dark black shawl worn by the standing woman and light pink shawl of the seated one. An amulet made of bone and feathers hangs on the wall in the upper right corner of the painting.
Victor Higgins
Oka and Walmacho
1915
oil | canvas
Gift of Albert M. Todd
1931.13
A photograph of a woman with braided hair sitting, framed by a landscape of large desert rocks. In her lap she holds a vessel, a stream of water at her feet.
Edward S. Curtis
At the Spring—Wishham
1909 - 1911
photogravure | paper
Gift of Mr. and Mrs. Douglas M. Kenyon
1987/1.203

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American culture — by seth@whirl-i-gig.com (February 13 2017 @ 12:54 pm)
Americas — by seth@whirl-i-gig.com (February 13 2017 @ 12:54 pm)
Empires — by seth@whirl-i-gig.com (February 13 2017 @ 12:54 pm)
European-american culture — by seth@whirl-i-gig.com (February 13 2017 @ 12:54 pm)
Frontiers — by seth@whirl-i-gig.com (February 13 2017 @ 12:54 pm)
Ideology — by seth@whirl-i-gig.com (February 13 2017 @ 12:54 pm)
Indigenous cultures — by seth@whirl-i-gig.com (February 13 2017 @ 12:54 pm)
Manifest destiny — by seth@whirl-i-gig.com (February 13 2017 @ 12:54 pm)
Nation and nationalism — by seth@whirl-i-gig.com (February 13 2017 @ 12:54 pm)
Native american history — by seth@whirl-i-gig.com (February 13 2017 @ 12:54 pm)
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U.s. west — by seth@whirl-i-gig.com (February 13 2017 @ 12:54 pm)
United states — by seth@whirl-i-gig.com (February 13 2017 @ 12:54 pm)
Western expansion — by seth@whirl-i-gig.com (February 13 2017 @ 12:54 pm)
White culture — by seth@whirl-i-gig.com (February 13 2017 @ 12:54 pm)

Part of 8 Learning Collections

American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

64 Collection Object Sources

Zuni Watching (1980/1.145)
Northwest Native (1983/1.287)
Wishham Bowl (1987/1.198)
Caches at Celilo (1987/1.201)
Fort Lapwai (1987/1.202)
Cayuse Woman (1987/1.207)
Wishham Girls (1987/1.208)
Shirt—Kalispel (1997/1.154)
Nez Percé Babe (1997/1.160)
Flathead Warrior (1997/1.152)
Seven Kiowah Men (2002/1.208)
Navajo Lookout (1954/1.143)
Hopi Corn (2002/2.221)
Tu Walpi, Arizona (1954/1.117)
Wishham Beadwork (1987/1.200)
Indian Baby (2016/2.129)
New Mexico (2000/2.158.10)
Navajo Nudo (1991/2.102.2)

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Last Updated

July 2, 2018 12:24 p.m.

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