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Between and Mortarboard


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Immigration, Migration, and Displacement

Around and behind a central image of a sewing machine are overlapping images of people, ships, a building fire, the Statue of Liberty, and small blocks of text.
Ida Abelman
My Father Reminisces
1937
lithograph | paper
Allocated by the U.S. Government
Commissioned through the New Deal art projects
1943.2
This print has three main images all printed in a monochromatic grey. At the top is an image of a man, in a tweed coat and fur hat, polishing a motorcycle. The scene is from a pier. The sign says "GANGWAY 1," with the ocean and the Statue of Liberty in the background. The central image is a detail of the face of the Statue of Liberty, with a small boy visible in her crown. The bottom image is more abstracted shapes from a dot-matrix image.
Sir Eduardo Paolozzi
Fifty Nine Varieties of Paradise
1965 - 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.31
A view of steerage passengers gathered on two decks of a steamship. 
Alfred Stieglitz
The Steerage
1907 - 1915
photogravure | paper
Museum purchase made possible by a gift from Helmut Stern
1995/2.23

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Part of 4 Learning Collections

American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

43 Collection Object Sources

The Steerage (1995/2.23)
The Road to Shu (1970/2.152)
Power Figure (2005/1.192)
Chair (1992/1.136)
Beaded Coronet (1997/1.345)
Tent Hanging (1984/1.268)
Horse Amulet (1984/1.265)

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Last Updated

May 14, 2018 11:44 a.m.

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