Advanced Search

K-12 Educator
K-12 Student
Museum Visitor
UMMA Docent
UMMA Staff
University Faculty
University Student
Between and Mortarboard

UMMA Object Specific Fields




Query builder

How to Use the Query Builder

Part of: Social Inclusion and Exclusion (59 resources )
|

Teaching American Studies at UMMA

The UMMA collections are often used by classes organized under the "American Studies" heading. This collection contains portfolios in this vein, as well as additional materials that may be of use for university faculty and UMMA staff.



Copyright
All Rights Reserved
Created by
Rachel Lockwood Miller
Last Updated
April 4, 2020 3:45 p.m.

47 Items in this Learning Collection
Manifest Destiny and the American West, 1850-1950

A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.


Beige bowl, wider at the top, with a rim formed in a braided pattern.
Collection with 5 items
W16 Steward - HISTORY 197 - Crossing the Color Line
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Resource with 12 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
Recreation, Leisure, and Sport in Twentieth- and Twenty-First-Century America

Resource with 130 media
School and Education in the U.S.

Resource with 24 media
F16 Mora - AMCULT 213 / LATINOAM 213 - Introduction to Latina, Latino Studies
A photograph of a view from a rooftop. A man stands on the left side of the composition, watching pigeons fly above the scene. In the distance, more pigeons flock above the skyline.
Resource with 19 media
W15 Carroll - AMCULT 698 - Methodologies in American Culture: Gender, Ethnicity, Race, Class
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Resource with 17 media
Politics, and Social Reform in the US, 1901-1950

Resource with 234 media
F13 Gunckel - AMCULT 335 - Arts and Culture in American Life
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Resource with 12 media
U.S. Radicalism

Resource with 66 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
W16 Peplin - SAC 376 - New Media Theory
This vertical print shows a slick advertising image in the top half with a man and a woman watching an early model television set. The woman is smoking a cigarette. A text box is inserted asking three questions. The bottom half is less slick, simply a diagram and text, some of it in a typewriter font. Text above and below asks about how soon television sets will be widely available in homes and museums. The date 1944 is included in parentheses at the top of the image.
Resource with 24 media
Borders of Identity in North America
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Resource with 87 media
W16 Calvo-Quiros - AMCULT 103 / LATINOAM 103 - Car Culture

Resource with 20 media
Sp15 MacGillivray - AMCULT 204 - Historical and Contemporary Perspectives on Gender and Sexuality in North American Borderlands
This photograph depicts an elevated, wide view of a curving river winding through a wooded valley, with snowcapped mountains rising in the distance. The sky above the landscape is filled with clouds.
Resource with 19 media
U.S. Wars
Half-length seated portrait of a bearded man, his face in profile, wearing a military uniform.
Resource with 67 media
W15 Molldrem - ENGLISH 125 - Science, Technology, Medicine, Homosexuality
Oak panel with screen print; signed K.Haring 88 along lower right edge.
Resource with 17 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
W15 Suhadolnik - RCHUMS 251 - Sounds of New York: Music and Place in an Urban Landscape
This black and white stereoscopic image features two images of a man with a large camera seated on a slender line high above Fifth Avenue in New York City. It is surrounded by the text: Set No. 8; Underwood &amp; Underwood, Publishers, Unique; 8288—Photographing New York City—on a slender support 18 stories above pavement of Fifth Avenue.
Resource with 14 media
Social realism, mid-19th century to mid-20th century
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Resource with 79 media
Southern Landscapes and Cityscapes
A foggy landscape with silhouetted trees recedes from the left into the hazy distance and sky. The corners of the images are vignetted and the&nbsp;photograph is toned with tea, giving it a light brown-peach color.&nbsp;
Resource with 36 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
F15 Steward - HISTORY 230 - The Roaring Twenties and the Rough Thirties: America During the Interwar Years
View of a storefront with people sitting in front on benches and entering the shop through a doorway.
Resource with 19 media
History of New Media 

Resource with 172 media
W14 Carroll - AMCULT 311 / LATINOAM 311/ ENGLISH 317 - Borderwork: Representing the Mexico-U.S. Border
This photograph depicts a view of a desert landscape with a fish hanging from the top of a thin pole in the foreground. &nbsp;Behind the fish is a small cemetery that has mounds and crosses and in the distance are a few small buildings. Two more poles with fish hanging from them appear farther away in the image to the right of the fish in the foreground.
Resource with 21 media
F16 Markovits - POLSCI 386 / SOC 379 / GERMAN 379 - Sports, Politics, and Society
This costume design shows a dancer leaning back to the right with a golf club in the right hand. The dancer wears a white top with short sleeves and yellow culottes with brown and black trim at the waist and along the side of the left leg.
Resource with 18 media
F15 Carroll - AMCULT 301 / LATINOAM 301 / ENGLISH 407 - Codeswitch: Hybrid identities in American culture.
Photograph of field with wild flowers. Church is visible in background. Dark, thick clouds loom overhead.<br /><br /> Eva Caston 2017
Resource with 26 media
W16 Chamberlin - ENGLISH 317 - Rust Belt Narratives
Two orange buildings on snow-covered ground on either side of an unplowed road.&nbsp;
Resource with 15 media
Sp15 Hass - AMCULT 231 - Visual and Material American Culture Studies
The photograph is a portrait of a girl in a straw hat standing in front of a wooden fence.
Resource with 24 media
Essay: Warhol, Roberson
This work shows a black and white photograph of a crowd of people outdoors, with trees in the background. On the left is a uniformed policeman holding a dog on a leash in one hand and a club in the other. In the center area there is a man, with his back to the viewer, who is being attacked by two dogs. One, controlled by another policeman, is ripping his clothing and the other, with teeth bared, is attacking his right hand. In the crowd there are men watching the attack and looking at the policemen.
Resource with 3 media
Weems, Saar, Campos-Pons Essay
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Resource with 2 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
Glenn Ligon Essay    
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Resource with 5 media
W15 Levinson - COMPLIT 122 - Insiders and Outsiders

Resource with 19 media
Romare Bearden Essay
At the center of the painting, two animals meet: a horse and a bull. Painted in a variety of colors, the two animals are abstracted in a Cubist style. The painting is signed (u.r.) in black paint "Bearden". 
Resource with 1 media
Sp16 Shapero - ANTHRCUL 298 / ENVIRON 242 - Nature vs. Culture? Anthropological Perspectives on Environmental Conflict

Resource with 23 media
Essay: Cunliffe, Washington, Lincoln, and Douglass
A full-length portrait of a standing male in a lanscape setting. To the left of the composition stands a pair of birches near the figure; to the right, the landscape opens up to a distant expanse of trees and hills. The man stands facing to the right but looking out of the canvas to the left. He holds a bow and quiver of arrows; a black hat with a feather is on the ground at his feet. He is dressed in tan pants and waistcoat with a green frock coat and black boots.
Resource with 8 media
Orozco, Rivera, Siqueiros Essay
This print is a contour drawing of several rows of figures: in the foreground are three squating figures facing away from the viewer; in the background are several squatting figures facing the viewer, and in between are standing figures. The squatting figures sit before the goods they are selling and the standing figures are purchasing from them. 
Resource with 4 media
Early Modern Atlantic World
Goldweights are small objects cast from brass used to weigh out quantities of gold and gold dust. They are cast using a lost-wax casting technique, wherein wax is sculpted into the desired shape and a mold is pressed around the wax model. Then, the mold is heated and the wax drained out, leaving a void in the shape of the original wax model. Liquid brass is poured into the mold and allowed to set before the caster cracks the mold open and retrieves the finished goldweight.
Resource with 35 media
Political Activism and Movements

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
April 4, 2020 3:45 p.m.

30 Items in this Learning Collection
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Art of the Works Progress Administration WPA

Resource with 175 media
Artists of the Harlem Renaissance

Resource with 14 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
Environmental Justice

Resource with 95 media
Exiles of the Spanish Civil War

Resource with 26 media
Jacob Lawrence, Hiroshima Series 

Resource with 10 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
Era of the Mexican Revolution and the Mexican Muralist Movement

Resource with 83 media
Postcolonial Art

Resource with 31 media
Poverty
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
Resource with 99 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
Revolution

Collection with 1 item
School and Education in the U.S.

Resource with 24 media
Social Justice

Resource with 348 media
Social Justice
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.



Shack belonging to a group of ragpickers.




Two women holding signs at a protest march. They are talking together on the side of a street.
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 


Shack belonging to a group of ragpickers.
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings

This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.


Night view of New York City skyscrapers seen from above.

Collection with 26 items
Social Justice and Art in the 18th Century

Resource with 87 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art, 1969-today
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Resource with 42 media
Social Justice and Art in the 19th Century

Resource with 74 media
Social realism, mid-19th century to mid-20th century
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Resource with 79 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Human Rights

Resource with 152 media
Social Inclusion and Exclusion

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
April 4, 2020 3:45 p.m.

59 Items in this Learning Collection
Black and African American Woman Artists
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Resource with 26 media
American Orientalist art at the turn of the 20th century

Resource with 5 media
Art of interest to Judaic Studies
A black and white photograph of the area beneath the Eiffel Tower. A shadow from an arch of the structure covers most of the ground. A crowd of people stand beneath the tower.
Resource with 514 media
Art of the Works Progress Administration WPA

Resource with 175 media
All Artists in the Degenerate Art Show

Resource with 311 media
Artists of the Harlem Renaissance

Resource with 14 media
Asian America in Art

;
This drawing shows the head of a man. Sketched lines with shading around cheeks and eyes, which are closed, create the visage.  A faintly visible hat is sketched on the head. The drawing is signed (u.r.) "Anton Refregier." It may also say "San Francisco" although the handwriting is not clear.


This photograph depicts a view of a desert landscape with a fish hanging from the top of a thin pole in the foreground. &nbsp;Behind the fish is a small cemetery that has mounds and crosses and in the distance are a few small buildings. Two more poles with fish hanging from them appear farther away in the image to the right of the fish in the foreground.
Photo of a woman in a floor-length and brightly striped formal gown standing in a multi-level staircase. The photo is taken from above and captures the woman, her companion, and the ornate handrail and stair runner.
An oil painting on canvas, this is an abstract painting predominantly using black and white oil paints. The background appears to be white paint with a black box on the upper half. The two colors are connected by a long black brushstroke down the middle. The brushstroke does not touch the edges of the canvas but instead takes up 2/3 of the canvas length-wise and 1/3 width-wise.&nbsp;
This calm, horizontal abstract watercolor has registers of aquamarine, ochres, greens and dark blues. 

Collection with 10 items
Borders of Identity in North America
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Resource with 87 media
Cowboys and Cowboy Art
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
Resource with 41 media
The Crowd
Man standing at a podium, crowd surrounding, one man on a horse.
Resource with 117 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
Early Modern European Court Life
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
Resource with 79 media
Early Modern European Peasants
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.
Resource with 62 media
Early Modern European Portraits and Self-Fashioning

Resource with 60 media
Education


Collection with 2 items
Enrique Chagoya: Flipping Europe on its Head

Resource with 4 media
Environmental Justice

Resource with 95 media
Ethnicity and Race
This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.

A black and white photograph of the area beneath the Eiffel Tower. A shadow from an arch of the structure covers most of the ground. A crowd of people stand beneath the tower.

Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.

Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
Beige bowl, wider at the top, with a rim formed in a braided pattern.

A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.

This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Image of men with their backs turned and looking toward the viewer's left. All are wearing overcoats and hats, with some wearing top hats and flowers in their lapels. 
Collection with 18 items
European Primitivisms
Four male figures face each other, one in a hat on the left and three on the right facing him. The figure in the center has one hand raised to his chest. The two men on the right are looking at the man in the center.
Resource with 53 media
Exploring Gender and Sexuality
A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
Resource with 124 media
Exploring Identity and Identity Politics in American Culture
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
Resource with 78 media
Femmes Fatales
This photograph depicts a woman standing and holding a glass in an interior space.
Resource with 35 media
Gender and Sex
A strong man with an athletic build swims through water. His arms are outstretched above his head and his legs are perfectly pivoted behind. He is clothed in a pair of striped swimming shorts.
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
A black and white phot of two men dressed in a Western style with a tent. One man is standing in front of the tent, while the other is sitting on a rolled up canvs in front of the tent.
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
This photograph depicts a woman standing and holding a glass in an interior space.
A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
Oak panel with screen print; signed K.Haring 88 along lower right edge.

Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
Waist and legs of a reclining nude seen from the back.

Night view of New York City skyscrapers seen from above.
Collection with 15 items
Girlhood
A girl with her head in profile, her black hair is highlighted with white, blue and yellow stripes, yellow columns of dots, and gold abstract curves. In her hair, there is a brown, red, yellow, and blue butterfly with abstract designs on its wing. The background of the print is blue, but the bottom half of the print is taken up by a partial view of a brown, black, red, and orange butterfly with abstract designs on its wings.
Resource with 316 media
Jacob Lawrence, Hiroshima Series 

Resource with 10 media
History of Western Sexuality and Gender Roles
Oak panel with screen print; signed K.Haring 88 along lower right edge.
Resource with 107 media
Indigenous North America Arts
Beige bowl, wider at the top, with a rim formed in a braided pattern.
Resource with 104 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
Looking Into the Mirror

Resource with 44 media
Manifest Destiny and the American West

Resource with 76 media
Mothers and Children
Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
Resource with 73 media
Oppositional Photography, Outsider Photography
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
Resource with 181 media
Orientalism

Resource with 57 media
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Poverty
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
Resource with 99 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
Race, Gender, Class, and American Identity
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Resource with 343 media
Representations and Misrepresentations of Indigenous America

Resource with 65 media
Representations of Women in Medieval and Early Modern Europe
This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
Resource with 69 media
School and Education in the U.S.

Resource with 24 media
Sexuality and Censorship
Waist and legs of a reclining nude seen from the back.
Resource with 49 media
Social Class
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".

Shack belonging to a group of ragpickers.
This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun&#39;s rays, as well as extends his right hand towards fire at the lower left.

A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.

Night view of New York City skyscrapers seen from above.
Collection with 14 items
Social Justice

Resource with 348 media
Social Justice
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.



Shack belonging to a group of ragpickers.




Two women holding signs at a protest march. They are talking together on the side of a street.
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 


Shack belonging to a group of ragpickers.
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings

This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.


Night view of New York City skyscrapers seen from above.

Collection with 26 items
Social Justice and Art in the 18th Century

Resource with 87 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art, 1969-today
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Resource with 42 media
Social Justice and Art in the 19th Century

Resource with 74 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
Underdogs, Everyday Heroes, Antiheroes
A photograph of the bust of a young man, cloaked in black, holding a reflective shard of glass in front of his face. He stands in front of a wall of graffiti.
Resource with 52 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
Witches and Witchcraft

Resource with 25 media
Work and Workers

Resource with 340 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Social Justice

Copyright
Creative Commons by-nc-sa
Created by
David M Choberka
Last Updated
April 4, 2020 3:45 p.m.

26 Items in this Learning Collection
Social Justice and Art, 1969-today
This print is composed of sets of faces in three registers.  Along the top, in a black stripe, is a repeated, closely cropped image of a woman's face looking to the left.  In the middle left are five repeated images in shades of brown of a woman's face looking right, toward the face of a man in black.  Along the bottom are three large images of a woman's face in green, brown and blue.
Resource with 42 media
Social Justice

Resource with 348 media
Artists of the Harlem Renaissance

Resource with 14 media
Art of the Works Progress Administration WPA

Resource with 175 media
Documentary Photography & Social Realism
Shack belonging to a group of ragpickers.
Resource with 148 media
Education


Collection with 2 items
Environmental Justice

Resource with 95 media
Jacob Lawrence, Hiroshima Series 

Resource with 10 media
Latin American Revolutions and Civil Wars

Resource with 15 media
Literacy, Reading, and Writing

Resource with 46 media
Political Protest in the U.S.
Two women holding signs at a protest march. They are talking together on the side of a street.
Resource with 22 media
Poverty
The main figure in this print is a man standing in contraposto pose in a generic outdoor setting. His right hand rests on his hip, a guitar is slung across his back, and a piece of cloth is tied around his head. His gaze meets that of the audience. He stands in the center of the composition. To his left is a seated woman with a naked baby in her lap; a sack lays on the ground next to her bare feet. Behind her, a standing boy leans his head backwards in order to drink from the upturned jug he holds. He is shown in profile. All of the depicted people wear simple, loose-fitting and slightly worn-looking costumes. Three-quarters of the background space is comprised of a cloudy sky; a rocky terrain is suggested in the midddle background.<br /> The print is signed in the plate, lower right corner, "éd. Manet."
Resource with 99 media
Prison and Punishment
This photograph depicts a view of a canal lined with stone buildings; an ornate covered-bridge spans the water, connecting the structures on either side. Two men stand on an embankment to which a series of gondolas are docked. 
Resource with 57 media
School and Education in the U.S.

Resource with 24 media
Social Justice and Art in the 18th Century

Resource with 87 media
Social Justice and Art 1900-1928
Shack belonging to a group of ragpickers.
Resource with 19 media
Social Justice and Art 1929-1945
In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Resource with 60 media
Social Justice and Art 1946-1968
This print is made of colorful forms and words in bright letters and bold fonts, arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink on grey.<br /><br /> Text:<br /> To the Lovings, new hope i love you much (most beautiful darling) more than anyone on earth and i like you better than everything in the sky--sunlight and singing welcome your coming although winter may be everywhere with such a silence and such a darkness no one can quite begin to guess (except my life) the true time of the year-- and if what calls itself a world should have the luck to hear singing (or glimpse such sunlight as will leap higher than high through gayer than gayest someone's heart at your each nearness) everyone certainly would (my most beautiful darling) believe in nothing but love. cummings
Resource with 47 media
Social Justice and Art in the 19th Century

Resource with 74 media
Social realism, mid-19th century to mid-20th century
This painting, done in thick brushstrokes, shows a group of women gathered on the grass in a wooded area. There are six figures, four seated and two standing, and they fill the foreground of the composition. They are grouped in a semi-circle, however, there is no communication or eye contact between the figures. The women are wearing traditional Breton costumes with brightly colored aprons, caps and sashes. They have bright white collars and caps with purple, burgundy and green ribbons.
Resource with 79 media
U.S. Civil Rights Movement
A black and white photograph of a man&#39;s profile against a glass door. He faces to the viewer&#39;s left, head lowered and eyes closed.
Resource with 38 media
U.S. Freedom Struggles of the Long 1960s
Two women holding signs at a protest march. They are talking together on the side of a street.


A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.

A group of African Americans praying while kneeling on a street. There is concrete pavement and a brick building behind them.
Collection with 6 items
U.S. Radicalism

Resource with 66 media
Understanding Race - selection for LSA Theme Semester, Winter 2013

Resource with 35 media
WPA Woman Artists
Night view of New York City skyscrapers seen from above.
Resource with 41 media
Human Rights

Resource with 152 media

Social Justice and Art 1929-1945

In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text &quot;Mendez&quot; and &quot;1945&quot; is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city.&nbsp;
Leopoldo Méndez
Lo que puede venir
woodcut on paper
12 in x 6 15/16 in (30.48 cm x 17.62 cm);14 ¼ in x 10 ⅜ in (36.2 cm x 26.35 cm);22 ⅛ in x 18 ⅛ in (56.2 cm x 46.04 cm)
Museum Purchase
View Object Record
Around and behind a central image of a sewing machine are overlapping images of people, ships, a building fire, the Statue of Liberty, and small blocks of text.
Ida Abelman
My Father Reminisces
lithograph on paper
14 9/16 in x 18 7/16 in (36.99 cm x 46.83 cm)
Allocated by the U.S. Government Commissioned through the New Deal art projects
View Object Record
A boy stands at the front of the painting, arms crossed and face solemn. He is wearing an oversized white shirt that comes down to his knees. A figure, most likely a woman, stands behind him with her back turned. Her head is covered in a long black headscarf that is traditional to Jewish culture. Behind them is a blue horizon.
Ben Shahn
Boy
tempera on cardboard
26 11/16 x 18 3/16 in. (67.7 x 46.1 cm);35 7/8 x 27 7/8 in. (91.12 x 70.8 cm)
Museum Purchase
View Object Record
Doris Spiegel
Selling Candles
etching on paper
7 in x 5 1/16 in (17.78 cm x 12.86 cm);7 in x 5 1/16 in (17.78 cm x 12.86 cm)
Allocated by the U.S. Government Commissioned through the New Deal art projects
View Object Record
Hyman Warsager
My Backyard No.2
wood engraving on paper
14 in x 17 ⅛ in (35.56 cm x 43.5 cm);14 in x 17 ⅛ in (35.56 cm x 43.5 cm)
Allocated by the U.S. Government Commissioned through the New Deal art projects
View Object Record
Mitchell Siporin
Railroaders
lithograph on paper
22 in x 12 3/16 in (55.88 cm x 30.96 cm);22 in x 15 9/16 in (55.88 cm x 39.53 cm);32 ⅛ in x 26 ⅛ in (81.6 cm x 66.36 cm);28 1/16 in x 21 15/16 in (71.28 cm x 55.72 cm)
Allocated by the U.S. Government Commissioned through the New Deal art projects
View Object Record
Leonard Pytlak
Underpass
lithograph on paper
12 ⅞ in x 14 3/16 in (32.7 cm x 36.04 cm)
Allocated by the U.S. Government Commissioned through the New Deal art projects
View Object Record
Hugh Miller
Auto Wreck
lithograph on paper
14 ¾ in x 18 9/16 in (37.47 cm x 47.15 cm)
Allocated by the U.S. Government Commissioned through the New Deal art projects
View Object Record
;Vase with red and green glazes.
Fay Chong
The Mansion
linoleum cut on paper
9 ⅛ in x 12 ⅛ in (23.18 cm x 30.8 cm)
Allocated by the U.S. Government Commissioned through the New Deal art projects
View Object Record
Four buildings are situated at an angle and descend away from the viewer as if on a hill. A latticework pattern visible in the background suggests an industrial complex. Three figures in deep shadow walk in the foreground.&nbsp;
Blanche Grambs
Mining Town
etching on paper
11 4/5 in x 14 ⅞ in (30 cm x 37.78 cm)
Allocated by the U.S. Government Commissioned through the New Deal art projects
View Object Record
Elizabeth Olds
Workman
lithograph on paper
12 ⅝ in x 17 in (32.07 cm x 43.18 cm)
Allocated by the U.S. Government Commissioned through the New Deal art projects
View Object Record
Paul Weller
Coal Country
lithograph on paper
11 ⅞ in x 14 ⅞ in (30.16 cm x 37.78 cm)
Allocated by the U.S. Government Commissioned through the New Deal art projects
View Object Record
Next 12

0 Comments

11 Tags & 0 Keywords
Tags
Activism — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Comparative — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Cultural criticism — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Human rights — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Politics — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Radicalism — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Rebellion — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Social criticism — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Social history — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Social justice — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)
Social realism — by seth@whirl-i-gig.com (February 13 2017 @ 1:00 pm)

Part of 4 Learning Collections
W16 Peplin - SAC 376 - New Media Theory
<p>History of new media</p>
W15 Molldrem - ENGLISH 125 - Science, Technology, Medicine, Homosexuality
<p><span style="font-size: 14px;">History of wester...
Essay: Warhol, Roberson
<p>Understanding Race Essay by Angela Perez-Villa</...
Weems, Saar, Campos-Pons Essay
<p>Understanding Race Essay by Angela Perez-Villa</...
Glenn Ligon Essay    
<p>Understanding Race Essay by Angela Perez-Villa</...
Romare Bearden Essay
<p>Understanding Race Essay by Angela Perez-Villa</...
Essay: Cunliffe, Washington, Lincoln, and Douglass
<p>Understanding Race Essay by Pamela Reister</p>
Orozco, Rivera, Siqueiros Essay
<p>Understanding Race Essay by Angela Perez-Villa</...
American Orientalist art at the turn of the 20th century
<p>America Encounters Asia in Art</p>

60 Collection Object Sources
Boy (1950/1.203)
Railroaders (1943.126)
Underpass (1943.112)
Auto Wreck (1943.89)
The Mansion (1943.16)
Mining Town (1943.43)
Workman (1943.101)
Coal Country (1943.147)
Mine Accident (1943.114)
Ku Kluxers (1943.73)
An Incident (1943.122)
New York (1990/2.54)
Hardware Store (2011/2.5)
Farm Machine (2008/2.348)
Currie, Nevada (2002/2.219)
Lackarbeiter (1975/2.97)
Workman (1948/1.25)
Mine Strike (1935.23)
Starvation (1943.131)
Ixtaccíhuatl (1958/1.106)
Cockfight (1958/1.105)
Head (1948/1.24)
Marching Women (1948/1.72)

4 Links

Tags

Activism
Comparative
Cultural criticism
Human rights
Politics
Radicalism
Rebellion
Social criticism
Social history
Social justice
Social realism

Created For

University Faculty
University Student

Rate this Resource

AVG: 0 | Ratings: 0

Created by

David M Choberka
Other Resources by this Author

& Author Notes

Creative Commons by-nc-sa (University of Michigan Museum of Art)

Last Updated

April 4, 2020 3:45 p.m.

Report

Reporting Policy