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U.S. Vietnam War

Richard Wilt
Chart for Vietnam, No. 2
1968
acrylic | canvas
Gift of Ron and Judy Milestone
2005/2.2
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Richard Wilt
Chart for Vietnam, No. 2
1968
acrylic | canvas
Gift of Ron and Judy Milestone
2005/2.3
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Copies of men's high school portraits from yearbook pages collaged onto board. There are words written across in red, blue, orange and purple crayon "The Class of 65...."
Michael Joseph
Diptych on Vietnam (one of two)
1950 - 1999
collage | panel
Gift of H. David Zucca
2013/2.308A
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Spray painted image of a soldier running in action wearing a gas mask. Overall colors of white, red, green, yellow and pink. There is text across the image "The Class of 65..."
Michael Joseph
Diptych on Vietnam (two of two)
1950 - 1999
paint | panel
Gift of H. David Zucca
2013/2.308B
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People in a crowd protesting, they are holding American flags.
Roy Arenella
Peace March
04/15/1967 - 2000
gelatin silver print | paper
Gift from the Collection of David S. Rosen MD, MPH
2013/2.94
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Richard Hamilton
Kent State
1970
screenprint | paper
Gift of Graham and Marianne Smith
1991/2.84
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Jack Youngerman
C-4
1964
brush and ink | white paper
Museum Purchase
1965/1.176
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This photolithograph is oriented horizontally and created in multiple colors. On each side, at top left and right, there is a block of squares within squares, in a variety of colors—orange, blue, purple, white, pink, yellow, brown. Below these blocks are multi-colored bands of horizontal stripes; below these are bands of vertical stripes. At the center of the image, there are two photographic images: on the left, a woman with dark hair and light skin with earrings on a yellow-orange background, and on the right, a brown-haired man in yellow playing an electric guitar on an indigo-blue background. Below the photographs is a horizontal line of multi-colored vertical stripes. At the bottom in the center is a series of rondels, each with a cartoonish multi-colored scene: left to right, girl and floating, horned mask, a cowboy with guns, and a clown. The artists signed and dated the print at the base. 
Sir Eduardo Paolozzi
An Empire of Silly Statistics...A Fake War for Public Relations
1965 - 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.10
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On a vertically-oriented page, with printed image extending to the borders of the page, there are various scenes and images combined together. There are two main registers. On the bottom, there is a collaged image of a woman putting on lipstick at the beach, and the rear end of a classic car to the right. To the left, there are two smaller frames: on top there is an urban street scene collaged with demolished cars, and on the bottom there is a single scene of a fashion office orstudio with three women. In the top register, there are four main frames. On the right, the largest scene in the print, there is an image of a soldier with a handgun collaged with an image of a small child with a soldier's helmet on his head. The boy holds a bucket. To the left, there are three smaller images, each showing a man and a woman in varying degrees of fancy dress. The overall scene is printed in a vibrant orange color.
Sir Eduardo Paolozzi
Pig or Person, it's the same, Fortune plays a funny game
1965 - 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.34
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Robert Rauschenberg
Test Stone #3 from BOOSTER AND 7 STUDIES
1967
color lithograph | paper
Gift of the Marvin Felheim Collection
1983/1.325
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This photograph depicts a scene at a crowded political demonstration in a city. The crowd is waving flags and signs, and a reporter is extending a microphone to a yelling man wearing a construction hardhat.
Garry Winogrand
New York City
1970
gelatin silver print | paper
Gift of Stanley T. Lesser, A.B. 1951, J.D. 1953
1981/2.65.5
View Object Record
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12 Tags & 0 Keywords
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Americas — by seth@whirl-i-gig.com (February 13 2017 @ 1:08 pm)
Cold war era — by seth@whirl-i-gig.com (February 13 2017 @ 1:08 pm)
Empires — by seth@whirl-i-gig.com (February 13 2017 @ 1:08 pm)
North america — by seth@whirl-i-gig.com (February 13 2017 @ 1:08 pm)
Politics — by seth@whirl-i-gig.com (February 13 2017 @ 1:08 pm)
Protests — by seth@whirl-i-gig.com (February 13 2017 @ 1:08 pm)
Trauma — by seth@whirl-i-gig.com (February 13 2017 @ 1:08 pm)
U.s history — by seth@whirl-i-gig.com (February 13 2017 @ 1:08 pm)
United states — by seth@whirl-i-gig.com (February 13 2017 @ 1:08 pm)
Vietnam war — by seth@whirl-i-gig.com (February 13 2017 @ 1:08 pm)
War — by seth@whirl-i-gig.com (February 13 2017 @ 1:08 pm)
Wartime — by seth@whirl-i-gig.com (February 13 2017 @ 1:08 pm)

Part of 6 Learning Collections
American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>
American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

1 Collection Object Source
New York City (1981/2.65.5)

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Americas
Cold war era
Empires
North america
Politics
Protests
Trauma
U.s history
United states
Vietnam war
War
Wartime

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University Faculty
University Student

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Created by

David M Choberka
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& Author Notes

Creative Commons by-nc-sa (University of Michigan Museum of Art)

Last Updated

February 7, 2020 2:42 p.m.

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