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F15 Carroll - AMCULT 301 / LATINOAM 301 / ENGLISH 407 - Codeswitch: Hybrid identities in American culture.

Photograph of field with wild flowers. Church is visible in background. Dark, thick clouds loom overhead.<br /><br /> Eva Caston 2017
Elliott Erwitt<br><em>Church at Wounded Knee, from "Portfolio of 15 Photographs"</em><br>1969 - 1988<br>gelatin silver print | paper<br>Gift of Gerald Lotenberg<br>1981/2.194.1
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The color screenprint depicts four dark skinned figures walking past a construction site—likely a family. The man is dressed in a black suit, black shoes, yellow tie, and tan hat. The woman wears a red and white dress, yellow jacket, and red cap. The little girl stands to the left of mother, holding her hand. She wears a yellow dress, white tights, brown shoes, and a red cap. A small boy wears brown pants, tan shoes, a yellow shirt, and blue jacket. He stands to the right of the father and holds his hand.  <br /><br /> In the background, there are three men working at the construction site. There are two men in blue jumpsuits, one has dark skin and the other white. A third dark skinned man wears a gray jumpsuit and holds a saw. The print is signed and dated (l.r.) "Jacob Lawrence 1974" in pencil.
Jacob Lawrence<br><em>Builders (The Family)</em><br>1974<br>screenprint | paper<br>Gift of Dr. James and Vivian Curtis<br>1997/1.532
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This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon<br><em>Untitled </em><br>1992<br>etching, aquatint, spitbite, sugarlift | Rives BFK paper<br>Museum Purchase<br>1993/2.13.1
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Enrique Chagoya<br><em>UtopianCannibal.org</em><br>2000<br>color lithograph, woodcut, chine collé, and collage<br>Museum Purchase made possible by the Jean Paul Slusser Memorial Fund<br>2001/2.81
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Manuel Carrillo<br><em>Woman Against Wall Eating, and Feeding Baby</em><br>20th century<br>gelatin silver print | paper<br>Gift of Mr. &amp; Mrs. Arnold M. Gilbert<br>1981/2.10
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This pring shows the shoulders and skull of a skeleton wearing a wide brimmed hat adorned with plumes and decorative objects. 
José Guadalupe Posada<br><em>Calavera de la Catrina</em><br>1905 - 1915<br>relief etching | paper<br>Museum Purchase<br>1958/1.124
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In this line drawing, three figures are seated on the ground, in a diagonal row, making hats out of grasses. The first has a large bundle of raw materials, the second appears to be weaving them, and the third, a woman, is holding a nearly finished hat. Behind them is a large pile of hats.
Diego Rivera<br><em>Hat Makers</em><br>1931<br>India ink<br>Gift of Mrs. Florence L. Stol<br>1964/2.42
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Portrait of a young boy and woman. The boy stands with his right arm akimbo and his left arm resting on the corner of a building. The woman crouches next to the building, with her head just below the boy's arm.
Paul Strand<br><em>Woman and Boy, Tenancingo</em><br>1933<br>photogravure | paper<br>Gift of Mr. and Mrs. Philip C. Davis through the Friends of the Museum of Art<br>1971/2.126.9
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Photograph of a tableau from a Catholic church in Calvario, Patzuaro, Mexico. The scene includes a male figure at the center, with two women and one man arranged behind him.
Paul Strand<br><em>Calvario, Patzcuaro</em><br>1933<br>photogravure | paper<br>Gift of Mr. and Mrs. Philip C. Davis through the Friends of the Museum of Art<br>1971/2.126.12
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Manuel Alvarez Bravo<br><em>How Small the World Is</em><br>1942 - 1981<br>gelatin silver print | paper<br>Gift of Lawrence and Carol Zicklin<br>1987/1.174.15
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Manuel Alvarez Bravo<br><em>The Man from Papantla</em><br>1977<br>gelatin silver print | paper<br>Gift of Frederick J. Myerson<br>1983/1.101.8
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A photograph of a group of five young men in front of a door and brick wall, which are covered in graffiti. Two men stand on the left, one puts on sunglasses and crouches toward the other two, one sitting and one standing, on the right.
Danny Lyon<br><em>Isia, Slex, Carlos, Eddie, and Eliot with Memorials</em><br>1992<br>gelatin silver print | paper<br>Gift of Thomas Wilson '79 and Jill Garling '80<br>2013/2.352
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American culture — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Americas — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Identity — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Intersectionality — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
North americas — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
Race and ethnicity — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
U.s. culture — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)
University class selection — by seth@whirl-i-gig.com (February 13 2017 @ 12:17 pm)

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American culture
Americas
Identity
Intersectionality
North americas
Race and ethnicity
U.s. culture
University class selection

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