Southern Landscapes and Cityscapes

A foggy landscape with silhouetted trees recedes from the left into the hazy distance and sky. The corners of the images are vignetted and the photograph is toned with tea, giving it a light brown-peach color. 
Sally Mann
Virginia, Untitled (Blue Hills)
gelatin silver print, toned with tea, on paper
30 x 38 in. (76.2 x 96.52 cm);32 x 40 in. (81.28 x 101.6 cm)
Museum purchase made possible by Myron and Bobbie Levine
Antique- and aged-looking photograph of a dreamy, perhaps nocturnal, landscape. In the foreground, a massive tree rises up into the hazy night, and trees recede into the distance. White pock marks give the whole scene, sky and land, an ethereal starry look.
Sally Mann
Battlefields, Manassas (Lumpy Cedar)
varnished gelatin silver print on paper
40 in. x 4 ft. 2 1/16 in. (101.6 x 127.16 cm);40 1/2 in. x 4 ft. 2 11/16 in. (102.87 x 128.75 cm)
Museum purchase made possible by the W. Hawkins Ferry Fund
Girl standing in a field holding on to the sides of her bright white dress.
Sally Mann
Easter Dress
gelatin silver print on paper
8 in x 10 in (20.32 cm x 25.4 cm)
Gift from the Collection of David S. Rosen MD, MPH
A girl and a man standing in front of a dollhouse.
Sally Mann
Untitled
gelatin silver print on paper
8 in x 10 in (20.32 cm x 25.4 cm)
Gift from the Collection of David S. Rosen MD, MPH
View of the main mansion of the Greenwood Plantation in Louisiana.
Walker Evans
Greenwood Plantation, Louisana
gelatin silver print on paper
10 in x 8 in (25.4 cm x 20.3 cm);14 3/8 in x 19 3/8 in (36.51 cm x 49.21 cm);9 1/2 in x 7 5/8 in (24.2 cm x 19.3 cm)
Gift of Mr. and Mrs. Harry H. Lunn, Jr., in Honor of the Centennial of The Michigan Daily
American
View of Charleston, South Carolina
engraving on paper
8 3/8 x 20 7/8 in. (21.27 x 53.02 cm);22 1/16 x 28 1/16 in. (56.04 x 71.28 cm);6 3/4 x 19 13/16 in. (17.15 x 50.32 cm)
The Paul Leroy Grigaut Memorial Collection
Jane C. Stanley
St. Philip's, Charleston
graphite on white paper
17 7/8 x 11.9 in. (45.4 x 30.32 cm)
Bequest of Margaret Watson Parker
In this painting there are six buildings surrounded by green grass and tall tress without leaves. On the right side of the painting, a green and brown water tank rises out of and stands above the buildings at the height of a tree house. A brown fence separates the water tank from the buildings behind it.
Henry Lee McFee
Buildings with Water Tank (Bellevue Plantation, Virginia)
oil on canvas
29 15/16 in x 24 3/16 in (76.04 cm x 61.44 cm);35 3/8 in x 29 1/2 in (89.85 cm x 74.93 cm)
Gift of The Ann Arbor Art Association, in memory of Ruby S. Churchhill
Large oak tree.
Sam Stauffer
300-Year Old Louisiana Oak
gelatin silver print on paper
13 3/8 in. x 10 1/4 in. ( 33.97 cm x 26.04 cm )
Gift of Margaret and Howard Bond
View of an unfurnished room, whose walls are decorated with pilasters.
Walker Evans
Breakfast Room at Belle Grove Plantation, White Chapel, Louisiana
gelatin silver print on paper
14 4/5 in x 19 4/5 in (37.62 cm x 50.32 cm);14 4/5 in x 19 4/5 in (37.62 cm x 50.32 cm);20 in x 24 in (50.8 cm x 60.96 cm)
Museum purchase made possible by the W. Hawkins Ferry Fund
View of pond and surrounding scenery. The pond creates a mirrored image of the sky above.
Norm Walker
Pond at Magnolia Plantation
gelatin silver print on paper
10 1/4 in. x 13 1/4 in. ( 26.04 cm x 33.66 cm )
Gift of Margaret and Howard Bond
John Huddleston
Conrad Noll/Tapp Farm, Wilderness, Virginia, 5-7 May 1864
photograph and photocopy on paper
11 7/8 in. x 26 7/8 in. ( 30.2 cm x 68.2 cm )
Museum purchase made possible by the W. Hawkins Ferry Fund

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American culture — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
Americas — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
Cities — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
Landscapes — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
North america — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
Rural life — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
U.s. culture — by seth@whirl-i-gig.com (February 13 2017 @ 1:01 pm)
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April 4, 2020 1:13 p.m.

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