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Environmental Justice

John Collier
View from the Dix Road Bridge, Detroit, Michigan, from "Detroit Focus 2000"
1998
black and white photograph | paper
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
2003/2.69.6
Russ Marshall
Industrial Study 5, Detroit, Michigan, from "Detroit Focus 2000"
1998
black and white photograph | paper
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
2003/2.69.25
Michael Kenna
The Rouge Study #68, Dearborn, MI
1994 - 1995
sepia-toned gelatin silver print | paper
Gift of Shirley Kollins in memory of Lee Kollins
2002/2.306
Laton Alton Huffman
A Killing of Elk
1875
colotype print | paper
Gift of Dr. & Mrs. Michael Fauman
1983/2.54
This is a black and white photograph depicting a rocky hillside in a barren landscape. There are craggy peaks in the background and some scrub type vegetation. The viewpoint is from above looking down.
Joe Deal
Indio, California, from "The Fault Zone"
1978
gold-toned gelatin silver print | paper
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.130.1
This is a black and white photograph depicting a rocky landscape scene. There are sharp cliff walls, striated with grooves, and two dirt roads with tire tracks. In the center portion, there is a grouping of seventeen piles of dirt, all of a similar size, and scrub like vegetation. The viewpoint is from above looking down.
Joe Deal
San Bernardino, California (I), from "The Fault Zone"
1978
gold-toned gelatin silver print | paper
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.130.2
This is a black and white photograph depicting two sides of a rural road running through the upper portion of the work. In the foreground, where the viewer stands, is a grassy hillside that slopes downward toward the road. There are some small skinny trees, large boulders and rocks. In the background there are low lying buildings, telephone poles and rows of cultivated trees.
Joe Deal
Fontana, California, from "The Fault Zone"
1978
gold-toned gelatin silver print | paper
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.130.3
This is a black and white photograph depicting an outdoor scene with dense vegetation. Leafy plants cover the ground in the front and taller bushes and trees are in the background. The viewpoint is from above looking down.
Joe Deal
Newport Beach, California, from "The Fault Zone"
1979
gold-toned gelatin silver print | paper
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.130.4
This is a black and white photograph of an outdoor scene showing a rocky mountainside with block retaining walls and scrub like vegetation. In front of this slope are three multilevel dirt roads with tire tracks. In the foreground is a long cement slab, like a roadway curb.
Joe Deal
Brea, California, from "The Fault Zone"
1979
gold-toned gelatin silver print | paper
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.130.6
This is a black and white photograph of a residential street seen from above, as if the viewer is standing on a nearby hillside. In the forefront are tall bushes through which are seen the flat roofs of the closely spaced houses below. On the other side of the street, the houses are wedged between the road and another steep hillside.
Joe Deal
Baldwin Hills, California, from "The Fault Zone"
1979
gold-toned gelatin silver print | paper
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.130.7
This is a black and white photograph of the face of a rock wall with a long striation running through it. In the foreground there is stringy vegetation and on the right edge there is a cropped view of a wooden balcony suspended in space.
Joe Deal
Glendale, California, from "The Fault Zone"
1979
gold-toned gelatin silver print | paper
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.130.8
This is a black and white photograph of an outdoor scene of a rocky hilltop. In the foreground are large boulders with vegetation growing among them. The hillside slopes down toward a distant valley iwith cultivated fields and straight roads. On the horizon is another set of rocky hillsides.
Joe Deal
Hemet, California, from "The Fault Zone"
1979
gold-toned gelatin silver print | paper
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.130.9

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Activism — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Coexistence with nature — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Consumption — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Ecocriticism — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Ecology — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Environment — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Environmental impact — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Environmentalism — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Natural resources — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Nature — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Nature conservation — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Politics — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Social criticism — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Social justice — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)

Part of 5 Learning Collections

American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

92 Collection Object Sources

Michigan Worker (2004/1.153)
Liberty Renewed (2004/2.43)
American Dream (2005/1.412)
Life Raft (2005/1.413)
Urban Daydream (2005/1.414)
Urban Daydream II (2005/1.415)
Untitled (2014/2.121)
Untitled (1990/1.222)
Untitled (1990/1.224)
Untitled (1990/1.226)
Untitled (1990/1.227)
Untitled (1990/1.233)
Untitled (1990/1.234)
Untitled (1990/1.235)
Untitled (1990/1.236)
Untitled (1990/1.239)
Untitled (1997/2.35A)
Wells (2004/1.97)
Smoke Stacks (2016/2.162)
Save Nature (2017/2.73 )
Save Nature (2017/2.78)
Life to Share (2017/2.80)
Life to Share (2017/2.81)
Earth Day '95 (2016/2.219)

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Creative Commons by-nc-sa (University of Michigan Museum of Art)

Last Updated

January 22, 2019 3:43 p.m.

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