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Between and Mortarboard


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African American Woman Artists

This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Carrie Mae Weems
After Manet
2002 – 2003
chromogenic print | paper
Museum purchase made possible by the W. Hawkins Ferry Fund
2004/2.3
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Elizabeth Catlett
Malcolm X Speaks for Us
1969
linoleum cut | paper
Gift of Elizabeth Catlett
2006/1.96
An assemblage of found objects: a salvaged wood frame with wood inlay letters spelling "COLORED," four portrait photographs of African American females (two photogaphs on either side of a printed poem), nine thread samples under photographs, and one hand mirror hanging on a decorative brass hook to the viewer's right of the frame. The poem reads: <br />
"Light is Alright<br />
Yellow is Mellow<br />
Brown, Stick Around<br />
Black, Get Back<br />
(but black don't crack)"<br /><br />
The wood has a strong smell, may have been treated with molasses.<br /><br />
 
Betye Saar
Colored
2002
photographs, paper, thread, wood |
Museum purchase made possible by Dr. James and Vivian Curtis and the W. Hawkins Ferry Fund
2003/1.406
This pop-up book has laser-cut black silhouettes on white paper. Text contrasts with background; white text on black pages, black text on white pages. There is a ship embossed on the cover of the book.
Kara Walker
Freedom, a Fable
1997
paper |
Gift of The Peter Norton Family Foundation
1997/1.527
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.3
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.1
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.5
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.2
A horizontal lighbox enclosed by a wide, black molded frame in which Kara Walker's signature silhouettes are encased in linen and lit from behind. Silhouettes represent four figures: a man and child at viewer's left, two women at right.
Kara Walker
Untitled
1996 – 1997
cut paper | linen
Museum purchase made possible by the W. Hawkins Ferry Fund and anonymous individual benefactors
2006/1.152
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.4
Howardena Pindell
Kyoto (Positive/Negative)
1980
etching and lithograph | paper
Museum purchase made possible by the David G. Parkes Memorial Fund
1990/1.191
A rectangular wooden box containing ceramic, rubber, and bronze wishbones encased in felt. A lithographed felt card rests on top of the wishbones. The text on the felt card reads: Wish #1 Wish # 2 Wish #3. The box top is engraved with "III" on the front. 
Lorna Simpson
III
1994
wood, lithograph, felt, ceramic, rubber, bronze |
Gift of The Peter Norton Family Foundation
1994/1.84

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African american culture — by seth@whirl-i-gig.com (February 13 2017 @ 11:48 am)
American culture — by seth@whirl-i-gig.com (February 13 2017 @ 11:48 am)
Americas — by seth@whirl-i-gig.com (February 13 2017 @ 11:48 am)
Black american culture — by seth@whirl-i-gig.com (February 13 2017 @ 11:48 am)
Gender — by seth@whirl-i-gig.com (February 13 2017 @ 11:48 am)
North america — by seth@whirl-i-gig.com (February 13 2017 @ 11:48 am)
Social criticism — by seth@whirl-i-gig.com (February 13 2017 @ 11:48 am)
U.s. culture — by seth@whirl-i-gig.com (February 13 2017 @ 11:48 am)
United states — by seth@whirl-i-gig.com (February 13 2017 @ 11:48 am)
Women — by seth@whirl-i-gig.com (February 13 2017 @ 11:48 am)
Women's studies — by seth@whirl-i-gig.com (February 13 2017 @ 11:48 am)

Part of 4 Learning Collections

American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

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Last Updated

March 15, 2018 1:20 p.m.

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