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Part of: Political Activism and Movements (30 resources )
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Political Activism and Movements

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
April 4, 2020 7:40 p.m.

30 Items in this Learning Collection
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Art of the Works Progress Administration WPA

Resource with 175 media
Artists of the Harlem Renaissance

Resource with 14 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
Environmental Justice

Resource with 95 media
Exiles of the Spanish Civil War

Resource with 26 media
Jacob Lawrence, Hiroshima Series 

Resource with 10 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
Era of the Mexican Revolution and the Mexican Muralist Movement

Resource with 83 media
Postcolonial Art

Resource with 31 media
Poverty
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
Resource with 99 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
Revolution

Collection with 1 item
School and Education in the U.S.

Resource with 24 media
Social Justice

Resource with 348 media
Social Justice
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.



Shack belonging to a group of ragpickers.




Two women holding signs at a protest march. They are talking together on the side of a street.
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 


Shack belonging to a group of ragpickers.
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings

This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.


Night view of New York City skyscrapers seen from above.

Collection with 26 items
Social Justice and Art in the 18th Century

Resource with 87 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art, 1969-today
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Resource with 42 media
Social Justice and Art in the 19th Century

Resource with 74 media
Social realism, mid-19th century to mid-20th century
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Resource with 79 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Human Rights

Resource with 152 media
Social Inclusion and Exclusion

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
April 4, 2020 7:40 p.m.

59 Items in this Learning Collection
Black and African American Woman Artists
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Resource with 26 media
American Orientalist art at the turn of the 20th century

Resource with 5 media
Art of interest to Judaic Studies
A black and white photograph of the area beneath the Eiffel Tower. A shadow from an arch of the structure covers most of the ground. A crowd of people stand beneath the tower.
Resource with 514 media
Art of the Works Progress Administration WPA

Resource with 175 media
All Artists in the Degenerate Art Show

Resource with 311 media
Artists of the Harlem Renaissance

Resource with 14 media
Asian America in Art

;
This drawing shows the head of a man. Sketched lines with shading around cheeks and eyes, which are closed, create the visage.  A faintly visible hat is sketched on the head. The drawing is signed (u.r.) "Anton Refregier." It may also say "San Francisco" although the handwriting is not clear.


This photograph depicts a view of a desert landscape with a fish hanging from the top of a thin pole in the foreground. &nbsp;Behind the fish is a small cemetery that has mounds and crosses and in the distance are a few small buildings. Two more poles with fish hanging from them appear farther away in the image to the right of the fish in the foreground.
Photo of a woman in a floor-length and brightly striped formal gown standing in a multi-level staircase. The photo is taken from above and captures the woman, her companion, and the ornate handrail and stair runner.
An oil painting on canvas, this is an abstract painting predominantly using black and white oil paints. The background appears to be white paint with a black box on the upper half. The two colors are connected by a long black brushstroke down the middle. The brushstroke does not touch the edges of the canvas but instead takes up 2/3 of the canvas length-wise and 1/3 width-wise.&nbsp;
This calm, horizontal abstract watercolor has registers of aquamarine, ochres, greens and dark blues. 

Collection with 10 items
Borders of Identity in North America
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Resource with 87 media
Cowboys and Cowboy Art
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
Resource with 41 media
The Crowd
Man standing at a podium, crowd surrounding, one man on a horse.
Resource with 117 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
Early Modern European Court Life
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
Resource with 79 media
Early Modern European Peasants
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.
Resource with 62 media
Early Modern European Portraits and Self-Fashioning

Resource with 60 media
Education


Collection with 2 items
Enrique Chagoya: Flipping Europe on its Head

Resource with 4 media
Environmental Justice

Resource with 95 media
Ethnicity and Race
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.

A black and white photograph of the area beneath the Eiffel Tower. A shadow from an arch of the structure covers most of the ground. A crowd of people stand beneath the tower.

Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.

Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
Beige bowl, wider at the top, with a rim formed in a braided pattern.

A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.

This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Image of men with their backs turned and looking toward the viewer's left. All are wearing overcoats and hats, with some wearing top hats and flowers in their lapels. 
Collection with 18 items
European Primitivisms
Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.
Resource with 53 media
Exploring Gender and Sexuality
A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
Resource with 124 media
Exploring Identity and Identity Politics in American Culture
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
Resource with 78 media
Femmes Fatales
This photograph depicts a woman standing and holding a glass in an interior space.
Resource with 35 media
Gender and Sex
A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
This photograph depicts a woman standing and holding a glass in an interior space.
A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
Oak panel with screen print; signed K.Haring 88 along lower right edge.

Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
Waist and legs of a reclining nude seen from the back.

Night view of New York City skyscrapers seen from above.
Collection with 15 items
Girlhood
A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
Resource with 316 media
Jacob Lawrence, Hiroshima Series 

Resource with 10 media
History of Western Sexuality and Gender Roles
Oak panel with screen print; signed K.Haring 88 along lower right edge.
Resource with 107 media
Indigenous North America Arts
Beige bowl, wider at the top, with a rim formed in a braided pattern.
Resource with 104 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
Looking Into the Mirror

Resource with 44 media
Manifest Destiny and the American West

Resource with 76 media
Mothers and Children
Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
Resource with 73 media
Oppositional Photography, Outsider Photography
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
Resource with 181 media
Orientalism

Resource with 57 media
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Poverty
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
Resource with 99 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
Race, Gender, Class, and American Identity
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Resource with 343 media
Representations and Misrepresentations of Indigenous America

Resource with 65 media
Representations of Women in Medieval and Early Modern Europe
This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
Resource with 69 media
School and Education in the U.S.

Resource with 24 media
Sexuality and Censorship
Waist and legs of a reclining nude seen from the back.
Resource with 49 media
Social Class
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

Shack belonging to a group of ragpickers.
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.

A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.

Night view of New York City skyscrapers seen from above.
Collection with 14 items
Social Justice

Resource with 348 media
Social Justice
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.



Shack belonging to a group of ragpickers.




Two women holding signs at a protest march. They are talking together on the side of a street.
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 


Shack belonging to a group of ragpickers.
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings

This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.


Night view of New York City skyscrapers seen from above.

Collection with 26 items
Social Justice and Art in the 18th Century

Resource with 87 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art, 1969-today
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Resource with 42 media
Social Justice and Art in the 19th Century

Resource with 74 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
Underdogs, Everyday Heroes, Antiheroes
A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.
Resource with 52 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
Witches and Witchcraft

Resource with 25 media
Work and Workers

Resource with 340 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Social Justice

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
April 4, 2020 7:40 p.m.

26 Items in this Learning Collection
Social Justice and Art, 1969-today
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Resource with 42 media
Social Justice

Resource with 348 media
Artists of the Harlem Renaissance

Resource with 14 media
Art of the Works Progress Administration WPA

Resource with 175 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
Education


Collection with 2 items
Environmental Justice

Resource with 95 media
Jacob Lawrence, Hiroshima Series 

Resource with 10 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Poverty
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
Resource with 99 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
School and Education in the U.S.

Resource with 24 media
Social Justice and Art in the 18th Century

Resource with 87 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art in the 19th Century

Resource with 74 media
Social realism, mid-19th century to mid-20th century
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Resource with 79 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Human Rights

Resource with 152 media
Module 8: Amplify BIPOC Voices

Copyright
All Rights Reserved
Created by
Isabel Engel
Last Updated
April 4, 2020 7:40 p.m.

17 Items in this Learning Collection
Race, Gender, Class, and American Identity
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Resource with 343 media
Black and African American Woman Artists
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Resource with 26 media
Sultana's Dream - short story by Rokeya Sakhawat Hossain / visual adaptation by Chitra Ganesh
W1siziisijiwmjavmdcvmjgvbnnnew45odl0x0noaxryyudhbmvzaf9uywtlyxdhes5wzgyixsxbinailcj0ahvtyiisiji0mhgymdailhsizm9ybwf0ijoicg5niiwiznjhbwuiojb9xsxbinailcjjb252zxj0iiwilwjhy2tncm91bmqgd2hpdguglwfscghhihjlbw92zsjdxq?sha=c7bcf8a091bc5624
Download
Resource with 28 media
Collection Ensemble
chromogenic print

Ship chasing another ship. Shore on the right hand side of the painting.


This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Aluminum shaft with block letters cast in black plastic.
This photograph depicts an abstract composition of faceted dark shapes with red, orange and yellow edges. It was created by exposing a sheet of folded photographic paper to light and then developing it. 
Collection with 8 items
Artists of the Harlem Renaissance

Resource with 14 media
Indigenous North America Arts
Beige bowl, wider at the top, with a rim formed in a braided pattern.
Resource with 104 media
Representations and Misrepresentations of Indigenous America

Resource with 65 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
Social Justice and Art, 1969-today
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Resource with 42 media
Inuit Art for Touring

Resource with 28 media
W19 Kee - HISTART 383 - Modern Asian Art
This vertical print frames a view of a landscape with an up close view of a bird in the upper right corner that takes up about thirty percent of the image.<br />The viewer is positioned alongside the bird, circling the sky above the twin peaks of a mountain. A crate floats in the water below while smaller birds flocking around it. Snow covers the ground.<br />The signature and title markings are in the upper right corner, and in the middle along the left side above the landscape.
Resource with 15 media
Art of the Mughal Empire
The painting is part of a manuscript page. The painting occupies the left side of the page while the text occupies the panel on the right. The painting features Devi in the foreground who receives a demon warrior. Devi holds a white trident in one of her four arms while another arm holds a cup. She sits in front of a domed white marble structure, facing the demon warrior, who has a sword and bow and arrow.
Resource with 99 media
Manchu, Qing Dynasty
A round porcelain vase-shaped snuff bottle with blue underglaze. Painted on the snuff bottle is a design of a Manchu bannermen on horses in a landscape. &nbsp;
Resource with 86 media
Pre-Columbian Central & South America

Resource with 24 media
W20 Erickson - Art History 312: Art of Japan
The shape of the circle repeats four times in this painting. It appears in the plump body of Hotei, his head, his large white sack, and the overall shape of the fan.
Resource with 17 media
PAST - AAS 208 / HISTART 208: Introduction to African Art: 100 African Objects 
Standing male figure on a round base with hands at the sides. Around the waist are two strings of black and blue beads, a  string of round, orange beads around the neck, as well as a geometric pattern on the abdomen and brass around the ankles. On each cheek are four horizontal grooves topped by three vertical grooves and three vertical grooves. The pupils are metal and the hair is in a conical shape with a small knob and coated in blue pigment. 
Resource with 31 media
Korean Art for Touring
Wood rectangular pillow covered in a white cotton slip with embroidered flowers on the end. Red base with gold border containing blue Korean characters.
Resource with 15 media

Social Justice and Art, 1969-today

This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Elizabeth Catlett
Malcolm X Speaks for Us
linoleum cut on paper
( )
Gift of Elizabeth Catlett
View Object Record
This photograph depicts a scene at a crowded political demonstration in a city. The crowd is waving flags and signs, and a reporter is extending a microphone to a yelling man wearing a construction hardhat.
Garry Winogrand
New York City
gelatin silver print on paper
9 1/16 in x 13 7/16 in (23.02 cm x 34.13 cm)
Gift of Stanley T. Lesser, A.B. 1951, J.D. 1953
View Object Record
This photograph depicts a scene at a crowded political demonstration. A reporter stands at the center of the frame and is interviewing a woman. Behind them are handmade picket signs.
Garry Winogrand
New York City
gelatin silver print on paper
9 1/16 in x 13 7/16 in (23.02 cm x 34.13 cm)
Gift of Stanley T. Lesser, A.B. 1951, J.D. 1953
View Object Record
Richard Hamilton
Kent State
screenprint on paper
28 11/16 in. x 40 1/16 in. ( 72.8 cm x 101.7 cm )
Gift of Graham and Marianne Smith
View Object Record
A mixed media assemblage consisting of welding goggles, rusted metal, a padlock, and two rusted bells hanging from a chain mounted on a wooden board with screws. The position of the objects, with goggles at the top, makes the assemblage look vaguely face-like.
George Vargas
Michigan Worker
welding goggles, metal, hanging bells, rusty bottle cap, pulleys, chains, and padlock mounted on plywood
20 7/8 in x 10 3/8 in x 2 9/16 in (53.02 cm x 26.35 cm x 6.51 cm);20 7/8 in x 10 3/8 in x 2 9/16 in (53.02 cm x 26.35 cm x 6.51 cm)
Gift of the artist
View Object Record
Interior view of a bedroom with chests of drawers and a dressing glass mirror.
Walker Evans
Bedroom, Fisherman's House, Nova Scotia
gelatin silver print on paper
10 in x 8 in (25.4 cm x 20.3 cm);14 3/8 in x 19 3/8 in (36.51 cm x 49.21 cm);72 3/16 in x 7 1/4 in (183.4 cm x 18.4 cm)
Gift of Mr. and Mrs. Harry H. Lunn, Jr., in Honor of the Centennial of The Michigan Daily
View Object Record
This photograph depicts two figures seated at a picnic table outside a rural home.
Walker Evans
Robert Frank's House, Nova Scotia
gelatin silver print on paper
8 in x 10 in (20.32 cm x 25.4 cm);14 3/8 in x 19 3/8 in (36.51 cm x 49.21 cm);7 11/16 in x 7 5/8 in (19.53 cm x 19.37 cm)
Gift of Mr. and Mrs. Harry H. Lunn, Jr., in Honor of the Centennial of The Michigan Daily
View Object Record
Manny Crisostomo
Image from "A Class Act", Detroit, Michigan, from "Detroit Focus 2000"
color photograph on paper
11 in. x 14 in. ( 27.9 cm x 35.5 cm )
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
View Object Record
Don Doll, S.J.
James Holy Eagle, 102 Years Old, from "Detroit Focus 2000"
color photograph on paper
14 in. ( 35.5 cm )
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
View Object Record
Todd Weinstein
Torah in Auschwitz, from "Detroit Focus 2000"
black and white photograph on paper
11 in. x 14 in. ( 27.9 cm x 35.5 cm )
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
View Object Record
Object Orange
Auburndale Site, Highland Park, MI, #5
iris print on paper
33 1/16 in. x 22 1/4 in. ( 84 cm x 56.5 cm )
Museum purchase made possible by Stuart and Maxine Frankel
View Object Record
Single orange building on snow-covered ground with a large tree on the viewer's right. 
Object Orange
Auburndale Site, Highland Park, MI, #4
iris print on paper
22 ⅛ in x 33 1/16 in (22 ⅛ in x 83.98 cm);21 ⅝ in x 32 ½ in (21 ⅝ in x 32 ½ in);22 ⅛ in x 33 1/16 in (22 ⅛ in x 83.98 cm)
Museum purchase made possible by Stuart and Maxine Frankel
View Object Record
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Activism — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Comparative — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Cultural criticism — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Human rights — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Politics — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Radicalism — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Rebellion — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Social criticism — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Social history — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Social justice — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Social realism — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)

Part of 4 Learning Collections
American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

42 Collection Object Sources
New York City (1981/2.65.5)
New York City (1981/2.65.8)
Kent State (1991/2.84)
Michigan Worker (2004/1.153)
Ups and Downs (2002/1.202)
Untitled (1993/2.13.1)
Art Attack (1991/1.137)
Untitled (1993/2.13.3)
Untitled (1993/2.13.4)
Untitled (1993/2.13.2)
Marilyn Monroe (1997/1.123)
Ice House (2012/2.2)
Untitled (1993/2.63)
Colored (2003/1.406)
Freedom, a Fable (1997/1.527)
Untitled (2006/1.152)
Apsara Warrior (2007/2.79)
Hiroshima Series (1997/1.533.6)
Hiroshima Series (1997/1.533.4)

13 Links

Tags

Activism
Comparative
Cultural criticism
Human rights
Politics
Radicalism
Rebellion
Social criticism
Social history
Social justice
Social realism

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University Faculty
University Student

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Created by

David M Choberka
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Creative Commons by-nc-sa (University of Michigan Museum of Art)

Last Updated

April 4, 2020 7:40 p.m.

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