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Sp15 MacGillivray - AMCULT 204 - Historical and Contemporary Perspectives on Gender and Sexuality in North American Borderlands

This photograph depicts an elevated, wide view of a curving river winding through a wooded valley, with snowcapped mountains rising in the distance. The sky above the landscape is filled with clouds.
Ansel Adams
The Tetons and the Snake River, Grand Teton National Park, Wyoming
1942
gelatin silver print | paper
Gift of Harry H. Lunn, Jr.
1982/2.74
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.1
This print is a contour drawing of several rows of figures: in the foreground are three squating figures facing away from the viewer; in the background are several squatting figures facing the viewer, and in between are standing figures. The squatting figures sit before the goods they are selling and the standing figures are purchasing from them. 
Diego Rivera;Weyhe Gallery
El Mercado
1930
lithograph | paper
Museum Purchase
1950/1.172
This pring shows the shoulders and skull of a skeleton wearing a wide brimmed hat adorned with plumes and decorative objects. 
José Guadalupe Posada
Calavera de la Catrina
1905 - 1915
relief etching | paper
Museum Purchase
1958/1.124
Photograph of field with wild flowers. Church is visible in background. Dark, thick clouds loom overhead.<br /><br />
Eva Caston 2017
Elliott Erwitt
Church at Wounded Knee, from "Portfolio of 15 Photographs"
1969 - 1988
gelatin silver print | paper
Gift of Gerald Lotenberg
1981/2.194.1
This photograph depicts a view of a desert landscape with a fish hanging from the top of a thin pole in the foreground. &nbsp;Behind the fish is a small cemetery that has mounds and crosses and in the distance are a few small buildings. Two more poles with fish hanging from them appear farther away in the image to the right of the fish in the foreground.
Patrick Nagatani
Japanese Children's Day Carp Banners, Paguate Village, Jackpile Mine Uranium Tailings, Laguna Pueblo Reservation, New Mexico
1990
dye destruction print | paper
Gift of Beverly Baker in memory of Morris D. Baker
2004/1.106
Manuel Alvarez Bravo
How Small the World Is
1942 - 1981
gelatin silver print | paper
Gift of Lawrence and Carol Zicklin
1987/1.174.15
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Leopoldo Méndez
Lo que puede venir
1945
woodcut | paper
Museum Purchase
1949/1.181
Figures in front of a large planar wall. On the left, there is one seated female in a white cloack and one standing female in a black cloack. Both of these women's faces are visible. At the center, there is a women in a black cloack carrying two large sacs and walking towards the right. To her right, there are two man walking away in dark costumes, holding rifles and wearing white, wide-brimmed hat. On the far right, there is a women walking away and dressed in white with two hair-braids visible. 
José Orozco
Marching Women
1883 - 1933
lithograph | paper
Museum Purchase
1948/1.72
David Courlander
#5 Westward Ho: In the Days of the Old Gold Rush
1900 - 1961
oil | canvas
Gift of Harold Courlander
1985/2.88
The color screenprint depicts four dark skinned figures walking past a construction site—likely a family. The man is dressed in a black suit, black shoes, yellow tie, and tan hat. The woman wears a red and white dress, yellow jacket, and red cap. The little girl stands to the left of mother, holding her hand. She wears a yellow dress, white tights, brown shoes, and a red cap. A small boy wears brown pants, tan shoes, a yellow shirt, and blue jacket. He stands to the right of the father and holds his hand.  <br /><br />
In the background, there are three men working at the construction site. There are two men in blue jumpsuits, one has dark skin and the other white. A third dark skinned man wears a gray jumpsuit and holds a saw. The print is signed and dated (l.r.) "Jacob Lawrence 1974" in pencil.
Jacob Lawrence
Builders (The Family)
1974
screenprint | paper
Gift of Dr. James and Vivian Curtis
1997/1.532
Elliott Erwitt
Pennsylvania Dutch and Adidas, Santa Cruz, U.S.A., from "Recent Developments"
1975
gelatin silver print | paper
Gift of Lawrence and Carol Zicklin
1987/1.175.5

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American culture — by seth@whirl-i-gig.com (February 13 2017 @ 12:18 pm)
Americas — by seth@whirl-i-gig.com (February 13 2017 @ 12:18 pm)
Identity — by seth@whirl-i-gig.com (February 13 2017 @ 12:18 pm)
Intersectionality — by seth@whirl-i-gig.com (February 13 2017 @ 12:18 pm)
North america — by seth@whirl-i-gig.com (February 13 2017 @ 12:18 pm)
Race and ethnicity — by seth@whirl-i-gig.com (February 13 2017 @ 12:18 pm)
U.s. culture — by seth@whirl-i-gig.com (February 13 2017 @ 12:18 pm)
University class selection — by seth@whirl-i-gig.com (February 13 2017 @ 12:18 pm)

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Last Updated

March 1, 2018 4:46 p.m.

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