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Part of: Browse by Academic Theme (61 resources ), Social Inclusion and Exclusion (61 resources ), Political Activism and Movements (61 resources )
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Browse by Academic Theme

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
February 7, 2020 1:29 p.m.

61 Items in this Learning Collection
Adaptations and Appropriations




Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.




Two figures are seen riding through the water in the foreground; the woman is nude save for an elaborate headdress, the man holds a tortoise shell as a shield and has an antler-like object on his head and has a serpent-like body which supports the woman. Behind is a minutely described landsape with walled town, castle, and along the opposite bank o the water, nude females swimming and a man running in alarm to the water's edge.
Black and white print using Ben Day dots to depict a part of the facade of a temple.
A man hunches over as he carries the end of an oar. He is barefoot and wears robes in several bright patterns. A sword is visible at his right hip. One of his legs is raised as if to take a step. The background behind him is water.<br /><br /> This is the center panel of a triptych (with 2011/2.193.1 and 2011/2.193.3).<br /><br /> Inscriptions: Sendō Matsuemon jitsu wa Higuchi no Jirō; Kuniyoshi ga (Artist's signature); To (Publisher's seal); Hama, Magome (Censor's seals)<br />  

Photograph of a tableau from a Catholic church in Calvario, Patzuaro, Mexico. The scene includes a male figure at the center, with two women and one man arranged behind him.







The image depicts a two-doored red cabinet, outlined in thick black lines. It has a light blue handle on each door. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Collection with 22 items
Age, Aging, Stages of Life
Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.

A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
A scene takes place in a red box, lined with black and red diamond and triangle designs for borders. In the center, a woman sites with a child in her lap. She wears a spotted dress, her hair up, and a nose ring and bindi. The child reaches one hand and places it atop her head, and the other down towards her own upward hands. Surrounding them are seven other figures. One kneels before them, offering his hands up, and another fans the woman from behind. The remaining five figures seem to play together in front of the throne on which the woman and child sit.
Group portrait of four women standing outdoors. The right two are locked in an embrace.


Collection with 7 items
American Culture
Portrait of Hollywood actress Marilyn Monroe.

This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
A print done in shades of gray of a home scene. A woman wearing a dress and holding a sun umbrella walks up the side stairs of a simple covered porch attached to the front of a wooden house. On the porch are two adult figures talking and three seated children, one of which sits on the stairs. A tall wooden fence with a door extends the front face of the house, out of which a young girl walks.

Car being excavated in a desert scene.



Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.

This is a black and white photograph depicting an outdoor scene with dense vegetation. Leafy plants cover the ground in the front and taller bushes and trees are in the background. The viewpoint is from above looking down.
A color print of a small, square door in a wall. The opened door casts a long shadow on the wall.

Bust-length portrait of Marilyn Monroe positioned in front of a red background; Haring used a poster of the actress onto which he applied sumi ink in a series of outlines, marks and drips over the face, neck, chest and shoulders.
This black and white stereoscopic image features two images of the view looking through the inside of a Ferris wheel near the top. It is surrounded by the text: Set No. 8; Wanderings Among the Wonders and Beauties of Western Scenery; CHICAGO and VICINITY. 313. Looking through the Ferris Wheel, near the top.<br />
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.


A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.


Beige bowl, wider at the top, with a rim formed in a braided pattern.




Car up on lifts surrounded by evergreen trees. The car is part of an excavation.
A smaller tree with light colored leaves amongst many taller trees, foliage on bottom.
Elevated view of traffic on an urban street. 

Two women holding signs at a protest march. They are talking together on the side of a street.
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

This is a photograph of a wooden sculpture from Huexotla, Mexico. The sculpture depicts a man with a crown of thorns.


Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;

A foggy landscape with silhouetted trees recedes from the left into the hazy distance and sky. The corners of the images are vignetted and the&nbsp;photograph is toned with tea, giving it a light brown-peach color.&nbsp;
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.



Half-length seated portrait of a bearded man, his face in profile, wearing a military uniform.
Text: New Consecration is the Duty of the Living so that Our Dead Shall Not Have Died in Vain - (center) &quot;To such a task (Victory over German Autocracy and all it represents) we can dedicate our lives and our fortunes, everything that we are and everything that we have, with the pride of those who know that the day has come when America is privileged to shed her blood and her treasure for the principles that gave her birth and happiness and the peace which she has treasured. God helping her, she can do no other.&quot; - Woodrow Wilson - (left panel heading) Al Soldier&#39;s Farewell - Written on the Even of his Departure &hellip; - (right panel heading) A Mother&#39;s Comfort - Words of Plato Console Now Whose Son Fell in Battle &hellip; - (bottom) &quot;You ask me when peace will come. We went into this war for a great and worthy object. Peace will come when that object has been attained. Before God I hope it may not come until that time.&quot; - Abraham Lincoln In Darkest Days of Civil War - Issued by
Night view of New York City skyscrapers seen from above.

Collection with 50 items
Ancient and Classical Civilizations
This Persian miniature is attributed to the Shiraz and Timurid schools, ca. 1460. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene, <em>The Death of Dara</em>, is part of the Shahnama of Firdausi, the Persian book of kings. 
The painting is part of a manuscript page. The painting occupies the left side of the page while the text occupies the panel on the right. The painting features Devi in the foreground who receives a demon warrior. Devi holds a white trident in one of her four arms while another arm holds a cup. She sits in front of a domed white marble structure, facing the demon warrior, who has a sword and bow and arrow.



Egyptian temple decorated with carved motifs seen from a slight oblique angle.




Beige bowl, wider at the top, with a rim formed in a braided pattern.
A page from a Qur'an manuscript.

This large bronze faucet features a peacock spigot and a lion-headed spout.




There is a warrior monk in the middle of the page holding black armor above his head, getting ready to toss it. There are a couple lines of writing above his head and a signature and two seals in the bottom right corner of the hanging scroll.

Collection with 22 items
Architecture and Buildings

View of an unfurnished room, whose walls are decorated with pilasters.
Photograph of a white painted post holding up the tin roof of a porch.
A group of people outside of a church praying because there is no more room inside. The streets are covered with parked cars.
This small sketch presents a view along a waterway that passes beneath a double-arched bridge. The triangular sail of a small boat is visible just before the bridge, moored to the quai next to some sheds. A tall church with a central steeple rises on the right bank in the foreground, and two other tall buildings punctuate the middle ground and distance. The chimneys and rooflines of humbler dwellings appear on the left bank. Despite the urban setting, only a few figures may be glimpsed, including a man crossing the bridge on horseback.


Egyptian temple decorated with carved motifs seen from a slight oblique angle.


A man attaches wires to a wooden pole in the right foreground; humanoid sculptures adorn a pointed roof and chimney on the left. 

View of an empty street in front of a men's clothing store.

This work is a drawing of three female figures in an abstract style. The figures are curvaceous and wear short dresses and corsets. The woman to the left has blond hair and is colored with light pinks and white. The two figures to the right are more boldly colored, one in blue and black, the other in green and black dresses. These two women stand in front of a doorway. The floor is colored brown and detailed with black horizontal lines as if to depict wood panels.
A mountain landscape with temple architecture and trees.
Collection with 16 items
Artist Associations and Art Movements







This abstract composition is composed within an X-shaped structure. There is a dark circle near the top and a redish-brown, vertically oriented rectangle below it. Behind the circle and near rectangle is an inverted triangle and another triangle below it with a concave bottom.
This drawing has abstract forms done in black, brown and white against a plain cream colored background. The forms overlap and bleed color into each other. Some text in the bottom right corner shows "RR 17".

Shack belonging to a group of ragpickers.
Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.



The scene depicts a group of figures marching in the foreground from the left to the right of the composition. A thin sliver of land can be seen in the background. A man in the center carries a scythe over his shoulder. A woman in the center right carries a child on her back.


A mixed media assemblage consisting of welding goggles, rusted metal, a padlock, and two rusted bells hanging from a chain mounted on a wooden board with screws. The position of the objects, with goggles at the top, makes the assemblage look vaguely face-like.






This woodcut print of an abstracted landscape is done in green, red, yellow, blue, and black. An architectural form appears on the left and an archer on horseback appears in the lower right corner.  
A formal portrait of a man standing in the doorway of his studio. 
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.

This photograph depicts two figures seated at a picnic table outside a rural home.

At the center of the etching are three or four amorphous figures in white and two shades of black, made in crosshatching. The figures are entwined and have animal and bird-like features. The background is crosshatched to the edges of the page. The print is signed (l.r.) "Max Ernst" and numbered (l.l.) "57/70" in pencil.

This woodblock print depicts a man in trousers and a jacket compacted into the space of the print. The man is kneeling on his left knee while his right foot is raised and pushed up against a surface on the left of the image. Both of his arms are raised, with the left jutting out towards the viewer and the palm of his hand is fully visible. The numbered and print is signed (l.c.) "3 Pepe Ortega" in pencil.
Two abstracted, bust-length figures, one male and one female, look directly at the viewer with large smiles. The background is tan, and filled with swirling lines and scribbles. The face and eyes of each figure are outlined in thick green, the mouths in thick yellow. The &ldquo;whites&rdquo; of the eyes are red, while the pupils are circles of pale purple. Purple paint drips down from the eyes of the male figure, while the paint on the female figure drips upward.

At the center of the etching are three or four amorphous figures in white and two shades of black, made in crosshatching. The figures are entwined and have animal and bird-like features. The background is crosshatched to the edges of the page. The print is signed (l.r.) "Max Ernst" and numbered (l.l.) "57/70" in pencil.

Night view of New York City skyscrapers seen from above.
Collection with 39 items
Cities



A man in uniform and heavy coat looks to his right as he stands posed next to a broken sign and broken mannequins in the rubble-filled street of Berlin.
This black and white stereoscopic image features two images of the view looking through the inside of a Ferris wheel near the top. It is surrounded by the text: Set No. 8; Wanderings Among the Wonders and Beauties of Western Scenery; CHICAGO and VICINITY. 313. Looking through the Ferris Wheel, near the top.<br />
Man standing at a podium, crowd surrounding, one man on a horse.



This black and white stereoscopic image features two images showing the busy intersection of Piccadilly Circus in London. There are many horse-drawn carriages and wagons and pedestrians on the streets and walkways. It is surrounded by the text: Sample Set No. 1; C. H. Graves, Publisher and Gen’l Manager; 7505 Piccadilly Circus, London<br />
Elevated view of traffic on an urban street. 

Two abstracted, bust-length figures, one male and one female, look directly at the viewer with large smiles. The background is tan, and filled with swirling lines and scribbles. The face and eyes of each figure are outlined in thick green, the mouths in thick yellow. The &ldquo;whites&rdquo; of the eyes are red, while the pupils are circles of pale purple. Purple paint drips down from the eyes of the male figure, while the paint on the female figure drips upward.
Man seated at a table with Armageddon sign. He is wearing a striped shirt and looking at the camera. There is a New York City bus map posted on the column behind him.
View of an empty street in front of a men's clothing store.
Collection with 15 items
Civic Life, Government, Politics
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.

Man standing at a podium, crowd surrounding, one man on a horse.
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.



Two women holding signs at a protest march. They are talking together on the side of a street.
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 

Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;


Waist and legs of a reclining nude seen from the back.
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.

Night view of New York City skyscrapers seen from above.

Collection with 20 items
Communications
Two girls seated on a bench, one without shoes. A carnival food truck is behind them advertising popcorn.
This photograph depicts a wide, tilted view of a crowded football stadium during a game.  Scattered across the field are running and jumping players.
Bust-length portrait of Marilyn Monroe positioned in front of a red background; Haring used a poster of the actress onto which he applied sumi ink in a series of outlines, marks and drips over the face, neck, chest and shoulders.


A page from a Qur'an manuscript.
A man hunches over as he carries the end of an oar. He is barefoot and wears robes in several bright patterns. A sword is visible at his right hip. One of his legs is raised as if to take a step. The background behind him is water.<br /><br /> This is the center panel of a triptych (with 2011/2.193.1 and 2011/2.193.3).<br /><br /> Inscriptions: Sendō Matsuemon jitsu wa Higuchi no Jirō; Kuniyoshi ga (Artist's signature); To (Publisher's seal); Hama, Magome (Censor's seals)<br />  


This vertical oriented print shows a robot sitting on a chair with a revolver in his right hand. 

A perspective shot of the Eiffel Tower from below, looking up. A building to the right has an ornate wrought iron balcony.
Portrait of Hollywood actress Marilyn Monroe.
Collection with 16 items
Cultural Exchange



Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.

A color print of a small, square door in a wall. The opened door casts a long shadow on the wall.
Gilded brass (or gilded copper alloy) standing Buddha on lotus pedestal with both hands raised in abhaya mudra.
Goldweights are small objects cast from brass used to weigh out quantities of gold and gold dust. They are cast using a lost-wax casting technique, wherein wax is sculpted into the desired shape and a mold is pressed around the wax model. Then, the mold is heated and the wax drained out, leaving a void in the shape of the original wax model. Liquid brass is poured into the mold and allowed to set before the caster cracks the mold open and retrieves the finished goldweight.
Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.

This large bronze faucet features a peacock spigot and a lion-headed spout.
Photograph of a tableau from a Catholic church in Calvario, Patzuaro, Mexico. The scene includes a male figure at the center, with two women and one man arranged behind him.


This is a photograph of a wooden sculpture from Huexotla, Mexico. The sculpture depicts a man with a crown of thorns.



Collection with 20 items
Daily Life

A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
Group portrait of four women standing outdoors. The right two are locked in an embrace.



A scene takes place in a red box, lined with black and red diamond and triangle designs for borders. In the center, a woman sites with a child in her lap. She wears a spotted dress, her hair up, and a nose ring and bindi. The child reaches one hand and places it atop her head, and the other down towards her own upward hands. Surrounding them are seven other figures. One kneels before them, offering his hands up, and another fans the woman from behind. The remaining five figures seem to play together in front of the throne on which the woman and child sit.

Man standing at a podium, crowd surrounding, one man on a horse.

This remarkable still life depicts a table crowded with, among other things, a gilded covered goblet, a wide saucer-shaped silver tazza, a celestial globe painted with images of the constellations, a skull wearing a laurel wreath, and an extinguished candle, all rendered in exquisite detail with careful attention paid to the effects of light and texture. While the arrangement of objects may appear casual, the composition is artfully balanced along two diagonal axes centered on the two cups that lie crossed on the table. The repetition of ovoid shapes throughout the painting and the monochrome tonality with its restricted range of hues and values, a hallmark of Heda's style, assures the seamless integration of the sundry objects into a unified whole.<br />
Gilded brass (or gilded copper alloy) standing Buddha on lotus pedestal with both hands raised in abhaya mudra.
Shack belonging to a group of ragpickers.
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.



A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
People inside their home that has been destroyed by a flood.



Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.



Man seated at a table with Armageddon sign. He is wearing a striped shirt and looking at the camera. There is a New York City bus map posted on the column behind him.


Night view of New York City skyscrapers seen from above.
Collection with 36 items
Death and Dying



A wooden post of stacked geometric forms and a small seated figure on top, seated at a table.

Collection with 5 items
Design
View of an unfurnished room, whose walls are decorated with pilasters.
Photograph of a white painted post holding up the tin roof of a porch.

This abstract composition is composed within an X-shaped structure. There is a dark circle near the top and a redish-brown, vertically oriented rectangle below it. Behind the circle and near rectangle is an inverted triangle and another triangle below it with a concave bottom.
This small sketch presents a view along a waterway that passes beneath a double-arched bridge. The triangular sail of a small boat is visible just before the bridge, moored to the quai next to some sheds. A tall church with a central steeple rises on the right bank in the foreground, and two other tall buildings punctuate the middle ground and distance. The chimneys and rooflines of humbler dwellings appear on the left bank. Despite the urban setting, only a few figures may be glimpsed, including a man crossing the bridge on horseback.
This carved bone sculpture depicts the Virgin Mary raising her right hand in a gesture of grief while her head is bent in mourning. A similar female figure, holding her hands clasped before her, appears in profile behind the Virgin, and another female figure stands to the left. Behind the mourning women the pointed helmets worn by two soldiers may be discerned.

A silver cuff bracelet that has a pin lock to keep it closed. The bracelet is decorated with silver beads.
This colored engraving depicts two women and one child in elaborate dress. The central figure is a woman standing in a dark green dress decorated with lighter green trimmings. Her hair is gathered in a headpiece made up of green ribbons and pink flowers. To the right of her a woman in a black and grey dress sits on a burgundy chaise. The child standing on the left of the composition is outfitted in a navy blue and pale blue costume with a jacket trimmed in white. The child reaches toward something kept in the standing woman’s left hand.<br />

A small fragment of a larger cloth, of unknown function. The base is a plain-weave cotton, now a faded red, and the woven brocade design is of densely-packed, alternating rows of 'boteh' (paisley) patterns.
Beige bowl, wider at the top, with a rim formed in a braided pattern.




This gouache shows a stage set for the ballet "Coppelia." The stage set shows a decrepit room with yellow paint or plaster peeling away to reveal brick beneath, a red curtain draped horizontally across the middle ceiling and down at the right side. A dripping heart hangs from the ceiling. There is a light blue niche on the left, a blue window on the right, and a stairway, deep in the center of the image. 
White blocks containing black English and Japanese text on a gray background. The entire poster and portions of the white blocks are bordered by smaller red, yellow, and blue blocks with the title, &quot;DNP Archives of Graphic Design POSTER GRAPHICS 1950 2000&quot; in black text.&nbsp;
This print is in a series of colors: silver, black, three shades of purple, pink, tan, orange, and yellow. There are a series of bands with different background designs, mainly stripes, that are overlayed with shapes: triangles, hexagons, and trapezoids. At the base of the print, there is a pink band with text that reads: "COMPUTER - EPOCH. Another datum, the sound - integration of exactly 70 unimodulary equivalent flaite groups, linear operations with coefficients. A third element in theory is based on the dialectic of identity. The yes or no of the borderzone [<em>sic.</em>] developes an identical / transformation of information over the entire chains of cells. Ambivalence between optical isolation of form and openess in structuring while the stream of sub - atomic energy dribbles out. Each epoch is the static instantaneous picture of a process. This represents a / standstill of becoming not a static end, a condition of pluralism. / JUNE 1967" . Print is dedicated, signed and dated in pencil (l.r.) "For Dia
Collection with 19 items
Economy and Society
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
Two girls seated on a bench, one without shoes. A carnival food truck is behind them advertising popcorn.
View of an unfurnished room, whose walls are decorated with pilasters.
Photograph of a white painted post holding up the tin roof of a porch.




Man standing at a podium, crowd surrounding, one man on a horse.
Shack belonging to a group of ragpickers.
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.

A mixed media assemblage consisting of welding goggles, rusted metal, a padlock, and two rusted bells hanging from a chain mounted on a wooden board with screws. The position of the objects, with goggles at the top, makes the assemblage look vaguely face-like.




A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.

Two women holding signs at a protest march. They are talking together on the side of a street.
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;


Waist and legs of a reclining nude seen from the back.

This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Man seated at a table with Armageddon sign. He is wearing a striped shirt and looking at the camera. There is a New York City bus map posted on the column behind him.
View of an empty street in front of a men's clothing store.
A perspective shot of the Eiffel Tower from below, looking up. A building to the right has an ornate wrought iron balcony.

A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.

A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.

Night view of New York City skyscrapers seen from above.
Collection with 47 items
Education


Collection with 2 items
Emotions, Feelings, Affect

A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
This remarkable still life depicts a table crowded with, among other things, a gilded covered goblet, a wide saucer-shaped silver tazza, a celestial globe painted with images of the constellations, a skull wearing a laurel wreath, and an extinguished candle, all rendered in exquisite detail with careful attention paid to the effects of light and texture. While the arrangement of objects may appear casual, the composition is artfully balanced along two diagonal axes centered on the two cups that lie crossed on the table. The repetition of ovoid shapes throughout the painting and the monochrome tonality with its restricted range of hues and values, a hallmark of Heda's style, assures the seamless integration of the sundry objects into a unified whole.<br />


Collection with 5 items
Empires and Colonialism
Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.
Façade of an Egyptian temple structure in a state of partial ruin.


The painting is part of a manuscript page. The painting occupies the left side of the page while the text occupies the panel on the right. The painting features Devi in the foreground who receives a demon warrior. Devi holds a white trident in one of her four arms while another arm holds a cup. She sits in front of a domed white marble structure, facing the demon warrior, who has a sword and bow and arrow.


A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
Goldweights are small objects cast from brass used to weigh out quantities of gold and gold dust. They are cast using a lost-wax casting technique, wherein wax is sculpted into the desired shape and a mold is pressed around the wax model. Then, the mold is heated and the wax drained out, leaving a void in the shape of the original wax model. Liquid brass is poured into the mold and allowed to set before the caster cracks the mold open and retrieves the finished goldweight.
Egyptian temple decorated with carved motifs seen from a slight oblique angle.


This woodwork depicts Ebisu, the god of prosperity and especially associated with fishermen. Here he carries a large sea bream or red snapper symbolizing good fortune.

A round porcelain vase-shaped snuff bottle with blue underglaze. Painted on the snuff bottle is a design of a Manchu bannermen on horses in a landscape. &nbsp;

This large bronze faucet features a peacock spigot and a lion-headed spout.






There is a warrior monk in the middle of the page holding black armor above his head, getting ready to toss it. There are a couple lines of writing above his head and a signature and two seals in the bottom right corner of the hanging scroll.


Collection with 27 items
Environment, Ecology, Conservation

A mixed media assemblage consisting of welding goggles, rusted metal, a padlock, and two rusted bells hanging from a chain mounted on a wooden board with screws. The position of the objects, with goggles at the top, makes the assemblage look vaguely face-like.

Collection with 3 items
Ethnicity and Race
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.

A black and white photograph of the area beneath the Eiffel Tower. A shadow from an arch of the structure covers most of the ground. A crowd of people stand beneath the tower.

Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.

Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
Beige bowl, wider at the top, with a rim formed in a braided pattern.

A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.

This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Image of men with their backs turned and looking toward the viewer's left. All are wearing overcoats and hats, with some wearing top hats and flowers in their lapels. 
Collection with 18 items
Family, Familial Relations
Group portrait of four women standing outdoors. The right two are locked in an embrace.
A scene takes place in a red box, lined with black and red diamond and triangle designs for borders. In the center, a woman sites with a child in her lap. She wears a spotted dress, her hair up, and a nose ring and bindi. The child reaches one hand and places it atop her head, and the other down towards her own upward hands. Surrounding them are seven other figures. One kneels before them, offering his hands up, and another fans the woman from behind. The remaining five figures seem to play together in front of the throne on which the woman and child sit.



A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
People inside their home that has been destroyed by a flood.

Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
Collection with 10 items
Fashion
This photograph depicts a woman standing and holding a glass in an interior space.
This colored engraving depicts two women and one child in elaborate dress. The central figure is a woman standing in a dark green dress decorated with lighter green trimmings. Her hair is gathered in a headpiece made up of green ribbons and pink flowers. To the right of her a woman in a black and grey dress sits on a burgundy chaise. The child standing on the left of the composition is outfitted in a navy blue and pale blue costume with a jacket trimmed in white. The child reaches toward something kept in the standing woman’s left hand.<br />
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.

A small fragment of a larger cloth, of unknown function. The base is a plain-weave cotton, now a faded red, and the woven brocade design is of densely-packed, alternating rows of 'boteh' (paisley) patterns.
A man hunches over as he carries the end of an oar. He is barefoot and wears robes in several bright patterns. A sword is visible at his right hip. One of his legs is raised as if to take a step. The background behind him is water.<br /><br /> This is the center panel of a triptych (with 2011/2.193.1 and 2011/2.193.3).<br /><br /> Inscriptions: Sendō Matsuemon jitsu wa Higuchi no Jirō; Kuniyoshi ga (Artist's signature); To (Publisher's seal); Hama, Magome (Censor's seals)<br />  
Collection with 6 items
Film, TV, Motion Pictures

Bust-length portrait of Marilyn Monroe positioned in front of a red background; Haring used a poster of the actress onto which he applied sumi ink in a series of outlines, marks and drips over the face, neck, chest and shoulders.
Portrait of Hollywood actress Marilyn Monroe.

Collection with 4 items
Food


Collection with 2 items
Gender and Sex
A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
This photograph depicts a woman standing and holding a glass in an interior space.
A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
Oak panel with screen print; signed K.Haring 88 along lower right edge.

Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
Waist and legs of a reclining nude seen from the back.

Night view of New York City skyscrapers seen from above.
Collection with 15 items
Health, Illness, Medicine


A scene takes place in a red box, lined with black and red diamond and triangle designs for borders. In the center, a woman sites with a child in her lap. She wears a spotted dress, her hair up, and a nose ring and bindi. The child reaches one hand and places it atop her head, and the other down towards her own upward hands. Surrounding them are seven other figures. One kneels before them, offering his hands up, and another fans the woman from behind. The remaining five figures seem to play together in front of the throne on which the woman and child sit.
This photograph depicts a wide, tilted view of a crowded football stadium during a game.  Scattered across the field are running and jumping players.

Collection with 7 items
House and Home

People inside their home that has been destroyed by a flood.

Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
Collection with 4 items
Human Body
Waist and legs of a reclining nude seen from the back.
This photograph depicts a wide, tilted view of a crowded football stadium during a game.  Scattered across the field are running and jumping players.
A scene takes place in a red box, lined with black and red diamond and triangle designs for borders. In the center, a woman sites with a child in her lap. She wears a spotted dress, her hair up, and a nose ring and bindi. The child reaches one hand and places it atop her head, and the other down towards her own upward hands. Surrounding them are seven other figures. One kneels before them, offering his hands up, and another fans the woman from behind. The remaining five figures seem to play together in front of the throne on which the woman and child sit.
A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
This photograph depicts a woman standing and holding a glass in an interior space.


Collection with 8 items
Human Movement

This photograph depicts a wide, tilted view of a crowded football stadium during a game.  Scattered across the field are running and jumping players.

Collection with 4 items
Humanity and humanness
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
Group portrait of four women standing outdoors. The right two are locked in an embrace.
This photograph depicts a wide, tilted view of a crowded football stadium during a game.  Scattered across the field are running and jumping players.
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
A scene takes place in a red box, lined with black and red diamond and triangle designs for borders. In the center, a woman sites with a child in her lap. She wears a spotted dress, her hair up, and a nose ring and bindi. The child reaches one hand and places it atop her head, and the other down towards her own upward hands. Surrounding them are seven other figures. One kneels before them, offering his hands up, and another fans the woman from behind. The remaining five figures seem to play together in front of the throne on which the woman and child sit.

A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.


This remarkable still life depicts a table crowded with, among other things, a gilded covered goblet, a wide saucer-shaped silver tazza, a celestial globe painted with images of the constellations, a skull wearing a laurel wreath, and an extinguished candle, all rendered in exquisite detail with careful attention paid to the effects of light and texture. While the arrangement of objects may appear casual, the composition is artfully balanced along two diagonal axes centered on the two cups that lie crossed on the table. The repetition of ovoid shapes throughout the painting and the monochrome tonality with its restricted range of hues and values, a hallmark of Heda's style, assures the seamless integration of the sundry objects into a unified whole.<br />

A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
This photograph depicts a woman standing and holding a glass in an interior space.
A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
A wooden post of stacked geometric forms and a small seated figure on top, seated at a table.
Oak panel with screen print; signed K.Haring 88 along lower right edge.
People inside their home that has been destroyed by a flood.




Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
This vertical oriented print shows a robot sitting on a chair with a revolver in his right hand. 
Waist and legs of a reclining nude seen from the back.


Night view of New York City skyscrapers seen from above.

Collection with 38 items
Identity and Self-Understanding
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
Group portrait of four women standing outdoors. The right two are locked in an embrace.
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.

A black and white photograph of the area beneath the Eiffel Tower. A shadow from an arch of the structure covers most of the ground. A crowd of people stand beneath the tower.


Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
A scene takes place in a red box, lined with black and red diamond and triangle designs for borders. In the center, a woman sites with a child in her lap. She wears a spotted dress, her hair up, and a nose ring and bindi. The child reaches one hand and places it atop her head, and the other down towards her own upward hands. Surrounding them are seven other figures. One kneels before them, offering his hands up, and another fans the woman from behind. The remaining five figures seem to play together in front of the throne on which the woman and child sit.

A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.

This remarkable still life depicts a table crowded with, among other things, a gilded covered goblet, a wide saucer-shaped silver tazza, a celestial globe painted with images of the constellations, a skull wearing a laurel wreath, and an extinguished candle, all rendered in exquisite detail with careful attention paid to the effects of light and texture. While the arrangement of objects may appear casual, the composition is artfully balanced along two diagonal axes centered on the two cups that lie crossed on the table. The repetition of ovoid shapes throughout the painting and the monochrome tonality with its restricted range of hues and values, a hallmark of Heda's style, assures the seamless integration of the sundry objects into a unified whole.<br />
Shack belonging to a group of ragpickers.
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.


Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.
A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
This photograph depicts a woman standing and holding a glass in an interior space.
A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
Oak panel with screen print; signed K.Haring 88 along lower right edge.

Beige bowl, wider at the top, with a rim formed in a braided pattern.



Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.



Four people donning costumes and masks standing in the foreground of a large grassy field.&nbsp;
This photograph depicts an older man wearing a three piece suit sitting facing the camera.
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
Waist and legs of a reclining nude seen from the back.
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.



Night view of New York City skyscrapers seen from above.

Collection with 55 items
Land and People


View of an unfurnished room, whose walls are decorated with pilasters.
Photograph of a white painted post holding up the tin roof of a porch.
Car being excavated in a desert scene.




A man in uniform and heavy coat looks to his right as he stands posed next to a broken sign and broken mannequins in the rubble-filled street of Berlin.

Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Façade of an Egyptian temple structure in a state of partial ruin.

This is a black and white photograph depicting an outdoor scene with dense vegetation. Leafy plants cover the ground in the front and taller bushes and trees are in the background. The viewpoint is from above looking down.

This black and white stereoscopic image features two images of the view looking through the inside of a Ferris wheel near the top. It is surrounded by the text: Set No. 8; Wanderings Among the Wonders and Beauties of Western Scenery; CHICAGO and VICINITY. 313. Looking through the Ferris Wheel, near the top.<br />
Man standing at a podium, crowd surrounding, one man on a horse.



A mixed media assemblage consisting of welding goggles, rusted metal, a padlock, and two rusted bells hanging from a chain mounted on a wooden board with screws. The position of the objects, with goggles at the top, makes the assemblage look vaguely face-like.


This photograph depicts the darkened interior of a hut with a man and woman seated inside.


This black and white stereoscopic image features two images showing the busy intersection of Piccadilly Circus in London. There are many horse-drawn carriages and wagons and pedestrians on the streets and walkways. It is surrounded by the text: Sample Set No. 1; C. H. Graves, Publisher and Gen’l Manager; 7505 Piccadilly Circus, London<br />


This large bronze faucet features a peacock spigot and a lion-headed spout.

Car up on lifts surrounded by evergreen trees. The car is part of an excavation.
A smaller tree with light colored leaves amongst many taller trees, foliage on bottom.
Elevated view of traffic on an urban street. 



Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;

A foggy landscape with silhouetted trees recedes from the left into the hazy distance and sky. The corners of the images are vignetted and the&nbsp;photograph is toned with tea, giving it a light brown-peach color.&nbsp;
Two abstracted, bust-length figures, one male and one female, look directly at the viewer with large smiles. The background is tan, and filled with swirling lines and scribbles. The face and eyes of each figure are outlined in thick green, the mouths in thick yellow. The &ldquo;whites&rdquo; of the eyes are red, while the pupils are circles of pale purple. Purple paint drips down from the eyes of the male figure, while the paint on the female figure drips upward.
Man seated at a table with Armageddon sign. He is wearing a striped shirt and looking at the camera. There is a New York City bus map posted on the column behind him.
View of an empty street in front of a men's clothing store.
This photograph depicts an aerial view of a coastline with waves approaching the shore.
A perspective shot of the Eiffel Tower from below, looking up. A building to the right has an ornate wrought iron balcony.

Collection with 51 items
Leisure, Recreation, and Entertainment
Two girls seated on a bench, one without shoes. A carnival food truck is behind them advertising popcorn.
This photograph depicts a wide, tilted view of a crowded football stadium during a game.  Scattered across the field are running and jumping players.

Bust-length portrait of Marilyn Monroe positioned in front of a red background; Haring used a poster of the actress onto which he applied sumi ink in a series of outlines, marks and drips over the face, neck, chest and shoulders.

This drawing has abstract forms done in black, brown and white against a plain cream colored background. The forms overlap and bleed color into each other. Some text in the bottom right corner shows "RR 17".




A man hunches over as he carries the end of an oar. He is barefoot and wears robes in several bright patterns. A sword is visible at his right hip. One of his legs is raised as if to take a step. The background behind him is water.<br /><br /> This is the center panel of a triptych (with 2011/2.193.1 and 2011/2.193.3).<br /><br /> Inscriptions: Sendō Matsuemon jitsu wa Higuchi no Jirō; Kuniyoshi ga (Artist's signature); To (Publisher's seal); Hama, Magome (Censor's seals)<br />  


This vertical oriented print shows a robot sitting on a chair with a revolver in his right hand. 


A child playing on top of a deflated circus tent.

A perspective shot of the Eiffel Tower from below, looking up. A building to the right has an ornate wrought iron balcony.
Portrait of Hollywood actress Marilyn Monroe.

Collection with 28 items
Mass Media and Mass Culture
Two girls seated on a bench, one without shoes. A carnival food truck is behind them advertising popcorn.
This photograph depicts a wide, tilted view of a crowded football stadium during a game.  Scattered across the field are running and jumping players.
Bust-length portrait of Marilyn Monroe positioned in front of a red background; Haring used a poster of the actress onto which he applied sumi ink in a series of outlines, marks and drips over the face, neck, chest and shoulders.
This drawing has abstract forms done in black, brown and white against a plain cream colored background. The forms overlap and bleed color into each other. Some text in the bottom right corner shows "RR 17".

A man hunches over as he carries the end of an oar. He is barefoot and wears robes in several bright patterns. A sword is visible at his right hip. One of his legs is raised as if to take a step. The background behind him is water.<br /><br /> This is the center panel of a triptych (with 2011/2.193.1 and 2011/2.193.3).<br /><br /> Inscriptions: Sendō Matsuemon jitsu wa Higuchi no Jirō; Kuniyoshi ga (Artist's signature); To (Publisher's seal); Hama, Magome (Censor's seals)<br />  
This vertical oriented print shows a robot sitting on a chair with a revolver in his right hand. 
A child playing on top of a deflated circus tent.
A perspective shot of the Eiffel Tower from below, looking up. A building to the right has an ornate wrought iron balcony.
Portrait of Hollywood actress Marilyn Monroe.

Collection with 12 items
Medieval and Early Modern Europe

This small sketch presents a view along a waterway that passes beneath a double-arched bridge. The triangular sail of a small boat is visible just before the bridge, moored to the quai next to some sheds. A tall church with a central steeple rises on the right bank in the foreground, and two other tall buildings punctuate the middle ground and distance. The chimneys and rooflines of humbler dwellings appear on the left bank. Despite the urban setting, only a few figures may be glimpsed, including a man crossing the bridge on horseback.

This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
This carved bone sculpture depicts the Virgin Mary raising her right hand in a gesture of grief while her head is bent in mourning. A similar female figure, holding her hands clasped before her, appears in profile behind the Virgin, and another female figure stands to the left. Behind the mourning women the pointed helmets worn by two soldiers may be discerned.
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.


Two figures are seen riding through the water in the foreground; the woman is nude save for an elaborate headdress, the man holds a tortoise shell as a shield and has an antler-like object on his head and has a serpent-like body which supports the woman. Behind is a minutely described landsape with walled town, castle, and along the opposite bank o the water, nude females swimming and a man running in alarm to the water&#39;s edge.
Woodcut print with some distortion/fading in lines in upper right corner (hilt of sword, trumpet, light rays); broken lines near right arm of Christ; text visable through paper.
This carved bone sculpture depicts the Virgin Mary raising her right hand in a gesture of grief while her head is bent in mourning. A similar female figure, holding her hands clasped before her, appears in profile behind the Virgin, and another female figure stands to the left. Behind the mourning women the pointed helmets worn by two soldiers may be discerned.
This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.

Collection with 13 items
Modernity and Modernism

Two girls seated on a bench, one without shoes. A carnival food truck is behind them advertising popcorn.
View of an unfurnished room, whose walls are decorated with pilasters.
Photograph of a white painted post holding up the tin roof of a porch.


This photograph depicts a wide, tilted view of a crowded football stadium during a game.  Scattered across the field are running and jumping players.


Bust-length portrait of Marilyn Monroe positioned in front of a red background; Haring used a poster of the actress onto which he applied sumi ink in a series of outlines, marks and drips over the face, neck, chest and shoulders.
This drawing has abstract forms done in black, brown and white against a plain cream colored background. The forms overlap and bleed color into each other. Some text in the bottom right corner shows "RR 17".
Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.


The scene depicts a group of figures marching in the foreground from the left to the right of the composition. A thin sliver of land can be seen in the background. A man in the center carries a scythe over his shoulder. A woman in the center right carries a child on her back.



A man hunches over as he carries the end of an oar. He is barefoot and wears robes in several bright patterns. A sword is visible at his right hip. One of his legs is raised as if to take a step. The background behind him is water.<br /><br /> This is the center panel of a triptych (with 2011/2.193.1 and 2011/2.193.3).<br /><br /> Inscriptions: Sendō Matsuemon jitsu wa Higuchi no Jirō; Kuniyoshi ga (Artist's signature); To (Publisher's seal); Hama, Magome (Censor's seals)<br />  
This woodcut print of an abstracted landscape is done in green, red, yellow, blue, and black. An architectural form appears on the left and an archer on horseback appears in the lower right corner.  
A formal portrait of a man standing in the doorway of his studio. 
This vertical oriented print shows a robot sitting on a chair with a revolver in his right hand. 
This woodblock print depicts a man in trousers and a jacket compacted into the space of the print. The man is kneeling on his left knee while his right foot is raised and pushed up against a surface on the left of the image. Both of his arms are raised, with the left jutting out towards the viewer and the palm of his hand is fully visible. The numbered and print is signed (l.c.) "3 Pepe Ortega" in pencil.
A photograph of a large farm machine in a field of corn. A man in a hat operates the machine.
A child playing on top of a deflated circus tent.
View of an empty street in front of a men's clothing store.

A perspective shot of the Eiffel Tower from below, looking up. A building to the right has an ornate wrought iron balcony.
Portrait of Hollywood actress Marilyn Monroe.


Collection with 34 items
Monsters and Monstrosity
This pink and tan print has a large photo of a teddy bear cake at the center, surrounded by abstract forms.


Two figures are seen riding through the water in the foreground; the woman is nude save for an elaborate headdress, the man holds a tortoise shell as a shield and has an antler-like object on his head and has a serpent-like body which supports the woman. Behind is a minutely described landsape with walled town, castle, and along the opposite bank o the water, nude females swimming and a man running in alarm to the water&#39;s edge.
This vertical oriented print shows a robot sitting on a chair with a revolver in his right hand. 


Collection with 7 items
Mythology



Two figures are seen riding through the water in the foreground; the woman is nude save for an elaborate headdress, the man holds a tortoise shell as a shield and has an antler-like object on his head and has a serpent-like body which supports the woman. Behind is a minutely described landsape with walled town, castle, and along the opposite bank o the water, nude females swimming and a man running in alarm to the water&#39;s edge.


Collection with 6 items
Natural World

This black and white stereoscopic image features two images of a moon



This photograph depicts an aerial view of a coastline with waves approaching the shore.
Collection with 6 items
Occupations and Work

A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.

Night view of New York City skyscrapers seen from above.
Collection with 5 items
People on the Move - Migration, Displacement, Refugees


Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Façade of an Egyptian temple structure in a state of partial ruin.

A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
Goldweights are small objects cast from brass used to weigh out quantities of gold and gold dust. They are cast using a lost-wax casting technique, wherein wax is sculpted into the desired shape and a mold is pressed around the wax model. Then, the mold is heated and the wax drained out, leaving a void in the shape of the original wax model. Liquid brass is poured into the mold and allowed to set before the caster cracks the mold open and retrieves the finished goldweight.

Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.








Collection with 18 items
Performance and Performing
A man hunches over as he carries the end of an oar. He is barefoot and wears robes in several bright patterns. A sword is visible at his right hip. One of his legs is raised as if to take a step. The background behind him is water.<br /><br /> This is the center panel of a triptych (with 2011/2.193.1 and 2011/2.193.3).<br /><br /> Inscriptions: Sendō Matsuemon jitsu wa Higuchi no Jirō; Kuniyoshi ga (Artist's signature); To (Publisher's seal); Hama, Magome (Censor's seals)<br />  

This photograph depicts a wide, tilted view of a crowded football stadium during a game.  Scattered across the field are running and jumping players.
Bust-length portrait of Marilyn Monroe positioned in front of a red background; Haring used a poster of the actress onto which he applied sumi ink in a series of outlines, marks and drips over the face, neck, chest and shoulders.



A child playing on top of a deflated circus tent.

Collection with 9 items
Political Activism and Movements
Two women holding signs at a protest march. They are talking together on the side of a street.


Shack belonging to a group of ragpickers.







The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 



Shack belonging to a group of ragpickers.
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.

This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.


Night view of New York City skyscrapers seen from above.

Collection with 30 items
Postcolonial Studies


Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.







Collection with 10 items
Reading and Writing

Collection with 1 item
Religion and Spirituality


Woodcut print with some distortion/fading in lines in upper right corner (hilt of sword, trumpet, light rays); broken lines near right arm of Christ; text visable through paper.

A group of people outside of a church praying because there is no more room inside. The streets are covered with parked cars.





Gilded brass (or gilded copper alloy) standing Buddha on lotus pedestal with both hands raised in abhaya mudra.

A wooden post of stacked geometric forms and a small seated figure on top, seated at a table.




Two figures are seen riding through the water in the foreground; the woman is nude save for an elaborate headdress, the man holds a tortoise shell as a shield and has an antler-like object on his head and has a serpent-like body which supports the woman. Behind is a minutely described landsape with walled town, castle, and along the opposite bank o the water, nude females swimming and a man running in alarm to the water&#39;s edge.

Woodcut print with some distortion/fading in lines in upper right corner (hilt of sword, trumpet, light rays); broken lines near right arm of Christ; text visable through paper.
Photograph of a tableau from a Catholic church in Calvario, Patzuaro, Mexico. The scene includes a male figure at the center, with two women and one man arranged behind him.
This is a photograph of a wooden sculpture from Huexotla, Mexico. The sculpture depicts a man with a crown of thorns.
A man attaches wires to a wooden pole in the right foreground; humanoid sculptures adorn a pointed roof and chimney on the left. 

This carved bone sculpture depicts the Virgin Mary raising her right hand in a gesture of grief while her head is bent in mourning. A similar female figure, holding her hands clasped before her, appears in profile behind the Virgin, and another female figure stands to the left. Behind the mourning women the pointed helmets worn by two soldiers may be discerned.



Collection with 30 items
Revolution

Collection with 1 item
Social and Cultural Conventions

Group portrait of four women standing outdoors. The right two are locked in an embrace.

Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Bust-length portrait of Marilyn Monroe positioned in front of a red background; Haring used a poster of the actress onto which he applied sumi ink in a series of outlines, marks and drips over the face, neck, chest and shoulders.
A scene takes place in a red box, lined with black and red diamond and triangle designs for borders. In the center, a woman sites with a child in her lap. She wears a spotted dress, her hair up, and a nose ring and bindi. The child reaches one hand and places it atop her head, and the other down towards her own upward hands. Surrounding them are seven other figures. One kneels before them, offering his hands up, and another fans the woman from behind. The remaining five figures seem to play together in front of the throne on which the woman and child sit.

A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
Man standing at a podium, crowd surrounding, one man on a horse.
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.

A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.

This colored engraving depicts two women and one child in elaborate dress. The central figure is a woman standing in a dark green dress decorated with lighter green trimmings. Her hair is gathered in a headpiece made up of green ribbons and pink flowers. To the right of her a woman in a black and grey dress sits on a burgundy chaise. The child standing on the left of the composition is outfitted in a navy blue and pale blue costume with a jacket trimmed in white. The child reaches toward something kept in the standing woman’s left hand.<br />

This photograph depicts a woman standing and holding a glass in an interior space.

A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
A wooden post of stacked geometric forms and a small seated figure on top, seated at a table.
Oak panel with screen print; signed K.Haring 88 along lower right edge.
People inside their home that has been destroyed by a flood.
A small fragment of a larger cloth, of unknown function. The base is a plain-weave cotton, now a faded red, and the woven brocade design is of densely-packed, alternating rows of 'boteh' (paisley) patterns.
A man hunches over as he carries the end of an oar. He is barefoot and wears robes in several bright patterns. A sword is visible at his right hip. One of his legs is raised as if to take a step. The background behind him is water.<br /><br /> This is the center panel of a triptych (with 2011/2.193.1 and 2011/2.193.3).<br /><br /> Inscriptions: Sendō Matsuemon jitsu wa Higuchi no Jirō; Kuniyoshi ga (Artist's signature); To (Publisher's seal); Hama, Magome (Censor's seals)<br />  




Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
Two women holding signs at a protest march. They are talking together on the side of a street.
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.

Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;


Waist and legs of a reclining nude seen from the back.
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A perspective shot of the Eiffel Tower from below, looking up. A building to the right has an ornate wrought iron balcony.
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.




Night view of New York City skyscrapers seen from above.
Collection with 56 items
Social Class
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

Shack belonging to a group of ragpickers.
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.

A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.

Night view of New York City skyscrapers seen from above.
Collection with 14 items
Social Inclusion and Exclusion
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.

A black and white photograph of the area beneath the Eiffel Tower. A shadow from an arch of the structure covers most of the ground. A crowd of people stand beneath the tower.



Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
Man standing at a podium, crowd surrounding, one man on a horse.
Shack belonging to a group of ragpickers.
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.



Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.
A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
This photograph depicts a woman standing and holding a glass in an interior space.
A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.

Oak panel with screen print; signed K.Haring 88 along lower right edge.
Beige bowl, wider at the top, with a rim formed in a braided pattern.




Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.

Two women holding signs at a protest march. They are talking together on the side of a street.
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.

Waist and legs of a reclining nude seen from the back.


Shack belonging to a group of ragpickers.
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.

A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.

A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.



Night view of New York City skyscrapers seen from above.
Collection with 59 items
Social Justice
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.



Shack belonging to a group of ragpickers.




Two women holding signs at a protest march. They are talking together on the side of a street.
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 


Shack belonging to a group of ragpickers.
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings

This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.


Night view of New York City skyscrapers seen from above.

Collection with 26 items
Sports and Athletics
This photograph depicts a wide, tilted view of a crowded football stadium during a game.  Scattered across the field are running and jumping players.

Collection with 2 items
Supernatural
At the center of the etching are three or four amorphous figures in white and two shades of black, made in crosshatching. The figures are entwined and have animal and bird-like features. The background is crosshatched to the edges of the page. The print is signed (l.r.) "Max Ernst" and numbered (l.l.) "57/70" in pencil.






Two figures are seen riding through the water in the foreground; the woman is nude save for an elaborate headdress, the man holds a tortoise shell as a shield and has an antler-like object on his head and has a serpent-like body which supports the woman. Behind is a minutely described landsape with walled town, castle, and along the opposite bank o the water, nude females swimming and a man running in alarm to the water&#39;s edge.

Two figures are seen riding through the water in the foreground; the woman is nude save for an elaborate headdress, the man holds a tortoise shell as a shield and has an antler-like object on his head and has a serpent-like body which supports the woman. Behind is a minutely described landsape with walled town, castle, and along the opposite bank o the water, nude females swimming and a man running in alarm to the water&#39;s edge.
This pink and tan print has a large photo of a teddy bear cake at the center, surrounded by abstract forms.
This vertical oriented print shows a robot sitting on a chair with a revolver in his right hand. 




Collection with 18 items
Technology
This vertical oriented print shows a robot sitting on a chair with a revolver in his right hand. 




Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;
Man seated at a table with Armageddon sign. He is wearing a striped shirt and looking at the camera. There is a New York City bus map posted on the column behind him.
A photograph of a large farm machine in a field of corn. A man in a hat operates the machine.
A perspective shot of the Eiffel Tower from below, looking up. A building to the right has an ornate wrought iron balcony.

Collection with 10 items
Theater and Drama



A man hunches over as he carries the end of an oar. He is barefoot and wears robes in several bright patterns. A sword is visible at his right hip. One of his legs is raised as if to take a step. The background behind him is water.<br /><br /> This is the center panel of a triptych (with 2011/2.193.1 and 2011/2.193.3).<br /><br /> Inscriptions: Sendō Matsuemon jitsu wa Higuchi no Jirō; Kuniyoshi ga (Artist's signature); To (Publisher's seal); Hama, Magome (Censor's seals)<br />  


Collection with 6 items
Transportation



Man seated at a table with Armageddon sign. He is wearing a striped shirt and looking at the camera. There is a New York City bus map posted on the column behind him.
A perspective shot of the Eiffel Tower from below, looking up. A building to the right has an ornate wrought iron balcony.

Collection with 7 items
Urbanization
View of an empty street in front of a men's clothing store.
View of an unfurnished room, whose walls are decorated with pilasters.
Photograph of a white painted post holding up the tin roof of a porch.


Collection with 5 items
Violence and Destruction

A human face in anguish, with hands raised to his cheeks, looks out from the center of a visual field full of slashing diagonals and explosive triangles of color. On the left side, smoke billows.
Half-length seated portrait of a bearded man, his face in profile, wearing a military uniform.
Woodcut print with some distortion/fading in lines in upper right corner (hilt of sword, trumpet, light rays); broken lines near right arm of Christ; text visable through paper.
A group of soldiers drag a piece of artillery through shallow water. 





This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 

There is a warrior monk in the middle of the page holding black armor above his head, getting ready to toss it. There are a couple lines of writing above his head and a signature and two seals in the bottom right corner of the hanging scroll.

This painting shows a train wagon filled with people in the foreground, and many train wagons following in the background. The train wagon and the people in it are being attacked by people on horses with tribal headwears and using weapons such as bows and arrows and axes. People in the train wagon are of Caucasion decent and have rifles pointed at those who seem to be Native Americans.

Text: New Consecration is the Duty of the Living so that Our Dead Shall Not Have Died in Vain - (center) &quot;To such a task (Victory over German Autocracy and all it represents) we can dedicate our lives and our fortunes, everything that we are and everything that we have, with the pride of those who know that the day has come when America is privileged to shed her blood and her treasure for the principles that gave her birth and happiness and the peace which she has treasured. God helping her, she can do no other.&quot; - Woodrow Wilson - (left panel heading) Al Soldier&#39;s Farewell - Written on the Even of his Departure &hellip; - (right panel heading) A Mother&#39;s Comfort - Words of Plato Console Now Whose Son Fell in Battle &hellip; - (bottom) &quot;You ask me when peace will come. We went into this war for a great and worthy object. Peace will come when that object has been attained. Before God I hope it may not come until that time.&quot; - Abraham Lincoln In Darkest Days of Civil War - Issued by

Collection with 19 items
Visual and literary themes
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
Group portrait of four women standing outdoors. The right two are locked in an embrace.
A photograph of four young men sitting in a car. A young child runs past the car in the foreground, blurred from motion.


Woodcut print with some distortion/fading in lines in upper right corner (hilt of sword, trumpet, light rays); broken lines near right arm of Christ; text visable through paper.


Bust-length portrait of Marilyn Monroe positioned in front of a red background; Haring used a poster of the actress onto which he applied sumi ink in a series of outlines, marks and drips over the face, neck, chest and shoulders.


A human face in anguish, with hands raised to his cheeks, looks out from the center of a visual field full of slashing diagonals and explosive triangles of color. On the left side, smoke billows.
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
Man standing at a podium, crowd surrounding, one man on a horse.



This remarkable still life depicts a table crowded with, among other things, a gilded covered goblet, a wide saucer-shaped silver tazza, a celestial globe painted with images of the constellations, a skull wearing a laurel wreath, and an extinguished candle, all rendered in exquisite detail with careful attention paid to the effects of light and texture. While the arrangement of objects may appear casual, the composition is artfully balanced along two diagonal axes centered on the two cups that lie crossed on the table. The repetition of ovoid shapes throughout the painting and the monochrome tonality with its restricted range of hues and values, a hallmark of Heda's style, assures the seamless integration of the sundry objects into a unified whole.<br />
A group of soldiers drag a piece of artillery through shallow water. 
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.

Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.



This photograph depicts a woman standing and holding a glass in an interior space.

A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.


A wooden post of stacked geometric forms and a small seated figure on top, seated at a table.



People inside their home that has been destroyed by a flood.


Two figures are seen riding through the water in the foreground; the woman is nude save for an elaborate headdress, the man holds a tortoise shell as a shield and has an antler-like object on his head and has a serpent-like body which supports the woman. Behind is a minutely described landsape with walled town, castle, and along the opposite bank o the water, nude females swimming and a man running in alarm to the water&#39;s edge.
Black and white print using Ben Day dots to depict a part of the facade of a temple.






Two figures are seen riding through the water in the foreground; the woman is nude save for an elaborate headdress, the man holds a tortoise shell as a shield and has an antler-like object on his head and has a serpent-like body which supports the woman. Behind is a minutely described landsape with walled town, castle, and along the opposite bank o the water, nude females swimming and a man running in alarm to the water&#39;s edge.

This pink and tan print has a large photo of a teddy bear cake at the center, surrounded by abstract forms.


Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.


Photograph of a tableau from a Catholic church in Calvario, Patzuaro, Mexico. The scene includes a male figure at the center, with two women and one man arranged behind him.

This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
This vertical oriented print shows a robot sitting on a chair with a revolver in his right hand. 

There is a warrior monk in the middle of the page holding black armor above his head, getting ready to toss it. There are a couple lines of writing above his head and a signature and two seals in the bottom right corner of the hanging scroll.




At the center of the etching are three or four amorphous figures in white and two shades of black, made in crosshatching. The figures are entwined and have animal and bird-like features. The background is crosshatched to the edges of the page. The print is signed (l.r.) "Max Ernst" and numbered (l.l.) "57/70" in pencil.
A child playing on top of a deflated circus tent.
View of an empty street in front of a men's clothing store.

This photograph depicts an aerial view of a coastline with waves approaching the shore.



Half-length seated portrait of a bearded man, his face in profile, wearing a military uniform.
A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.
This painting shows a train wagon filled with people in the foreground, and many train wagons following in the background. The train wagon and the people in it are being attacked by people on horses with tribal headwears and using weapons such as bows and arrows and axes. People in the train wagon are of Caucasion decent and have rifles pointed at those who seem to be Native Americans.



Text: New Consecration is the Duty of the Living so that Our Dead Shall Not Have Died in Vain - (center) &quot;To such a task (Victory over German Autocracy and all it represents) we can dedicate our lives and our fortunes, everything that we are and everything that we have, with the pride of those who know that the day has come when America is privileged to shed her blood and her treasure for the principles that gave her birth and happiness and the peace which she has treasured. God helping her, she can do no other.&quot; - Woodrow Wilson - (left panel heading) Al Soldier&#39;s Farewell - Written on the Even of his Departure &hellip; - (right panel heading) A Mother&#39;s Comfort - Words of Plato Console Now Whose Son Fell in Battle &hellip; - (bottom) &quot;You ask me when peace will come. We went into this war for a great and worthy object. Peace will come when that object has been attained. Before God I hope it may not come until that time.&quot; - Abraham Lincoln In Darkest Days of Civil War - Issued by
Night view of New York City skyscrapers seen from above.

Collection with 87 items
Visual Narrative
The image depicts a two-doored red cabinet, outlined in thick black lines. It has a light blue handle on each door. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
A photograph of four young men sitting in a car. A young child runs past the car in the foreground, blurred from motion.
Woodcut print with some distortion/fading in lines in upper right corner (hilt of sword, trumpet, light rays); broken lines near right arm of Christ; text visable through paper.






Two figures are seen riding through the water in the foreground; the woman is nude save for an elaborate headdress, the man holds a tortoise shell as a shield and has an antler-like object on his head and has a serpent-like body which supports the woman. Behind is a minutely described landsape with walled town, castle, and along the opposite bank o the water, nude females swimming and a man running in alarm to the water&#39;s edge.
A man hunches over as he carries the end of an oar. He is barefoot and wears robes in several bright patterns. A sword is visible at his right hip. One of his legs is raised as if to take a step. The background behind him is water.<br /><br /> This is the center panel of a triptych (with 2011/2.193.1 and 2011/2.193.3).<br /><br /> Inscriptions: Sendō Matsuemon jitsu wa Higuchi no Jirō; Kuniyoshi ga (Artist's signature); To (Publisher's seal); Hama, Magome (Censor's seals)<br />  








The artist has captured the story of the deer hunt with the fewest possible elements, in a way that is instantly recognizable and yet takes liberties with the classical tale. The forest is represented by two trees and a few sprays of foliage; the deer is a mundane gray, not magical gold; and Sita waits anxiously in a white marble pavilion, rather than a thatched hut. The vibrantly colored backgrounds divide the composition into zones that create mood and organize the narrative.

Collection with 22 items
Warfare
A human face in anguish, with hands raised to his cheeks, looks out from the center of a visual field full of slashing diagonals and explosive triangles of color. On the left side, smoke billows.
A group of soldiers drag a piece of artillery through shallow water. 



There is a warrior monk in the middle of the page holding black armor above his head, getting ready to toss it. There are a couple lines of writing above his head and a signature and two seals in the bottom right corner of the hanging scroll.


Half-length seated portrait of a bearded man, his face in profile, wearing a military uniform.
This painting shows a train wagon filled with people in the foreground, and many train wagons following in the background. The train wagon and the people in it are being attacked by people on horses with tribal headwears and using weapons such as bows and arrows and axes. People in the train wagon are of Caucasion decent and have rifles pointed at those who seem to be Native Americans.

Text: New Consecration is the Duty of the Living so that Our Dead Shall Not Have Died in Vain - (center) &quot;To such a task (Victory over German Autocracy and all it represents) we can dedicate our lives and our fortunes, everything that we are and everything that we have, with the pride of those who know that the day has come when America is privileged to shed her blood and her treasure for the principles that gave her birth and happiness and the peace which she has treasured. God helping her, she can do no other.&quot; - Woodrow Wilson - (left panel heading) Al Soldier&#39;s Farewell - Written on the Even of his Departure &hellip; - (right panel heading) A Mother&#39;s Comfort - Words of Plato Console Now Whose Son Fell in Battle &hellip; - (bottom) &quot;You ask me when peace will come. We went into this war for a great and worthy object. Peace will come when that object has been attained. Before God I hope it may not come until that time.&quot; - Abraham Lincoln In Darkest Days of Civil War - Issued by

Collection with 13 items
Workers and Labor


A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.
Night view of New York City skyscrapers seen from above.
Collection with 4 items
Social Inclusion and Exclusion

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
February 7, 2020 1:29 p.m.

59 Items in this Learning Collection
Black and African American Woman Artists
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Resource with 26 media
American Orientalist art at the turn of the 20th century

Resource with 5 media
Art of interest to Judaic Studies
A black and white photograph of the area beneath the Eiffel Tower. A shadow from an arch of the structure covers most of the ground. A crowd of people stand beneath the tower.
Resource with 514 media
Art of the Works Progress Administration WPA

Resource with 175 media
All Artists in the Degenerate Art Show

Resource with 311 media
Artists of the Harlem Renaissance

Resource with 14 media
Asian America in Art

;
This drawing shows the head of a man. Sketched lines with shading around cheeks and eyes, which are closed, create the visage.  A faintly visible hat is sketched on the head. The drawing is signed (u.r.) "Anton Refregier." It may also say "San Francisco" although the handwriting is not clear.


This photograph depicts a view of a desert landscape with a fish hanging from the top of a thin pole in the foreground. &nbsp;Behind the fish is a small cemetery that has mounds and crosses and in the distance are a few small buildings. Two more poles with fish hanging from them appear farther away in the image to the right of the fish in the foreground.
Photo of a woman in a floor-length and brightly striped formal gown standing in a multi-level staircase. The photo is taken from above and captures the woman, her companion, and the ornate handrail and stair runner.
An oil painting on canvas, this is an abstract painting predominantly using black and white oil paints. The background appears to be white paint with a black box on the upper half. The two colors are connected by a long black brushstroke down the middle. The brushstroke does not touch the edges of the canvas but instead takes up 2/3 of the canvas length-wise and 1/3 width-wise.&nbsp;
This calm, horizontal abstract watercolor has registers of aquamarine, ochres, greens and dark blues. 

Collection with 10 items
Borders of Identity in North America
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Resource with 87 media
Cowboys and Cowboy Art
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
Resource with 41 media
The Crowd
Man standing at a podium, crowd surrounding, one man on a horse.
Resource with 117 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
Early Modern European Court Life
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
Resource with 79 media
Early Modern European Peasants
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.
Resource with 62 media
Early Modern European Portraits and Self-Fashioning

Resource with 60 media
Education


Collection with 2 items
Enrique Chagoya: Flipping Europe on its Head

Resource with 4 media
Environmental Justice

Resource with 95 media
Ethnicity and Race
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.

A black and white photograph of the area beneath the Eiffel Tower. A shadow from an arch of the structure covers most of the ground. A crowd of people stand beneath the tower.

Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.

Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
Beige bowl, wider at the top, with a rim formed in a braided pattern.

A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.

This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Image of men with their backs turned and looking toward the viewer's left. All are wearing overcoats and hats, with some wearing top hats and flowers in their lapels. 
Collection with 18 items
European Primitivisms
Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.
Resource with 53 media
Exploring Gender and Sexuality
A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
Resource with 124 media
Exploring Identity and Identity Politics in American Culture
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
Resource with 78 media
Femmes Fatales
This photograph depicts a woman standing and holding a glass in an interior space.
Resource with 35 media
Gender and Sex
A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
This photograph depicts a woman standing and holding a glass in an interior space.
A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
Oak panel with screen print; signed K.Haring 88 along lower right edge.

Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
Waist and legs of a reclining nude seen from the back.

Night view of New York City skyscrapers seen from above.
Collection with 15 items
Girlhood
A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
Resource with 316 media
Jacob Lawrence, Hiroshima Series 

Resource with 10 media
History of Western Sexuality and Gender Roles
Oak panel with screen print; signed K.Haring 88 along lower right edge.
Resource with 107 media
Indigenous North America Arts
Beige bowl, wider at the top, with a rim formed in a braided pattern.
Resource with 104 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
Looking Into the Mirror

Resource with 44 media
Manifest Destiny and the American West

Resource with 76 media
Mothers and Children
Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
Resource with 73 media
Oppositional Photography, Outsider Photography
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
Resource with 181 media
Orientalism

Resource with 57 media
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Poverty
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
Resource with 99 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
Race, Gender, Class, and American Identity
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Resource with 343 media
Representations and Misrepresentations of Indigenous America

Resource with 65 media
Representations of Women in Medieval and Early Modern Europe
This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
Resource with 69 media
School and Education in the U.S.

Resource with 24 media
Sexuality and Censorship
Waist and legs of a reclining nude seen from the back.
Resource with 49 media
Social Class
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

Shack belonging to a group of ragpickers.
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.

A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.

Night view of New York City skyscrapers seen from above.
Collection with 14 items
Social Justice

Resource with 348 media
Social Justice
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.



Shack belonging to a group of ragpickers.




Two women holding signs at a protest march. They are talking together on the side of a street.
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 


Shack belonging to a group of ragpickers.
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings

This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.


Night view of New York City skyscrapers seen from above.

Collection with 26 items
Social Justice and Art in the 18th Century

Resource with 87 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art, 1969-today
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Resource with 42 media
Social Justice and Art in the 19th Century

Resource with 74 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
Underdogs, Everyday Heroes, Antiheroes
A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.
Resource with 52 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
Witches and Witchcraft

Resource with 25 media
Work and Workers

Resource with 340 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Political Activism and Movements

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
February 7, 2020 1:29 p.m.

30 Items in this Learning Collection
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Art of the Works Progress Administration WPA

Resource with 175 media
Artists of the Harlem Renaissance

Resource with 14 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
Environmental Justice

Resource with 95 media
Exiles of the Spanish Civil War

Resource with 26 media
Jacob Lawrence, Hiroshima Series 

Resource with 10 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
Era of the Mexican Revolution and the Mexican Muralist Movement

Resource with 83 media
Postcolonial Art

Resource with 31 media
Poverty
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
Resource with 99 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
Revolution

Collection with 1 item
School and Education in the U.S.

Resource with 24 media
Social Justice

Resource with 348 media
Social Justice
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.



Shack belonging to a group of ragpickers.




Two women holding signs at a protest march. They are talking together on the side of a street.
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 


Shack belonging to a group of ragpickers.
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings

This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.


Night view of New York City skyscrapers seen from above.

Collection with 26 items
Social Justice and Art in the 18th Century

Resource with 87 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art, 1969-today
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Resource with 42 media
Social Justice and Art in the 19th Century

Resource with 74 media
Social realism, mid-19th century to mid-20th century
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Resource with 79 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Human Rights

Resource with 152 media

Social Justice

26 Items in this Learning Collection
Social Justice and Art, 1969-today
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Resource with 42 media
Social Justice

Resource with 348 media
Artists of the Harlem Renaissance

Resource with 14 media
Art of the Works Progress Administration WPA

Resource with 175 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
Education


Collection with 2 items
Environmental Justice

Resource with 95 media
Jacob Lawrence, Hiroshima Series 

Resource with 10 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Poverty
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
Resource with 99 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
School and Education in the U.S.

Resource with 24 media
Social Justice and Art in the 18th Century

Resource with 87 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art in the 19th Century

Resource with 74 media
Social realism, mid-19th century to mid-20th century
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Resource with 79 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Human Rights

Resource with 152 media

Part of 3 Learning Collections
American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

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K-12 Educator
K-12 Student
Museum Visitor
UMMA Docent
UMMA Staff
University Faculty
University Student

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Created by

David M Choberka
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Creative Commons by-nc-sa

Last Updated

February 7, 2020 1:29 p.m.

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