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Between and Mortarboard

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23 Items in this Learning Collection
After Manet
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Collection Object
Nez Percé Babe
This is a portrait of a baby in a cradleboard, taken against a dark backdrop. The baby is tied into the carrying device, which is decorated with floral motifs. A patterned blanket is draped around the base of the cradleboard.
Collection Object
A Friend Visits
A woman wearing a blue shirt beneath a white coat is in front of a window. Through the window, viewers can see a snowy landscape with a blue house and electrical wires. 
Collection Object
Mother and Child

Collection Object
Chasing the Geese

Collection Object
Standing Hunter

Collection Object
Spirit Bird

Collection Object
Fish Line
four figures standing behind an oblong element decorated with or holding fish beneath a suspended fishing line. 
Collection Object
Seated Eskimo Hunter

Collection Object
Man at Seal Hole

Collection Object
Inuit woman at a hair salon
Image of a smiling woman with short, dark hair, seen from the shoulders up in the far right foreground of the frame. A blurred reflection of her and a standing woman in a light dress can be seen in the far left background.
Collection Object
Hunter with Harpoon

Collection Object
Summer Tent

Collection Object
Daughter of Tamáḣŭs—Cayuse
A portrait of an aging woman. She looks directly into the lens, wearing braids, strands of beaded necklaces, and a garment with geometric lines.
Collection Object
Spídĭs—Wishham
A portrait of an aging man. He wears a tusk septum piercing and two long braids, with a garment draped over his soulders. A circular embroidered design is visible near the bottom of the frame.
Collection Object
Shirt—Kalispel
A single-sitter portrait, with the subject wearing two braids and a decorated shirt. The subject wears large circular earrings and multiple strands of beadwork, which contrast against the dark shirt and backdrop.
Collection Object
A Corner of Taos and a Kiva Entrance
A photograph of adobe structures in a desert landscape. Each structure is square, many with small windows. To the left, a wooden structure is visible in the background.
Collection Object
Póvi-Támuⁿ ("Flower Morning") - San Ildefonso
This is a portrait of a young woman against a plain, dark backdrop. She wears a draped cloth garment, strands of beadwork looped around her neck. Her hair is cut in a short style with blunt, thick bangs covering her forehead. 
Collection Object
An Old Man of Waiyám
A photograph of an aged man sitting and looking straight into the camera. He holds a large feather in his lap, his costume adorned with embroidery. He wears a large feather headdress on his head. He appears to be sitting in an enclosed area, with patterned cloths on the floor and hanging around him.
Collection Object
Oka and Walmacho
In this painting, done in broad brush strokes, the figures of two women fill the composition. The woman on the right is seated in profile and the other, standing behind her, gazes out into the distance. They both wear shawls which make their bodies monolithic forms. A strong outline appears, especially around their heads, because they are set againist a plain white wall. There is also a strong color contrast between the dark black shawl worn by the standing woman and light pink shawl of the seated one. An amulet made of bone and feathers hangs on the wall in the upper right corner of the painting.
Collection Object
The Attack on an Emigrant Train
This painting shows a train wagon filled with people in the foreground, and many train wagons following in the background. The train wagon and the people in it are being attacked by people on horses with tribal headwears and using weapons such as bows and arrows and axes. People in the train wagon are of Caucasion decent and have rifles pointed at those who seem to be Native Americans.
Collection Object
Young Crow Groom, Fort Keogh

Collection Object
Hunter

Collection Object

Copyright
All Rights Reserved ()

Young Crow Groom, Fort Keogh

Accession Number
1983/2.76

Title
Young Crow Groom, Fort Keogh

Artist(s)
Laton Alton Huffman

Object Creation Date
1854-1931

Medium & Support
colotype print on paper

Dimensions
17 15/16 in x 10 ½ in (45.56 cm x 26.67 cm);28 ⅛ in x 22 ⅛ in (71.44 cm x 56.2 cm)

Credit Line
Gift of Dr. & Mrs. Michael Fauman


Primary Object Classification
Photograph

Collection Area
Photography

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
Figures
Native American
Portraits
half-length
males
modern and contemporary art

41 Related Resources
Art for Postcolonial Critique
(Part of 3 Learning Collections)
Manifest Destiny and the American West
(Part of 11 Learning Collections)
Photographic Portraiture in the 19th Century
(Part of: Identity and Self-Understanding)
Human Rights
(Part of 8 Learning Collections)
W19 Ballinger - HIST 202 - Doing History
(Part of: Resources Made by Isabel Engel)
Settler vision / Manifest Destiny - photography of Laton Alton Huffman
(Part of: W20 Shin - AMCULT 405 - Empire And American Culture)
F20 Gunning - HONORS 241 - The Fall and Rise of American Empire
(Part of: Resources Made by Isabel Engel)

& Author Notes

All Rights Reserved