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Between and Mortarboard

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Monuments and Memorials

Peter Sager
1920 - 1946
woodcut | paper
Gift of The Ann Arbor Art Association, in memory of Ruby S. Churchhill
This black and white stereoscopic image features two images of that Boston Massacre Monument. A sculpture of a man holding a spear in front of a large, vertical, white, piller with a pointed top. Trees take up the right side of the image.
Artist Unknown
Stereoscope Image: Boston Massacre Monument, Boston
photograph | cardboard
Gift of Margaret and Howard Bond
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Ansel Adams
Canyon de Chelly National Monument, Arizona
gelatin silver print | paper
Gift of Harry H. Lunn, Jr.
Howard Bond
Sky Bowl, Great Sand Dunes National Monument, Colorado
gelatin silver print | paper
Gift of Margaret and Howard Bond
Herbert W. Johe
The Corinthian Order from the Monument of Lysiscrates, Athens (ca. 335 BC)
watercolor | paper
Gift of Herbert W. and Susan L. Johe
George W. Wilson
The Wallace Monument
1823 – 1893
albumen print | paper
Gift of Margaret and Howard Bond
Athens - Choregic Monument of Lysicrates
1860 – 1870
albumen print | paper
Transfer from the Kelsey Museum of Archaeology
View of the Walter Scott monument in Edinburgh, Scotland.
The Scott Monument
1880 – 1900
albumen print | paper
Gift of Margaret and Howard Bond
Man standing, arm broken off, proper right, wood exposed.
Randolph Rogers
Model of Proposed Monument for Admiral Farragut
1845 – 1885
painted plaster |
Gift of Randolph Rogers
Campo SS Giovanni & Paolo (San Zanipolo) with Verrocchio's Colleoni Monument, Ve
1867 – 1899
albumen print | paper
Gift of Mr. and Mrs. W. Howard Bond
This print has a series of images on a drawn grid. They include flat images of a threeway plug, a figure resembling Mickey Mouse, a tube of redish orange lipstick, and a pink Good Humor popsicle. The objects are arranged two by two on a gridded back ground. Labels accompany the individual objects: "three way plug", "geometric mouse", "lipstick", and "good humour", respectively. In addition, behind the lipstick there is a drawing of a light switch that is labeled "switches". The print is numbered (l.l.) "210/250" and signed (l.r.) "Oldenburg" in pencil.
Claes Oldenburg
System of Iconography--Plug, Mouse, Good Humor, Lipstick, Switches
1970 – 1971
lithograph | paper
Gift of the Marvin Felheim Collection
William Blake
Copy after John Flaxman's 'Monument to Agnes Cromwell'
1757 – 1827
graphite | white paper
Bequest of Margaret Watson Parker


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Comparative — by (February 13 2017 @ 12:42 pm)
Memorialization — by (February 13 2017 @ 12:42 pm)
Memory — by (February 13 2017 @ 12:42 pm)
Monuments — by (February 13 2017 @ 12:42 pm)

Part of 4 Learning Collections

American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

150 Collection Object Sources

Monument (1972/2.23)
Chester Cathedral (1987/1.328)
Cathedral (2004/1.94)
Ely Cathedral (1992/2.37)
Louvain (1972/2.515)
Rodez Cathedral (1973/1.723)
Temple (1983/1.136)
Temple of Autos (2004/1.155)
Thai Temple (2004/2.44)
Temple bell (2002/2.237D)
Ancient Temple (1952/2.9)
Temple Banner (1991/2.32)
Robe (1996/1.36)
Temple of Dendera (1980/1.155)
Temple of Apollo (1984/2.58.7)
Temple of Apollo (1984/2.58.8)
Sunset, Yosemite (1985/1.108)
Stadium (1984/2.58.5)
Acropolis (1984/2.58.2)
Roman Forum (1983/2.182)
Eiffel Tower (1948/1.69)
Temple of Poseidon (1984/2.58.1)

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Creative Commons by-nc-sa (University of Michigan Museum of Art)

Last Updated

April 7, 2020 6:15 p.m.


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