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Influence of Asian Aesthetics on American Abstraction

Sugai Kumi
Cousin du Diable
1963
oil | canvas
Gift of Mr. Keith Wellin
1971/2.65
Seong Moy
Angel #2
1921 – 1991
screenprint | paper
Gift of Leslie Olsen, from the collection of Marvin Felheim
1991/1.134
Sam Francis
Untitled, from SUITE NO. 4
1958 – 1968
color lithograph | paper
Gift of the Marvin Felheim Collection
1983/1.317
The background of this print is covered with whitish paint or gesso that reveals the texture of the canvas, brush, and its application. Where material has been applied to the canvas there are small wrinkles. Dashes of black paint appear on the lower two thirds of the collage. What looks like a signature is in the bottom left.
Chuang Che
Homage
oil and acrylic paint | canvas
Gift from the Collection of Patricia O'Connor
2010/2.32
Krishna Reddy
Dawn Worship
1925 – 1979
engraving | paper
Museum Purchase
1979/1.152
Chuang Che
Southern Mountain
1966
oil and collage | canvas
Museum Purchase
1967/2.37
An abstract print of a composite of black undefined shapes.
Philip Guston
Untitled VIII/X
1966
lithograph | paper
Bequest of Gertrude Kasle
2016/2.89
The whole print has a rather greenish hue and is broken up horizontally just below the center of the print by a row of black objects, which are likely trees. Just below this space are what appear to be waves on the surface of the pond made by white curves lines. 
Naoko Matsubara
Winter Pond
1971
woodblock print | paper
Gift of Marilyn Symmes in honor of Mr. and Mrs. Charles Sawyer
1990/2.62
At the center of the lithograph, a tree's black trunk stretches from the bottom to the top of the print. The tree's abstract leaves and branches spread across the top of the print and there is ground cover across the bottom in exagerated texture. Signed (l.r.) "Moore" and numbered (l.l.) "53/150" in pencil.
Henry Moore
Forest
1973
lithograph | Hodgkinson paper
Gift of Corrine Lemberg
2011/1.124
This oil painting has an abstract composition at the lower right with clusters of white patches against a black and deep blue background. The painting is signed and dated (l.c.) "Raza '63".
Sayed Haider Raza
Grey Landscape
1963
oil | canvas
Gift of the Estate of Richard H. Shackson
2015/2.21
Helen Frankenthaler
Connected by Joy
1969 – 1973
aquatint and etching | paper
Museum Purchase
1974/1.257
This print has an abstract design with thick black circular lines. There are blue circles in bottom right corner of the print and a red, yellow, and orange abstract shape in center of print. The print is signed (l.r.) "Matta" and numbered (l.l.) "64/125" in pencil.
Roberto Matta
La Catalyseur
1961
color etching and aquatint | Arches paper
Museum Purchase
1962/2.35

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40 Collection Object Sources

Angel #2 (1991/1.134)
Homage (2010/2.32)
Dawn Worship (1979/1.152)
Untitled VIII/X (2016/2.89)
Winter Pond (1990/2.62)
Forest (2011/1.124)
Grey Landscape (2015/2.21)
Connected by Joy (1974/1.257)
La Catalyseur (1962/2.35)
Image Scape #16 (1983/1.415)
Untitled (1989/1.41)
Beginnings (1976/1.206)
Voice (1968/2.27)
Chicago (1974/1.259)
Door County, WI (1981/2.15)
Composition (2000/2.123)
Untitled (2016/2.88)
Untitled (1983/1.200)
Bunraku (1974/1.254)
Africa 1 (2016/2.105)
Frontal (1971/1.191)
No. 1 (1970/2.141)
Untitled (1979/1.145)
Juggler's Debt (1997/1.119)
The Locket (2011/1.86)
Untitled (1995/2.1)
October (1973/1.806)
Untitled (1974/1.260)
Dispassionateness (2008/2.167)
Palimpsest - II (2007/1.89)
2 Feb '78 (2015/2.43)
Untitled (1984/2.72)
Hillside Number 2 (1964/1.117)

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Last Updated

May 7, 2019 9:57 a.m.

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