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Images of Jerusalem

Albrecht Dürer
Entry into Jerusalem, from the Small Passion
1511
woodcut | laid paper
Gift of the Estate of Beatrice Bishop Berle
1993/2.2
A series of architectural spaces unfold, each showing figures engaged in some activity.  At right, the largest figure is shown seated looking upwards towards a light source.  The same figure, somewhat smaller, walks from right to left towards  a small architectural space at the left where the same figure lays a hand on the head of a kneeling woman.  Other scenes continue into the distance.
Marten van Heemskerck
St. Peter Baptising at Jerusalem
1568 - 1578
pen and brown ink | cream paper
Museum Purchase
1965/1.158
A. R. Penck
Snow in Jerusalem, from the portfolio "Expedition to the Holyland"
1983
aquatint | Arches vellum paper
Museum purchase made possible by a gift from Helmut Stern
1984/2.2.12
James McBey
The Advance on Jerusalem -- Wadi Ali (Second Palestine Set, No. 4)
1920
etching | paper
Gift of Carl Fredric Clarke
1949/1.76
Conical-shaped building situated between two hills in a rocky, mostly barren landscape. 
Francis Frith
Absalom's Tomb, Jerusalem
1857
albumen print | paper
Gift of Frederick P. and Amy McCombs Currier
1988/1.98.1-2
Elevated view of a domed brick building with many levels positioned on the edge of a steep ravine.
Francis Frith
Convent of Mar-Saba, Near Jerusalem
1857
albumen print | paper
Gift of Frederick P. and Amy McCombs Currier
1988/1.95.1-2
Laurent de La Hyre
A Scene from 'La Gerusalemme Liberata:' Tancred Mourns Clorinda
1620s
black and white chalk | brown paper
Purchased from the Estate of Edward Sonnenschein
1970/2.89
Laurent de La Hyre
A Scene from 'La Gerusalemme Liberata:' Tancred and Clorinda
1620s
black and white chalk | brown paper
Purchased from the Estate of Edward Sonnenschein
1970/2.88
Francesco Cincinato
The Entry of Christ into Jerusalem
1629
pen and brown ink with brown wash
Gift through the Estate of Edward Sonnenschein
1970/2.27
Laurent de La Hyre
Battle Between the Christians and the Saracens, a scene from Torquato Tasso, "La Gerusalemme Liberata"
17th century
black and white chalk | brown paper
Purchased from the Estate of Edward Sonnenschein
1970/2.87
The Roman emperor Vespasian sits in an interior receiving a document from a standing figure to the right of the composition.  The emperor is dressed in a white robe and sits on a red chair to the left of the composition.  The interior is largely dark, with the exception of the emperor, whose figure is brightly lit.<br />The painting is in the original frame, which is constructed to resemble a Roman Temple with base, entablature, and fluted ionic pilasters.
Lawrence Alma-Tadema
Vespasian hearing from one of his generals of the taking of Jerusalem by Titus
1866
oil | panel
Museum purchase made possible by the W. Hawkins Ferry Fund
2004/2.143
Lorenzo Tiepolo
Rinaldo Abandoning Armida
1751 - 1753
etching | medium, textured dark cream laid paper
Museum Purchase
1996/2.2

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Israel — by seth@whirl-i-gig.com (February 13 2017 @ 12:30 pm)
Jerusalem — by seth@whirl-i-gig.com (February 13 2017 @ 12:30 pm)
Middle east — by seth@whirl-i-gig.com (February 13 2017 @ 12:30 pm)
Palestine — by seth@whirl-i-gig.com (February 13 2017 @ 12:30 pm)

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Last Updated

March 6, 2017 1:20 a.m.

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