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Part of: Social Justice (26 resources )
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U.S. Freedom Struggles of the Long 1960s


Copyright
All Rights Reserved
Created by
Rachel Lockwood Miller
Last Updated
February 7, 2020 2:30 p.m.

6 Items in this Learning Collection
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
F15 Tariq - ENGLISH 125 - Black American Protest

Resource with 16 media
F15 Berrey - AMCULT 103 / HISTORY 197 - Say it Loud: Black Culture in America

Resource with 16 media
Danny Lyon and the Civil Rights Movement
A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Resource with 11 media
U.S. Radicalism

Resource with 66 media
Teaching American Studies at UMMA

The UMMA collections are often used by classes organized under the "American Studies" heading. This collection contains portfolios in this vein, as well as additional materials that may be of use for university faculty and UMMA staff.



Copyright
All Rights Reserved
Created by
Rachel Lockwood Miller
Last Updated
February 7, 2020 2:30 p.m.

47 Items in this Learning Collection
Manifest Destiny and the American West, 1850-1950

A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.


Beige bowl, wider at the top, with a rim formed in a braided pattern.
Collection with 5 items
W16 Steward - HISTORY 197 - Crossing the Color Line
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Resource with 12 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
Recreation, Leisure, and Sport in Twentieth- and Twenty-First-Century America

Resource with 130 media
School and Education in the U.S.

Resource with 24 media
F16 Mora - AMCULT 213 / LATINOAM 213 - Introduction to Latina, Latino Studies
A photograph of a view from a rooftop. A man stands on the left side of the composition, watching pigeons fly above the scene. In the distance, more pigeons flock above the skyline.
Resource with 19 media
W15 Carroll - AMCULT 698 - Methodologies in American Culture: Gender, Ethnicity, Race, Class
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Resource with 17 media
Politics, and Social Reform in the US, 1901-1950

Resource with 234 media
F13 Gunckel - AMCULT 335 - Arts and Culture in American Life
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Resource with 12 media
U.S. Radicalism

Resource with 66 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
W16 Peplin - SAC 376 - New Media Theory
This vertical print shows a slick advertising image in the top half with a man and a woman watching an early model television set. The woman is smoking a cigarette. A text box is inserted asking three questions. The bottom half is less slick, simply a diagram and text, some of it in a typewriter font. Text above and below asks about how soon television sets will be widely available in homes and museums. The date 1944 is included in parentheses at the top of the image.
Resource with 24 media
Borders of Identity in North America
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Resource with 87 media
W16 Calvo-Quiros - AMCULT 103 / LATINOAM 103 - Car Culture

Resource with 20 media
Sp15 MacGillivray - AMCULT 204 - Historical and Contemporary Perspectives on Gender and Sexuality in North American Borderlands
This photograph depicts an elevated, wide view of a curving river winding through a wooded valley, with snowcapped mountains rising in the distance. The sky above the landscape is filled with clouds.
Resource with 19 media
U.S. Wars
Half-length seated portrait of a bearded man, his face in profile, wearing a military uniform.
Resource with 67 media
W15 Molldrem - ENGLISH 125 - Science, Technology, Medicine, Homosexuality
Oak panel with screen print; signed K.Haring 88 along lower right edge.
Resource with 17 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
W15 Suhadolnik - RCHUMS 251 - Sounds of New York: Music and Place in an Urban Landscape
This black and white stereoscopic image features two images of a man with a large camera seated on a slender line high above Fifth Avenue in New York City. It is surrounded by the text: Set No. 8; Underwood &amp; Underwood, Publishers, Unique; 8288—Photographing New York City—on a slender support 18 stories above pavement of Fifth Avenue.
Resource with 14 media
Social realism, mid-19th century to mid-20th century
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Resource with 79 media
Southern Landscapes and Cityscapes
A foggy landscape with silhouetted trees recedes from the left into the hazy distance and sky. The corners of the images are vignetted and the&nbsp;photograph is toned with tea, giving it a light brown-peach color.&nbsp;
Resource with 36 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
F15 Steward - HISTORY 230 - The Roaring Twenties and the Rough Thirties: America During the Interwar Years
View of a storefront with people sitting in front on benches and entering the shop through a doorway.
Resource with 19 media
History of New Media 

Resource with 172 media
W14 Carroll - AMCULT 311 / LATINOAM 311/ ENGLISH 317 - Borderwork: Representing the Mexico-U.S. Border
This photograph depicts a view of a desert landscape with a fish hanging from the top of a thin pole in the foreground. &nbsp;Behind the fish is a small cemetery that has mounds and crosses and in the distance are a few small buildings. Two more poles with fish hanging from them appear farther away in the image to the right of the fish in the foreground.
Resource with 21 media
F16 Markovits - POLSCI 386 / SOC 379 / GERMAN 379 - Sports, Politics, and Society
This costume design shows a dancer leaning back to the right with a golf club in the right hand. The dancer wears a white top with short sleeves and yellow culottes with brown and black trim at the waist and along the side of the left leg.
Resource with 18 media
F15 Carroll - AMCULT 301 / LATINOAM 301 / ENGLISH 407 - Codeswitch: Hybrid identities in American culture.
Photograph of field with wild flowers. Church is visible in background. Dark, thick clouds loom overhead.<br /><br /> Eva Caston 2017
Resource with 26 media
W16 Chamberlin - ENGLISH 317 - Rust Belt Narratives
Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;
Resource with 15 media
Sp15 Hass - AMCULT 231 - Visual and Material American Culture Studies
The photograph is a portrait of a girl in a straw hat standing in front of a wooden fence.
Resource with 24 media
Essay: Warhol, Roberson
This work shows a black and white photograph of a crowd of people outdoors, with trees in the background. On the left is a uniformed policeman holding a dog on a leash in one hand and a club in the other. In the center area there is a man, with his back to the viewer, who is being attacked by two dogs. One, controlled by another policeman, is ripping his clothing and the other, with teeth bared, is attacking his right hand. In the crowd there are men watching the attack and looking at the policemen.
Resource with 3 media
Weems, Saar, Campos-Pons Essay
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Resource with 2 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
Glenn Ligon Essay    
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Resource with 5 media
W15 Levinson - COMPLIT 122 - Insiders and Outsiders

Resource with 19 media
Romare Bearden Essay
At the center of the painting, two animals meet: a horse and a bull. Painted in a variety of colors, the two animals are abstracted in a Cubist style. The painting is signed (u.r.) in black paint "Bearden". 
Resource with 1 media
Sp16 Shapero - ANTHRCUL 298 / ENVIRON 242 - Nature vs. Culture? Anthropological Perspectives on Environmental Conflict

Resource with 23 media
Essay: Cunliffe, Washington, Lincoln, and Douglass
A full-length portrait of a standing male in a lanscape setting. To the left of the composition stands a pair of birches near the figure; to the right, the landscape opens up to a distant expanse of trees and hills. The man stands facing to the right but looking out of the canvas to the left. He holds a bow and quiver of arrows; a black hat with a feather is on the ground at his feet. He is dressed in tan pants and waistcoat with a green frock coat and black boots.
Resource with 8 media
Orozco, Rivera, Siqueiros Essay
This print is a contour drawing of several rows of figures: in the foreground are three squating figures facing away from the viewer; in the background are several squatting figures facing the viewer, and in between are standing figures. The squatting figures sit before the goods they are selling and the standing figures are purchasing from them. 
Resource with 4 media
Early Modern Atlantic World
Goldweights are small objects cast from brass used to weigh out quantities of gold and gold dust. They are cast using a lost-wax casting technique, wherein wax is sculpted into the desired shape and a mold is pressed around the wax model. Then, the mold is heated and the wax drained out, leaving a void in the shape of the original wax model. Liquid brass is poured into the mold and allowed to set before the caster cracks the mold open and retrieves the finished goldweight.
Resource with 35 media
American Culture

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
February 7, 2020 2:30 p.m.

50 Items in this Learning Collection
TV Culture and Criticism
Portrait of Hollywood actress Marilyn Monroe.
Resource with 51 media
Artists of the Harlem Renaissance

Resource with 14 media
Black and African American Woman Artists
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Resource with 26 media
All Objects from South America, Central America, Mexico, and the Caribbean
A print done in shades of gray of a home scene. A woman wearing a dress and holding a sun umbrella walks up the side stairs of a simple covered porch attached to the front of a wooden house. On the porch are two adult figures talking and three seated children, one of which sits on the stairs. A tall wooden fence with a door extends the front face of the house, out of which a young girl walks.
Resource with 381 media
American Orientalist art at the turn of the 20th century

Resource with 5 media
Arizona
Car being excavated in a desert scene.
Resource with 15 media
Art of the Works Progress Administration WPA

Resource with 175 media
Arts of Mexico

Resource with 158 media
Ashcan School

Resource with 29 media
Asian America in Art

;
This drawing shows the head of a man. Sketched lines with shading around cheeks and eyes, which are closed, create the visage.  A faintly visible hat is sketched on the head. The drawing is signed (u.r.) "Anton Refregier." It may also say "San Francisco" although the handwriting is not clear.


This photograph depicts a view of a desert landscape with a fish hanging from the top of a thin pole in the foreground. &nbsp;Behind the fish is a small cemetery that has mounds and crosses and in the distance are a few small buildings. Two more poles with fish hanging from them appear farther away in the image to the right of the fish in the foreground.
Photo of a woman in a floor-length and brightly striped formal gown standing in a multi-level staircase. The photo is taken from above and captures the woman, her companion, and the ornate handrail and stair runner.
An oil painting on canvas, this is an abstract painting predominantly using black and white oil paints. The background appears to be white paint with a black box on the upper half. The two colors are connected by a long black brushstroke down the middle. The brushstroke does not touch the edges of the canvas but instead takes up 2/3 of the canvas length-wise and 1/3 width-wise.&nbsp;
This calm, horizontal abstract watercolor has registers of aquamarine, ochres, greens and dark blues. 

Collection with 10 items
Borders of Identity in North America
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Resource with 87 media
Politics, and Social Reform in the US, 1901-1950

Resource with 234 media
California
This is a black and white photograph depicting an outdoor scene with dense vegetation. Leafy plants cover the ground in the front and taller bushes and trees are in the background. The viewpoint is from above looking down.
Resource with 127 media
Caribbean Objects
A color print of a small, square door in a wall. The opened door casts a long shadow on the wall.
Resource with 105 media
Cars and Car Culture

Resource with 78 media
Celebrity
Bust-length portrait of Marilyn Monroe positioned in front of a red background; Haring used a poster of the actress onto which he applied sumi ink in a series of outlines, marks and drips over the face, neck, chest and shoulders.
Resource with 110 media
Chicago
This black and white stereoscopic image features two images of the view looking through the inside of a Ferris wheel near the top. It is surrounded by the text: Set No. 8; Wanderings Among the Wonders and Beauties of Western Scenery; CHICAGO and VICINITY. 313. Looking through the Ferris Wheel, near the top.<br />
Resource with 25 media
Cowboys and Cowboy Art
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
Resource with 41 media
Detroit Metro

Resource with 131 media
Enrique Chagoya: Flipping Europe on its Head

Resource with 4 media
Exploring Identity and Identity Politics in American Culture
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
Resource with 78 media
Film Noir, Visuality and Themes

Resource with 105 media
Folk, Self-taught, Amateur, and Visionary Art

Resource with 114 media
Indigenous North America Arts
Beige bowl, wider at the top, with a rim formed in a braided pattern.
Resource with 104 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Maine

Resource with 21 media
Manifest Destiny and the American West

Resource with 76 media
Era of the Mexican Revolution and the Mexican Muralist Movement

Resource with 83 media
Montana
Car up on lifts surrounded by evergreen trees. The car is part of an excavation.
Resource with 5 media
New Mexico
A smaller tree with light colored leaves amongst many taller trees, foliage on bottom.
Resource with 12 media
New York City
Elevated view of traffic on an urban street. 
Resource with 127 media
Nineteenth-century American and European Representations of Wildlife

Resource with 51 media
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Race, Gender, Class, and American Identity
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Resource with 343 media
Recreation, Leisure, and Sport in Twentieth- and Twenty-First-Century America

Resource with 130 media
Religion in the Americas
This is a photograph of a wooden sculpture from Huexotla, Mexico. The sculpture depicts a man with a crown of thorns.
Resource with 48 media
Religious Encounters in the New World

Resource with 30 media
Representations and Misrepresentations of Indigenous America

Resource with 65 media
Rust Belt
Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;
Resource with 167 media
School and Education in the U.S.

Resource with 24 media
Southern Landscapes and Cityscapes
A foggy landscape with silhouetted trees recedes from the left into the hazy distance and sky. The corners of the images are vignetted and the&nbsp;photograph is toned with tea, giving it a light brown-peach color.&nbsp;
Resource with 36 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Civil War

Resource with 42 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
U.S. Vietnam War

Resource with 11 media
U.S. Wars
Half-length seated portrait of a bearded man, his face in profile, wearing a military uniform.
Resource with 67 media
World War I Posters from the U.S.
Text: New Consecration is the Duty of the Living so that Our Dead Shall Not Have Died in Vain - (center) &quot;To such a task (Victory over German Autocracy and all it represents) we can dedicate our lives and our fortunes, everything that we are and everything that we have, with the pride of those who know that the day has come when America is privileged to shed her blood and her treasure for the principles that gave her birth and happiness and the peace which she has treasured. God helping her, she can do no other.&quot; - Woodrow Wilson - (left panel heading) Al Soldier&#39;s Farewell - Written on the Even of his Departure &hellip; - (right panel heading) A Mother&#39;s Comfort - Words of Plato Console Now Whose Son Fell in Battle &hellip; - (bottom) &quot;You ask me when peace will come. We went into this war for a great and worthy object. Peace will come when that object has been attained. Before God I hope it may not come until that time.&quot; - Abraham Lincoln In Darkest Days of Civil War - Issued by
Resource with 178 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Zombies, Skeletons, and the Undead

Resource with 101 media
Civic Life, Government, Politics

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
February 7, 2020 2:30 p.m.

20 Items in this Learning Collection
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
Art of the Works Progress Administration WPA

Resource with 175 media
The Crowd
Man standing at a podium, crowd surrounding, one man on a horse.
Resource with 117 media
Early Modern European Court Life
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
Resource with 79 media
Education


Collection with 2 items
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
Monuments and Memorials

Resource with 150 media
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
Ruins in the Early Modern European Architectural Imagination

Resource with 30 media
Rust Belt
Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;
Resource with 167 media
Satire

Resource with 246 media
School and Education in the U.S.

Resource with 24 media
Sexuality and Censorship
Waist and legs of a reclining nude seen from the back.
Resource with 49 media
Social realism, mid-19th century to mid-20th century
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Resource with 79 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Human Rights

Resource with 152 media
Economy and Society

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
February 7, 2020 2:30 p.m.

47 Items in this Learning Collection
Poverty
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
Resource with 99 media
Advertising
Two girls seated on a bench, one without shoes. A carnival food truck is behind them advertising popcorn.
Resource with 101 media
Architecture in Photography 1900-1948
View of an unfurnished room, whose walls are decorated with pilasters.
Resource with 40 media
Architecture in photography 1949-1989
Photograph of a white painted post holding up the tin roof of a porch.
Resource with 72 media
Art of the Works Progress Administration WPA

Resource with 175 media
Aviation

Resource with 14 media
Bicycles

Resource with 16 media
Cars and Car Culture

Resource with 78 media
Civic Life, Government, Politics
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.

Man standing at a podium, crowd surrounding, one man on a horse.
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.



Two women holding signs at a protest march. They are talking together on the side of a street.
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 

Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;


Waist and legs of a reclining nude seen from the back.
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.

Night view of New York City skyscrapers seen from above.

Collection with 20 items
The Crowd
Man standing at a podium, crowd surrounding, one man on a horse.
Resource with 117 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
Early Modern European Court Life
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
Resource with 79 media
Early Modern European Peasants
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.
Resource with 62 media
Early Modern European Portraits and Self-Fashioning

Resource with 60 media
Education


Collection with 2 items
Garbage Art - art made with and about garbage
A mixed media assemblage consisting of welding goggles, rusted metal, a padlock, and two rusted bells hanging from a chain mounted on a wooden board with screws. The position of the objects, with goggles at the top, makes the assemblage look vaguely face-like.
Resource with 74 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
The Modern Metropolis

Resource with 82 media
Monuments and Memorials

Resource with 150 media
Occupations and Work

A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.

Night view of New York City skyscrapers seen from above.
Collection with 5 items
Oppositional Photography, Outsider Photography
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
Resource with 181 media
Paris, Scenes and Artists, 19th and 20th Centuries

Resource with 143 media
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
Race, Gender, Class, and American Identity
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Resource with 343 media
Ruins in the Early Modern European Architectural Imagination

Resource with 30 media
Rust Belt
Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;
Resource with 167 media
Satire

Resource with 246 media
School and Education in the U.S.

Resource with 24 media
Sexuality and Censorship
Waist and legs of a reclining nude seen from the back.
Resource with 49 media
Social Class
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

Shack belonging to a group of ragpickers.
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.

A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.

Night view of New York City skyscrapers seen from above.
Collection with 14 items
Sociability and Social Spaces

Resource with 28 media
Social realism, mid-19th century to mid-20th century
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Resource with 79 media
Subways
Man seated at a table with Armageddon sign. He is wearing a striped shirt and looking at the camera. There is a New York City bus map posted on the column behind him.
Resource with 8 media
The City in Photography 1900-1948
View of an empty street in front of a men's clothing store.
Resource with 50 media
Tourism
A perspective shot of the Eiffel Tower from below, looking up. A building to the right has an ornate wrought iron balcony.
Resource with 85 media
Transportation

Resource with 394 media
Transportation



Man seated at a table with Armageddon sign. He is wearing a striped shirt and looking at the camera. There is a New York City bus map posted on the column behind him.
A perspective shot of the Eiffel Tower from below, looking up. A building to the right has an ornate wrought iron balcony.

Collection with 7 items
Urbanization
View of an empty street in front of a men's clothing store.
View of an unfurnished room, whose walls are decorated with pilasters.
Photograph of a white painted post holding up the tin roof of a porch.


Collection with 5 items
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
Underdogs, Everyday Heroes, Antiheroes
A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.
Resource with 52 media
Work and Workers

Resource with 340 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Exchange and Influence on Global Trade Routes
This small, flat metal piece has a quartrefoil shape. Two holes in the middle. Flame-like incision all over the piece. Silver is applied around the center hole.

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Porcelain plate with raised brown rim. The inner circle uses blue underglaze painting to illustrate a jar with a lid that reads in kanji "fragrant orchid"
A view of steerage passengers gathered on two decks of a steamship.&nbsp;
A white earthenware box where the cover and the body are almost identical in form, the entire vessel of a short cylindrical from with flat top, with subtle articulation at the shoulder, on a shallow footring.  It is covered in blue, amber, and green glazes applied in a splotchy manner. 
W1siziisijiwmtkvmdivmjcvotm3y3dhn2i1dv9tcwrlzmf1bhquanbnil0swyjwiiwidgh1bwiilciyndb4mjawil1d?sha=ffa041ba26a57645
Stoneware jar with flaring foot and high rounded shoulders on a tapered body. It has an everted, flared foot, and short narrow neck covered with a flat lid with conical knob. The top three-quarters of the jar is covered in an amber-colored glaze. 

Collection with 10 items
Political Activism and Movements

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
February 7, 2020 2:30 p.m.

30 Items in this Learning Collection
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Art of the Works Progress Administration WPA

Resource with 175 media
Artists of the Harlem Renaissance

Resource with 14 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
Environmental Justice

Resource with 95 media
Exiles of the Spanish Civil War

Resource with 26 media
Jacob Lawrence, Hiroshima Series 

Resource with 10 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
Era of the Mexican Revolution and the Mexican Muralist Movement

Resource with 83 media
Postcolonial Art

Resource with 31 media
Poverty
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
Resource with 99 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
Revolution

Collection with 1 item
School and Education in the U.S.

Resource with 24 media
Social Justice

Resource with 348 media
Social Justice
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.



Shack belonging to a group of ragpickers.




Two women holding signs at a protest march. They are talking together on the side of a street.
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 


Shack belonging to a group of ragpickers.
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings

This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.


Night view of New York City skyscrapers seen from above.

Collection with 26 items
Social Justice and Art in the 18th Century

Resource with 87 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art, 1969-today
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Resource with 42 media
Social Justice and Art in the 19th Century

Resource with 74 media
Social realism, mid-19th century to mid-20th century
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Resource with 79 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Human Rights

Resource with 152 media
Social and Cultural Conventions

Copyright
Creative Commons by-nc-sa
Created by
John Turner
Last Updated
February 7, 2020 2:30 p.m.

56 Items in this Learning Collection
Marriage

Resource with 110 media
Adolescence
Group portrait of four women standing outdoors. The right two are locked in an embrace.
Resource with 146 media
Art of the Works Progress Administration WPA

Resource with 175 media
Borders of Identity in North America
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Resource with 87 media
Celebrity
Bust-length portrait of Marilyn Monroe positioned in front of a red background; Haring used a poster of the actress onto which he applied sumi ink in a series of outlines, marks and drips over the face, neck, chest and shoulders.
Resource with 110 media
Childbearing, birth, midwifery, maternity
A scene takes place in a red box, lined with black and red diamond and triangle designs for borders. In the center, a woman sites with a child in her lap. She wears a spotted dress, her hair up, and a nose ring and bindi. The child reaches one hand and places it atop her head, and the other down towards her own upward hands. Surrounding them are seven other figures. One kneels before them, offering his hands up, and another fans the woman from behind. The remaining five figures seem to play together in front of the throne on which the woman and child sit.
Resource with 71 media
Children and Childhood

Resource with 282 media
Civic Life, Government, Politics
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.

Man standing at a podium, crowd surrounding, one man on a horse.
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.



Two women holding signs at a protest march. They are talking together on the side of a street.
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 

Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;


Waist and legs of a reclining nude seen from the back.
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.

Night view of New York City skyscrapers seen from above.

Collection with 20 items
Cowboys and Cowboy Art
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
Resource with 41 media
The Crowd
Man standing at a podium, crowd surrounding, one man on a horse.
Resource with 117 media
Early Modern European Court Life
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
Resource with 79 media
Early Modern European Peasants
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.
Resource with 62 media
Early Modern European Portraits and Self-Fashioning

Resource with 60 media
Education


Collection with 2 items
Exploring Gender and Sexuality
A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
Resource with 124 media
Exploring Identity and Identity Politics in American Culture
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
Resource with 78 media
Families

Resource with 185 media
Family, Familial Relations
Group portrait of four women standing outdoors. The right two are locked in an embrace.
A scene takes place in a red box, lined with black and red diamond and triangle designs for borders. In the center, a woman sites with a child in her lap. She wears a spotted dress, her hair up, and a nose ring and bindi. The child reaches one hand and places it atop her head, and the other down towards her own upward hands. Surrounding them are seven other figures. One kneels before them, offering his hands up, and another fans the woman from behind. The remaining five figures seem to play together in front of the throne on which the woman and child sit.



A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
People inside their home that has been destroyed by a flood.

Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
Collection with 10 items
Fashion
This photograph depicts a woman standing and holding a glass in an interior space.
This colored engraving depicts two women and one child in elaborate dress. The central figure is a woman standing in a dark green dress decorated with lighter green trimmings. Her hair is gathered in a headpiece made up of green ribbons and pink flowers. To the right of her a woman in a black and grey dress sits on a burgundy chaise. The child standing on the left of the composition is outfitted in a navy blue and pale blue costume with a jacket trimmed in white. The child reaches toward something kept in the standing woman’s left hand.<br />
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.

A small fragment of a larger cloth, of unknown function. The base is a plain-weave cotton, now a faded red, and the woven brocade design is of densely-packed, alternating rows of 'boteh' (paisley) patterns.
A man hunches over as he carries the end of an oar. He is barefoot and wears robes in several bright patterns. A sword is visible at his right hip. One of his legs is raised as if to take a step. The background behind him is water.<br /><br /> This is the center panel of a triptych (with 2011/2.193.1 and 2011/2.193.3).<br /><br /> Inscriptions: Sendō Matsuemon jitsu wa Higuchi no Jirō; Kuniyoshi ga (Artist's signature); To (Publisher's seal); Hama, Magome (Censor's seals)<br />  
Collection with 6 items
Fashion and Adornments in Global History
This colored engraving depicts two women and one child in elaborate dress. The central figure is a woman standing in a dark green dress decorated with lighter green trimmings. Her hair is gathered in a headpiece made up of green ribbons and pink flowers. To the right of her a woman in a black and grey dress sits on a burgundy chaise. The child standing on the left of the composition is outfitted in a navy blue and pale blue costume with a jacket trimmed in white. The child reaches toward something kept in the standing woman’s left hand.<br />
Resource with 37 media
Fatherhood

Resource with 66 media
Femmes Fatales
This photograph depicts a woman standing and holding a glass in an interior space.
Resource with 35 media
Food Cultures

Resource with 218 media
Gender and Sex
A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
This photograph depicts a woman standing and holding a glass in an interior space.
A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
Oak panel with screen print; signed K.Haring 88 along lower right edge.

Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
Waist and legs of a reclining nude seen from the back.

Night view of New York City skyscrapers seen from above.
Collection with 15 items
Girlhood
A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
Resource with 316 media
Grief and Mourning Rituals
A wooden post of stacked geometric forms and a small seated figure on top, seated at a table.
Resource with 169 media
History of Western Sexuality and Gender Roles
Oak panel with screen print; signed K.Haring 88 along lower right edge.
Resource with 107 media
Home
People inside their home that has been destroyed by a flood.
Resource with 134 media
House and Home

People inside their home that has been destroyed by a flood.

Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
Collection with 4 items
Indian Textiles
A small fragment of a larger cloth, of unknown function. The base is a plain-weave cotton, now a faded red, and the woven brocade design is of densely-packed, alternating rows of 'boteh' (paisley) patterns.
Resource with 14 media
Kabuki Images
A man hunches over as he carries the end of an oar. He is barefoot and wears robes in several bright patterns. A sword is visible at his right hip. One of his legs is raised as if to take a step. The background behind him is water.<br /><br /> This is the center panel of a triptych (with 2011/2.193.1 and 2011/2.193.3).<br /><br /> Inscriptions: Sendō Matsuemon jitsu wa Higuchi no Jirō; Kuniyoshi ga (Artist's signature); To (Publisher's seal); Hama, Magome (Censor's seals)<br />  
Resource with 216 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
Looking Into the Mirror

Resource with 44 media
Monuments and Memorials

Resource with 150 media
Mothers and Children
Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
Resource with 73 media
Occupations and Work

A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.

Night view of New York City skyscrapers seen from above.
Collection with 5 items
Oppositional Photography, Outsider Photography
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
Resource with 181 media
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
Race, Gender, Class, and American Identity
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Resource with 343 media
Representations of Women in Medieval and Early Modern Europe
This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
Resource with 69 media
Ruins in the Early Modern European Architectural Imagination

Resource with 30 media
Rust Belt
Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;
Resource with 167 media
Satire

Resource with 246 media
School and Education in the U.S.

Resource with 24 media
Sexuality and Censorship
Waist and legs of a reclining nude seen from the back.
Resource with 49 media
Social realism, mid-19th century to mid-20th century
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Resource with 79 media
Tourism
A perspective shot of the Eiffel Tower from below, looking up. A building to the right has an ornate wrought iron balcony.
Resource with 85 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
Victorian Studies

Resource with 77 media
Witches and Witchcraft

Resource with 25 media
Work and Workers

Resource with 340 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Social Inclusion and Exclusion

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
February 7, 2020 2:30 p.m.

59 Items in this Learning Collection
Black and African American Woman Artists
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Resource with 26 media
American Orientalist art at the turn of the 20th century

Resource with 5 media
Art of interest to Judaic Studies
A black and white photograph of the area beneath the Eiffel Tower. A shadow from an arch of the structure covers most of the ground. A crowd of people stand beneath the tower.
Resource with 514 media
Art of the Works Progress Administration WPA

Resource with 175 media
All Artists in the Degenerate Art Show

Resource with 311 media
Artists of the Harlem Renaissance

Resource with 14 media
Asian America in Art

;
This drawing shows the head of a man. Sketched lines with shading around cheeks and eyes, which are closed, create the visage.  A faintly visible hat is sketched on the head. The drawing is signed (u.r.) "Anton Refregier." It may also say "San Francisco" although the handwriting is not clear.


This photograph depicts a view of a desert landscape with a fish hanging from the top of a thin pole in the foreground. &nbsp;Behind the fish is a small cemetery that has mounds and crosses and in the distance are a few small buildings. Two more poles with fish hanging from them appear farther away in the image to the right of the fish in the foreground.
Photo of a woman in a floor-length and brightly striped formal gown standing in a multi-level staircase. The photo is taken from above and captures the woman, her companion, and the ornate handrail and stair runner.
An oil painting on canvas, this is an abstract painting predominantly using black and white oil paints. The background appears to be white paint with a black box on the upper half. The two colors are connected by a long black brushstroke down the middle. The brushstroke does not touch the edges of the canvas but instead takes up 2/3 of the canvas length-wise and 1/3 width-wise.&nbsp;
This calm, horizontal abstract watercolor has registers of aquamarine, ochres, greens and dark blues. 

Collection with 10 items
Borders of Identity in North America
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Resource with 87 media
Cowboys and Cowboy Art
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
Resource with 41 media
The Crowd
Man standing at a podium, crowd surrounding, one man on a horse.
Resource with 117 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
Early Modern European Court Life
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
Resource with 79 media
Early Modern European Peasants
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.
Resource with 62 media
Early Modern European Portraits and Self-Fashioning

Resource with 60 media
Education


Collection with 2 items
Enrique Chagoya: Flipping Europe on its Head

Resource with 4 media
Environmental Justice

Resource with 95 media
Ethnicity and Race
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.

A black and white photograph of the area beneath the Eiffel Tower. A shadow from an arch of the structure covers most of the ground. A crowd of people stand beneath the tower.

Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.

Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
Beige bowl, wider at the top, with a rim formed in a braided pattern.

A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.

This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Image of men with their backs turned and looking toward the viewer's left. All are wearing overcoats and hats, with some wearing top hats and flowers in their lapels. 
Collection with 18 items
European Primitivisms
Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.
Resource with 53 media
Exploring Gender and Sexuality
A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
Resource with 124 media
Exploring Identity and Identity Politics in American Culture
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
Resource with 78 media
Femmes Fatales
This photograph depicts a woman standing and holding a glass in an interior space.
Resource with 35 media
Gender and Sex
A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
This photograph depicts a woman standing and holding a glass in an interior space.
A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
Oak panel with screen print; signed K.Haring 88 along lower right edge.

Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
Waist and legs of a reclining nude seen from the back.

Night view of New York City skyscrapers seen from above.
Collection with 15 items
Girlhood
A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
Resource with 316 media
Jacob Lawrence, Hiroshima Series 

Resource with 10 media
History of Western Sexuality and Gender Roles
Oak panel with screen print; signed K.Haring 88 along lower right edge.
Resource with 107 media
Indigenous North America Arts
Beige bowl, wider at the top, with a rim formed in a braided pattern.
Resource with 104 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
Looking Into the Mirror

Resource with 44 media
Manifest Destiny and the American West

Resource with 76 media
Mothers and Children
Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
Resource with 73 media
Oppositional Photography, Outsider Photography
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
Resource with 181 media
Orientalism

Resource with 57 media
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Poverty
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
Resource with 99 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
Race, Gender, Class, and American Identity
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Resource with 343 media
Representations and Misrepresentations of Indigenous America

Resource with 65 media
Representations of Women in Medieval and Early Modern Europe
This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
Resource with 69 media
School and Education in the U.S.

Resource with 24 media
Sexuality and Censorship
Waist and legs of a reclining nude seen from the back.
Resource with 49 media
Social Class
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

Shack belonging to a group of ragpickers.
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.

A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.

Night view of New York City skyscrapers seen from above.
Collection with 14 items
Social Justice

Resource with 348 media
Social Justice
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.



Shack belonging to a group of ragpickers.




Two women holding signs at a protest march. They are talking together on the side of a street.
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 


Shack belonging to a group of ragpickers.
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings

This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.


Night view of New York City skyscrapers seen from above.

Collection with 26 items
Social Justice and Art in the 18th Century

Resource with 87 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art, 1969-today
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Resource with 42 media
Social Justice and Art in the 19th Century

Resource with 74 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
Underdogs, Everyday Heroes, Antiheroes
A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.
Resource with 52 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
Witches and Witchcraft

Resource with 25 media
Work and Workers

Resource with 340 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Social Justice

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
February 7, 2020 2:30 p.m.

26 Items in this Learning Collection
Social Justice and Art, 1969-today
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Resource with 42 media
Social Justice

Resource with 348 media
Artists of the Harlem Renaissance

Resource with 14 media
Art of the Works Progress Administration WPA

Resource with 175 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
Education


Collection with 2 items
Environmental Justice

Resource with 95 media
Jacob Lawrence, Hiroshima Series 

Resource with 10 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Poverty
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
Resource with 99 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
School and Education in the U.S.

Resource with 24 media
Social Justice and Art in the 18th Century

Resource with 87 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art in the 19th Century

Resource with 74 media
Social realism, mid-19th century to mid-20th century
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Resource with 79 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Human Rights

Resource with 152 media
Teaching United States History through Art 

This learning collection features selected objects, images, prints, paintings, and photographs from the University of Michigan Museum of Art’s collection designed to support educators in the history and social studies classroom. The “American History Abridged” provides highlighted objects and images from United States history, while the other collections feature specialized objects based on specific historical periods. When possible, the distinct historical learning collections include artwork created only during that era rather than works created later the depict earlier events. Some collections also contain contemporary works of art from artists like Kara Walker or Glenn Ligon that incorporate historical themes, subjects, and methodology in their work.

Copyright
Creative Commons by-nc
Created by
Lucy Kathryn Smith
Last Updated
February 7, 2020 2:30 p.m.

22 Items in this Learning Collection
American History Abridged 

Resource with 41 media
Religious Encounters in the New World

Resource with 30 media
Indigenous North America Arts
Beige bowl, wider at the top, with a rim formed in a braided pattern.
Resource with 104 media
Manifest Destiny and the American West

Resource with 76 media
U.S. Civil War

Resource with 42 media
Politics, and Social Reform in the US, 1901-1950

Resource with 234 media
World War I Posters from the U.S.
Text: New Consecration is the Duty of the Living so that Our Dead Shall Not Have Died in Vain - (center) &quot;To such a task (Victory over German Autocracy and all it represents) we can dedicate our lives and our fortunes, everything that we are and everything that we have, with the pride of those who know that the day has come when America is privileged to shed her blood and her treasure for the principles that gave her birth and happiness and the peace which she has treasured. God helping her, she can do no other.&quot; - Woodrow Wilson - (left panel heading) Al Soldier&#39;s Farewell - Written on the Even of his Departure &hellip; - (right panel heading) A Mother&#39;s Comfort - Words of Plato Console Now Whose Son Fell in Battle &hellip; - (bottom) &quot;You ask me when peace will come. We went into this war for a great and worthy object. Peace will come when that object has been attained. Before God I hope it may not come until that time.&quot; - Abraham Lincoln In Darkest Days of Civil War - Issued by
Resource with 178 media
World War I and Society

Resource with 222 media
Art of the Works Progress Administration WPA

Resource with 175 media
Artists of the Harlem Renaissance

Resource with 14 media
U.S. Wars
Half-length seated portrait of a bearded man, his face in profile, wearing a military uniform.
Resource with 67 media
Jacob Lawrence, Hiroshima Series 

Resource with 10 media
U.S. Radicalism

Resource with 66 media
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Vietnam War

Resource with 11 media
Borders of Identity in North America
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Resource with 87 media
Race, Gender, Class, and American Identity
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Resource with 343 media
Understanding Race
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
At the center of the painting, two animals meet: a horse and a bull. Painted in a variety of colors, the two animals are abstracted in a Cubist style. The painting is signed (u.r.) in black paint "Bearden". 

This print is a contour drawing of several rows of figures: in the foreground are three squating figures facing away from the viewer; in the background are several squatting figures facing the viewer, and in between are standing figures. The squatting figures sit before the goods they are selling and the standing figures are purchasing from them. 
At the center of the scene, there are three figures carrying instruments. Below and above, three building-tops are depicted. The central figures are painted in shades of blacks and browns, while the buildings are painted in shades of yellow, orange, beige, black and blue. The background is beige and yellow, and painted on found board and mounted on wooden planks.
This work shows a black and white photograph of a crowd of people outdoors, with trees in the background. On the left is a uniformed policeman holding a dog on a leash in one hand and a club in the other. In the center area there is a man, with his back to the viewer, who is being attacked by two dogs. One, controlled by another policeman, is ripping his clothing and the other, with teeth bared, is attacking his right hand. In the crowd there are men watching the attack and looking at the policemen.
Two abstracted, bust-length figures, one male and one female, look directly at the viewer with large smiles. The background is tan, and filled with swirling lines and scribbles. The face and eyes of each figure are outlined in thick green, the mouths in thick yellow. The &ldquo;whites&rdquo; of the eyes are red, while the pupils are circles of pale purple. Purple paint drips down from the eyes of the male figure, while the paint on the female figure drips upward.
This small spherical pot with wide mouth is decorated in black-on-black style. Around the upper half is a feather design, which looks like individual feathers hanging down from the mouth forming a ring around the circumference. 
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
A horizontal lighbox enclosed by a wide, black molded frame in which Kara Walker's signature silhouettes are encased in linen and lit from behind. Silhouettes represent four figures: a man and child at viewer's left, two women at right.
A full-length portrait of a standing male in a lanscape setting. To the left of the composition stands a pair of birches near the figure; to the right, the landscape opens up to a distant expanse of trees and hills. The man stands facing to the right but looking out of the canvas to the left. He holds a bow and quiver of arrows; a black hat with a feather is on the ground at his feet. He is dressed in tan pants and waistcoat with a green frock coat and black boots.
Collection with 11 items
Rust Belt
Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;
Resource with 167 media
Exploring Identity and Identity Politics in American Culture
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
Resource with 78 media
Regions of the United States

Resource with 38 media

U.S. Radicalism
Jacob Burck
The Lord Provides, from the "American Scene, Series 1"
lithograph on paper
12 x 9 in. (30.48 x 22.86 cm)
Museum Purchase
View Object Record
Rockwell Kent
Workers of the World Unite
woodcut on paper
8 in x 6 in (20.32 cm x 15.24 cm)
Museum Purchase
View Object Record
Two shadowed figures with weapons on the left face a group of four figures, in the light, on the right. Of the four, one is holding a sign and another is lying on the ground. Smoke from a fire billows in the background alongside industrial machinery.
Thomas Hart Benton
Mine Strike
lithograph on paper
9 3/16 in x 10 7/8 in (23.34 cm x 27.62 cm)
Museum Purchase
View Object Record
This black and white stereoscopic image features two images of three children and a toy goat holding signs. One sign has the text 'No bed time until 9 o'clock', one is difficult to read, 'Brown paper for me' and the last one reads 'Down with oatmel'. The children are standing in a line.
Stereo Classics Studio
Stereoscope Image, Sample Set No.2: A strike in the Nursery
photograph on cardboard
3 11/16 in. x 7 in. ( 9.4 cm x 17.8 cm )
Gift of Margaret and Howard Bond
View Object Record
Two women holding signs at a protest march. They are talking together on the side of a street.
Leonard Freed
Two Women Hold Signs at Women's Rights Demonstration, New York City, USA
gelatin silver print on paper
10 x 8 in. ( 25.4 x 20.32 cm )
Gift of Thomas Wilson '79 and Jill Garling '80
View Object Record
A group of people marching in protest outside of the Lincoln Memorial in Washington, D.C.
Danny Lyon
March on Washington, [SNCC members and friends defiantly gather to sing freedom songs], from "Memories of the Southern Civil Rights Movement"
gelatin silver print on paper
14 x 11 in. ( 35.56 x 27.94 cm )
Gift of Thomas Wilson '79 and Jill Garling '80
View Object Record
This photograph depicts a scene at a crowded political demonstration. A reporter stands at the center of the frame and is interviewing a woman. Behind them are handmade picket signs.
Garry Winogrand
New York City
gelatin silver print on paper
9 1/16 in x 13 7/16 in (23.02 cm x 34.13 cm)
Gift of Stanley T. Lesser, A.B. 1951, J.D. 1953
View Object Record
Photograph of a group of women protestors, smiling and holding posters, as they walk down a street fenced off to cars.
Garry Winogrand
Untitled
gelatin silver print on paper
10 7/8 in x 13 11/16 in (27.62 cm x 34.77 cm);18 1/8 in x 22 in (46.04 cm x 55.88 cm)
Gift of Mr. and Mrs. Douglas M. Kenyon
View Object Record
In this drawing, four women walkshoulder to shoulder toward the left. They are wearing long skirts of the early twentieth century and sashes, and they are carrying pendants over their right shoulders and small pieces of paper in their left.
John Sloan
Votes for Women
crayon, ink, and graphite on white paper
8 9/16 in x 11 in (21.75 cm x 27.94 cm);14 3/8 in x 19 5/16 in (36.51 cm x 49.05 cm);6 11/16 in x 6 5/16 in (16.99 cm x 16.03 cm)
Museum Purchase
View Object Record
People in a crowd protesting, they are holding American flags.
Roy Arenella
Peace March
gelatin silver print on paper
6 x 9 in. ( 15.24 x 22.86 cm )
Gift from the Collection of David S. Rosen MD, MPH
View Object Record
Josephine Meckseper
Untitled (March on Washington 9/24/05, Coffins, Xray)
chromogenic color print on paper
18 3/8 in x 14 in (46.67 cm x 35.56 cm);15 3/8 in x 10 15/16 in (39.05 cm x 27.78 cm);18 3/8 in x 14 in (46.67 cm x 35.56 cm)
Museum purchase made possible by the W. Hawkins Ferry Fund
View Object Record
A portrait of Andrew Goodman. His face is oval-shaped and expression slightly worried. His hair looks swept to the side via a series of long brush strokes. Above his portrait is his name written in orange-brown ink.
Ben Shahn
Andrew Goodman
serigraph on paper
28 1/4 in. x 24 1/4 in. x 3/4 in. ( 71.76 cm x 61.6 cm x 1.91 cm )
Gift of the Robbins Center for Cross Cultural Communication, Founder Warren M. Robbins
View Object Record
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Activism — by seth@whirl-i-gig.com (February 13 2017 @ 11:51 am)
American culture — by seth@whirl-i-gig.com (February 13 2017 @ 11:51 am)
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United states — by seth@whirl-i-gig.com (February 13 2017 @ 11:51 am)

Part of 10 Learning Collections
W16 Peplin - SAC 376 - New Media Theory
<p>History of new media</p>
W15 Molldrem - ENGLISH 125 - Science, Technology, Medicine, Homosexuality
<p><span style="font-size: 14px;">History of wester...
Essay: Warhol, Roberson
<p>Understanding Race Essay by Angela Perez-Villa</...
Weems, Saar, Campos-Pons Essay
<p>Understanding Race Essay by Angela Perez-Villa</...
Glenn Ligon Essay    
<p>Understanding Race Essay by Angela Perez-Villa</...
Romare Bearden Essay
<p>Understanding Race Essay by Angela Perez-Villa</...
Essay: Cunliffe, Washington, Lincoln, and Douglass
<p>Understanding Race Essay by Pamela Reister</p>
Orozco, Rivera, Siqueiros Essay
<p>Understanding Race Essay by Angela Perez-Villa</...
American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>
American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

66 Collection Object Sources
Mine Strike (1935.23)
New York City (1981/2.65.8)
Untitled (1983/2.147)
Votes for Women (1964/2.154)
Peace March (2013/2.94)
Andrew Goodman (2011/1.107)
James Chaney (2011/1.105)
Michael Schwerner (2011/1.106)
We Shall Overcome (2011/1.104)
Birmingham Race Riot (1986/1.194.5)
M.L.K. Jr. (1996/2.5)
Warsaw (2011/1.101)
Untitled (1993/2.13.1)
Untitled (1993/2.13.3)
Untitled (1993/2.13.4)
Untitled (1993/2.13.2)
Art Attack (1991/1.137)
Hiroshima Series (1997/1.533.6)
Hiroshima Series (1997/1.533.4)
New York City (1981/2.65.5)
Kent State (1991/2.84)
Michigan Worker (2004/1.153)
Untitled (1993/2.63)
Untitled (2006/1.152)
Lenox Avenue (1943.63)
Hiroshima Series (1997/1.533.8)
Hiroshima Series (1997/1.533.2)
Hiroshima Series (1997/1.533.7)
Hiroshima Series (1997/1.533.1)
Hiroshima Series (1997/1.533.3)
Hiroshima Series (1997/1.533.5)

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Activism
American culture
Americas
Civil rights
Human rights
North america
Political movements
Politics
Protests
Radicalism
Rebellion
Social criticism
Social justice
U.s. culture
U.s. history
United states

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David M Choberka
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Last Updated

February 7, 2020 2:30 p.m.

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