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W16 Steward - HISTORY 197 - Crossing the Color Line

This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
etching, aquatint, spitbite, sugarlift on Rives BF
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
etching, aquatint, spitbite, and sugarlift on Rives BFK paper
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
This print has rows of stencilled black text in all capital letters on black background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
etching, aquatint, spitbite, and sugarlift on Rives BFK paper
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
An assemblage of found objects: a salvaged wood frame with wood inlay letters spelling &quot;COLORED,&quot; four portrait photographs of African American females (two photogaphs on either side of a printed poem), nine thread samples under photographs, and one hand mirror hanging on a decorative brass hook to the viewer&#39;s right of the frame. The poem reads:&nbsp;<br />
&quot;Light is Alright<br />
Yellow is Mellow<br />
Brown, Stick Around<br />
Black, Get Back<br />
(but black don&#39;t crack)&quot;<br />
<br />
The wood has a strong smell, may have been treated with molasses.<br />
<br />
&nbsp;
Betye Saar
Colored
mixed media assemblage with photographs, paper, and thread on wood
14 ½ in x 30 in x 1 ½ in (36.83 cm x 76.2 cm x 3.81 cm);10 in x 5 in x ½ in (25.4 cm x 12.7 cm x 1.27 cm)
Museum purchase made possible by Dr. James and Vivian Curtis and the W. Hawkins Ferry Fund
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Carrie Mae Weems
After Manet
chromogenic print on paper
33 ¾ in x 33 ¾ in x 1 ½ in (85.73 cm x 85.73 cm x 3.81 cm);33 ¾ in x 33 ¾ in x 1 ½ in (85.73 cm x 85.73 cm x 3.81 cm)
Museum purchase made possible by the W. Hawkins Ferry Fund
The color screenprint depicts four dark skinned figures walking past a construction site—likely a family. The man is dressed in a black suit, black shoes, yellow tie, and tan hat. The woman wears a red and white dress, yellow jacket, and red cap. The little girl stands to the left of mother, holding her hand. She wears a yellow dress, white tights, brown shoes, and a red cap. A small boy wears brown pants, tan shoes, a yellow shirt, and blue jacket. He stands to the right of the father and holds his hand.  <br /><br />
In the background, there are three men working at the construction site. There are two men in blue jumpsuits, one has dark skin and the other white. A third dark skinned man wears a gray jumpsuit and holds a saw. The print is signed and dated (l.r.) "Jacob Lawrence 1974" in pencil.
Jacob Lawrence
Builders (The Family)
screenprint on paper
34 in x 25 3/4 in (86.36 cm x 65.41 cm);29 15/16 in x 22 1/8 in (76.04 cm x 56.2 cm);38 3/4 in x 28 in (98.43 cm x 71.12 cm)
Gift of Dr. James and Vivian Curtis
Jacob Lawrence
Two Builders Playing Chess
soft ground etching and aquatint on paper
19 7/8 in. x 25 1/8 in. ( 50.5 cm x 63.8 cm )
Gift of Dr. James and Vivian Curtis
Jacob Lawrence
Ten Builders
soft ground etching and aquatint on paper
19 11/16 in x 24 ⅞ in (50.01 cm x 63.18 cm);22 1/16 in x 28 ⅛ in (56.04 cm x 71.44 cm);10 4/5 in x 16 4/5 in (27.46 cm x 42.7 cm)
Gift of Dr. James and Vivian Curtis
This is an abstract face of a figure looking to the right. The head is divided into compartments of varying textures by several straight lines. There are piano keys are on the left side of the head, and a cigarette at top left.&nbsp;
Sargent Claude Johnson
Lenox Avenue
lithograph on paper
12 ½ in x 8 9/16 in (31.75 cm x 21.75 cm)
Allocated by the U.S. Government Commissioned through the New Deal art projects
A studio portrait of a young African American woman in 1920s apparel, including a short hairstyle, stockings, necklace, and dress. She stands with her left leg resting on a bench with her right arm akimbo.
James Van Der Zee
Model
gelatin silver print on paper
7 in x 5 in (17.78 cm x 12.7 cm);14 5/16 in x 19 5/16 in (36.35 cm x 49.05 cm)
Museum Purchase
A photograph of a man resting on two large fallen trees. He has a large moustache and wears a casual suit and a hat. 
Imogen Cunningham
Northwest Native
gelatin silver print on paper
16 3/8 in x 13 1/4 in (41.6 cm x 33.7 cm);22 1/4 in x 18 3/16 in (56.52 cm x 46.2 cm);13 11/16 in x 10 11/16 in (34.7 cm x 27.1 cm)
Gift of the Marvin Felheim Collection
This is a portrait of two young boys. They stand inside a tipi or tent, wearing large headdresses and beadwork around their shoulders. The interior of the space is filled with patterned blankets and cloths. 
Edward S. Curtis
Sons of a Yakima Chief
photogravure on paper
9 in x 12 1/4 in (22.8 cm x 31.2 cm);19 7/16 in x 14 3/8 in (49.3 cm x 36.5 cm);14 3/8 in x 19 7/16 in (36.5 cm x 49.3 cm)
Gift of Stephen M. Taylor

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African american culture — by seth@whirl-i-gig.com (February 13 2017 @ 12:53 pm)
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Last Updated

April 4, 2020 7:43 p.m.

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