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Part of: Noel Gallery objects (95 resources )
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Noel Gallery objects

Copyright
All Rights Reserved
Created by
Julia Laplaca
Last Updated
May 25, 2022 3:18 p.m.

96 Items in this Learning Collection
Double-sided Pendant with the Annunciation and the Resurrection
Side A: Etched pendant lined with gilt border with image of two figures, male and female.<br /> Side B: One main figure with a staff surrounded by many figures.
Collection Object
St. Christopher carrying the Christ Child
A standing, bearded figure of St. Christopher, broken off at the knees, holds the Christ child on his right shoulder while leaning upon a staff in his left hand. The child, whose head is encircled by a halo, wears a long cloak over his robe and rests his left hand upon an orb in his lap. The red and brown polychromy is a later addition.
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Coronation of the Virgin
A page from a manuscript depicting a woman, kneeling to be crowned, while a standing man blesses her. She is surrounded by a court of angels in an architectural setting in the clouds.
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Historiated Initial 'O' with St. John the Baptist

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Seraph, half of a medallion from the west rose window of Reims Cathedral
A lunette-shaped panel composed of red, blue, white, brownish purple and yellowish brown stained glass joined together by lead cames depicting a seraph. Four leafy fronds, taken from another medieval window, have been inserted here between the seraph's head and shoulders. The panel is the upper half of a roundel originally installed in the west rose window of Reims Cathedral.
Collection Object
Leaf from a Gradual
A double-sided illuminated manuscript leaf with one column of seven staffs&nbsp;containing brown ink notes and Latin blackletter script. Some red rubrication is&nbsp;present. A large illuminated initial &ldquo;S&rdquo; is found on the verso, decorated with vegetal&nbsp;and floral forms in blue, green, scarlet, and gold leaf.
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Bowl with radial design and inscribed rim
"A Persian inscription is incised into the broad band of lustre decorating the vessel's rim. The main element in the decoration is a loosely drawn eight-pointed star from which a further series of eight- and sixteen-pointed stars are generated; beyond them are registers filled with medallions and cartouches. This structure, unusual in ceramic decor, is reminiscent of that found on metalwork vessels of this same period from Iran."<br />  
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Floriated Bible Leaf
Two columns of light brown Latin blackletter script with foliate borders of red, blue,&nbsp;and gold leaf.
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Leaf from a Psalter
Double-sided illuminated manuscript leaf with two blocks of Latin blackletter script&nbsp;framed by floriated borders of blue, red, and gold leaf featuring interlace and an&nbsp;illuminated initial.
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Leaf from a Gradual

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Leaf from Missal or Book of Hours
A double-sided illuminated manuscript leaf with two columns of black Latin&nbsp;blackletter script with some red rubrication and illuminated initials in red, blue, and&nbsp;gold leaf.
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Calendar Leaf (January) from a Book of Hours
A double-sided illuminated manuscript leaf with three columns of text in gold leaf,&nbsp;red, and blue French blackletter script encased by a floriated border. There are two&nbsp;small miniatures, one on either side of the leaf, framed in arched compartments.<br /> <br /> The illustrated compartment on the recto features a seated man wearing a long blue&nbsp;tunic and red cap seated at a table in an interior marked by a stone fireplace. A&nbsp;smaller servant boy dressed in a long tunic presents the man with a platter. The&nbsp;compartment on the verso contains a landscape with a winding river where a man&nbsp;kneels, dressed in pants and a tunic shirt, and draws water into copper jugs.
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Baking Bread, Labor of the Month for December
This enamel roundel depicts three figures in an interior. In the foreground a man with a soft pointed cap maneuvers small round loaves of bread in an oven with a long wooden paddle. Behind him a woman with an elaborate headdress and another figure prepare more loaves for baking. The silvery gray tones of this grisaille enamel impart the scene with a subtle luminosity.
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Gushtasp Slays the Wolf, from the Shahnama of Firdausi

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Priest Celebrating a Mass (Leaf from the Tarleton Hours)
This page of an illuminated manuscript on thin parchment is vertically oriented. Centered in the upper two-thirds of the page is a window-shaped scene of a priest celebrating mass. The priest, with red and white robes and a tonsure, holds up a communion wafer at an altar that has a bible and a communion goblet on it and an image of two figures with halos behind them. The altar and the priest’s robes are trimmed with gold leaf. Behind the priest are two kneeling figures, a man and a woman. They are in the interior of a gothic church, with stone vaulting above them. Below the scene are four lines of calligraphy with the first letter, a ‘D’, highly decorated. Decorative detailing surrounds the text and the scene. The left side consists of an ivy-like plant growing out of the "D", and the bottom and right sides have different foliate-derived design depicted in ink, tempera and gold.
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Silk Fragment

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Silk Fragment

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Chasuble (Back)

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Embroidered Panel

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Tapestry;Border Fragment (Central cartouche depicting 'Atlanta and the Caledonia

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Luhrasp Addresses the Heroes, from the Shahnama of Firdausi
This Persian miniature is attributed to the Shiraz and Timurid schools, ca. 1460. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene, <em>Luhrasp Addresses the Heroes</em>, is part of the Shahnama of Firdausi, the Persian book of kings. 
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Brocatelle

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Processional cross with triumphant Christ (Christus triumphans) flanked by busts of the evangelists, Saints Matthew, John, Mark, and Luke (obverse); and suffering Christ (Christus patiens) flanked by busts of the Virgin Mary, God the father, Saint John and unidentified male saint with cross (Saint Philip?) (reverse)
The arms of the cross end in quatrefoil-shaped terminals. The front (obverse) is gilded and features a molding along the edges. The back (reverse) has a deep azurite blue ground and a gilded band punched with tiny rosettes that runs along the border.
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Leaf from a Book of Hours

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Candlestick with decoration of the Labors of the Months

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Champlevé enamel plaque with Christ in Majesty

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Architectural ceiling boss with four faces, probably from the Church of St. Andrew at Cullompton
This ceiling boss features four faces with traces of paint that are arranged in a radial pattern with the crowns of their heads converging on a single, central point. Two of the faces are female, identifiable by the wimples worn on their heads, while the other two, wearing small pointed caps and sporting beards, are male. The symmetrical regularity of the piece is counterbalanced by subtle asymmetries introduced by differences in detail and the sequence of facial types.
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Self-Portrait with carnations
This elegant self-portrait depicts a half-length figure of a man in three-quarters profile with his left arm resting on a stone ledge. The somber colors of his garb, consisting of a white shirt with a dark robe, is offset by luxurious details: the fur collar of his robe, the black ribbon and gold chain around his neck, the embroidered collar and cuffs of his shirt, and the three rings on his right hand. Two pink carnations appear on the ledge before him.
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Scenes of Martyrdom and Monastic Figures

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A Censer, Chalice and Incense Boat

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Capital with vines

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Diptych

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Velvet

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Enthroned Madonna and Child with angels and Saints Louis of Toulouse, Zenobius, John the Evangelist, and John the Baptist
The majestic figure of the Virgin with the infant Christ on her lap sits enthroned in the center of this painted panel. Her elaborate throne rests upon a dais and is enclosed on three sides by panels bristling with Gothic ornament. Two bishop saints holding croziers stand at the foot of the dais accompanied by two other saints who stand behind them, while fourteen angels crowd the background.
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Christ giving communion to the Apostles in an historiated initial "C"
Eight robed male figures, each with a halo, kneel before a v-shaped bench or rail. They face a male figure with a crossed halo that stands on the other side of the bench, holding a golden chalice in his left hand and a circular white wafer imprinted with a crucifixion scene in his right. An altar draped with a red cloth appears behind him. The entire scene is enframed within the letter &quot;C.&quot;
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Pair of turned oak columns

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Faucet with Peacock Spigot and Lion-Headed Spout
This large bronze faucet features a peacock spigot and a lion-headed spout.
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Coconut Cup
This cup is fashioned from a coconut shell set in a shallow bowl supported on a long, narrow stem and held in place by three straps and a tall neck band. The shallow domed lid has a plain, overhanging rim and terminates in a finial with a statuette of a nude sea nymph and serpent. The metalwork is densely decorated with various masks, animals, fantastic creatures, and vegetal ornament.
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Arms of Maximillian. Illustration from 'Quadriuium ecclesiae,' by Ioh. Hug, Lat

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Lintel Fragments (From a set of 5)
Two and a half prints, identical, long piece of wood with repeating pattern.
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Martyrdom of St. Matthew
A haloed man kneels in three-quarter profile in the left center of the foreground of the composition. A male figure stands behind the haloed figure in a wide stance with an ax raised above the kneeling figure's head. In the background is another male figure wearing a pointed hat and a jester or demonic figure shown falling of a column in the distance in the upper left.
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Annunciation
An angel, holding a scepter in his left hand and making a gesture of speech with his right, interrupts the Virgin at her reading. She kneels on the floor and rests her left hand on an open book placed atop a lectern. A vase with a flowering lily sits on the floor between the angel and the Virgin and a small white dove encircled by a halo hovers between them. The scene unfolds within an elaborate and richly decorated interior that includes a chair and canopied bed in the background.
Collection Object
Gamepiece of an Armed Knight Throttling a Monstrous, Bearded Chimera
Round, carved gamepiece featuring the image of a figure in armor sitting on top of and stabbing a winged creature with a beard.&nbsp;
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Relief Panel with the Lamb of God ("Agnus Dei")

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Leaf from a Glossed Bible (Pauline Letter with Commentary; Epistle to the Thessalonians)

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Man of Sorrows

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Busts of Saints Jerome and Gregory
This pair of finely carved bust-length figures depicts two men in ecclesiastical garb. On the right appears an older figure who wears elaborate vestments and a papal tiara with a book in his left hand. His deeply lined and wrinkled face conveys a patient wisdom and authority as he stares directly ahead. His more youthful companion, dressed in a simpler collared robe and brimless cap, glances introspectively aside. He grasps an unfurled scroll in his left hand and a diminutive lion stares out from its perch on his left shoulder.
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The Triumph of Plenty
This bronze plaque features a pair of oxen pulling a four-wheeled wagon with six passengers. The seated driver holds a rod in his right hand and a two-tined fork in his left. An older figure holding a flaming vessel stands behind him, followed by a seated figure wearing classical drapery and a laurel wreath. The next figure, seated in the middle of the cart, is an older female, nude to the waist, who holds a cornucopia full of fruit and raises her left hand to point skyward. Two smaller standing figures appear next, one holding a bowl of fruit. The final figure is a reclining female nude holding a flower in the crook of her right arm.
Collection Object
Charles V and his Brother Ferdinand I
Two male figures wearing voluminous patterned garmets and flat brimmed hats face one another, surrounded by an ornamental, classically inspired frame. Larson 2/7/18<br /> &nbsp;
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Architectural ceiling boss with two dragons, probably from the Church of St. Andrews at Cullompton
Two rampant dragons with open wings, wide flared tails and red-painted eyes stand facing one another with a large plant form held between them.
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Fragment from a Choir Stall
Carved animal figure on pedestal.
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Pope Boniface VIII Presiding over the Sacred College

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Cuttings from an illuminated manuscript consisting of several decorative border pieces, containing dolphins, cherubs, portrait cameos and the arms of Cardinal Antonio Pallavicini.

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Incense burner lid with peacock-shaped finial

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Baptismal Basin with Lamb of God ('Agnus Dei')

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Fragment of a gaming piece with male slaying beast, possibly Hercules and the Erymanthian boar, zigzag pattern with incised circles in border
Fragment of circular gaming piece carved in elephant ivory in high relief. Standing male figure wearing knee-length robe holds sword in right hand and stabs inverted beast in the chest. Forelegs of beast end in hooves; head of beast characterized by large eye and pronounced nostril. Left arm of figure and rear half of the beast missing. Border contains zigzag pattern with bead motif.
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Console with bird in vine scroll, rinceau, and angel
A three-quarter length angel, robustly carved in high relief, emerges from a cloud bank on the curved inner face of the console. The outer face of the console bears a tightly wound vine scroll carved in shallower relief with a bird at its center. The bird grasps the vine with its left leg while stretching back to grasp a cluster of grapes in its beak.
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Chest (no lock)

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The Nativity of the Virgin
This painted panel depicts an intimate domestic setting consisting of a bedchamber with a fireplace and a smaller vaulted antechamber that opens out on a garden. A haloed woman wearing a white veil rests in bed, having recently given birth. She leans to her right as she reaches toward a basin held by an attendant and looks across the room to the infant who is held on the lap of another servant. A halo also encircles the head of the child and a pair of angels fly above her. Several other attendants and midwives bustle about the room, while another woman, more richly clad than the servants, gazes on the child from her seat at the foot of the bed. In the antechamber sits a haloed man in a long white beard, who leans forward to hear news of the birth from the child standing in front of him. A companion sits behind him and a servant passes through the door into the bedchamber.
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Velvet Chausable with embroidered panel of St. Paul

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Saint Sebastian

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Dish with an Escutcheon,

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Kneeling Angel Holding a Shield

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Medallion

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Achilles and Hector
This engraving depicts a frieze-like arrangement of figures in horizontal format. Two central figures are engaged in a duel on horseback. Several other nude male figures are engaged in battle throughout the composition. The artist's monogram is placed in the upper left corner of the image.
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Candlestick with scenes of paired figures drinking

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Dish: Abraham and the Three Angels

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The Banker and his Wife
A husband and wife, looking at books and coins on a wood table. She has a red dress and a white head covering, he is wearing all dark colors and a dark hat.
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Hymnal

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Cisele Velvet

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Caricatures of Voltaire (Thirty-seven heads of Voltaire)

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Cloisters, Arles

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Monreale
This photograph is a composite of nine individual photographs, each depicting a view of a ornate column’s capital.
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Capital from the palace-city of Medinat al-Zahara with stylized acanthus leaves, vine rinceau and fleurons
This capital, based upon the Roman composite order, features stylized acanthus leaves and rinceau on the bell of the capital, which terminates in a band of bead-and-reel motif on the astragal. This, in turn, is capped by an echinus decorated with three fleurons and vine rinceau on each face as well as four projecting volutes also decorated with rinceau and fleurons. Originally the bell of the capital had two tiers of acanthus leaves, but the capital has been cropped below the top of the first tier and the tips of the leaves, which once curved outward from the surface of the capital, have been sheared off.
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Intérieur de la mosquée d'Omar, le Rocher—Interior of the mosque of Omar: the Rock
Interior view of a chamber surrounded by a polygonal arcade. The lower register of the photograph shows a large, roughly hewn stone slab.
Collection Object
Crossbow fibula with vegetal ornament on the catchplate
This fibula, a type of brooch used to pin outer garments, features a crossbar that ends in three onion-shaped terminals, which give the fibula a shape reminiscent of a crossbow. An arched bow connects the crossbar to the longer catchplate, which is ornamented with vegetal motifs.
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Head of Polydeukion (favorite pupil of Herodes Atticus)

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Adoration of the Magi
This unfinished painted study depicts a crowd of figures gathered around three richly dressed men and a woman and child, who appear on a flight of stairs near the entrance to a large building decorated with classical columns and pilasters. An elderly bald man wearing a red cloak trimmed with ermine kneels with his head bowed at the top of the stairs before a kneeling woman who holds an infant in her right arm. Another man wearing a turban decorated with a large feather stands behind the kneeling man and holds a gold censer hanging from a chain in his left hand. A third richly dressed man stands at the bottom of the stairs with his back turned toward the viewer. A number of other figures crowd around this central group from the sides. A large ox sits in the right foreground with a donkey standing behind it.
Collection Object
St. John the Evangelist on Patmos
St. John the Evangelist sits in the foreground with a book open on his knee and quill pen poised over its pages. Two books rest next to him and an eagle has alighted on an adjacent rock. St. John looks up and to his right to see a standing figure of the Virgin Mary holding the infant Christ, who appear in a glowing mandorla hovering in the sky. A vast panoramic view of a bustling harbor and formidable mountains unfolds behind St. John and extends into the distance.
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Presentation in the Temple (Leaf from a Book of Hours)

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Schöne Madonna
Bust of Madonna with head facing down and to the side. The main sculpture is of wood with layers of paint on the face and veil.
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Madonna and Child with St. Thomas Aquinas and a Bishop Saint
This rectangular panel depicts four sacred figures rendered in dark hues with passages of vibrant red against a gold background. The upper edge of the gilded frame bears the prayer known as the &quot;Hail Mary&quot; (&quot;Ave Maria Gratia Plena Domin[us tecum]&quot;).
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The Mourning St. John the Evangelist with two male figures (fragment of a crucifixion from a portable altarpiece)
This carved bone sculpture depicts John the Evangelist in profile with his hands held before him, bowing his head in mourning. A male figure wearing a knee-length robe stands on the right and holds a club in his left hand. A second male figure appears behind the saint in a similar pose of grief.
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Small Chest
Small, ornately carved chest with metal hardware.
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The Annunciation
An angel, draped with a flowing red mantle, descends on the left from a bank of clouds. He holds a scepter and twisting scroll in his left hand while he points with his right toward a white dove encircled by a halo of light that descends toward a woman dressed in long robes and a veil. She sits, holding a book open on the lectern before her, and draws back slightly with her right hand raised and her eyes downcast. Six cherubim sit above on the edge of the cloudbank, which opens to reveal a male figure barely visible in the blinding light that fills the cloud.
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Leaf from a Choir Book with Nativity

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Leaf from a Book of Hours

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Sanctification cross with scenes from the life of Christ and the Virgin Mary and the Evangelists
This small carved boxwood cross is divided on each face into five compartments containing Christian religious scenes. The cross is set in a stand decorated with mother-of-pearl and green glass-paste stones.
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Holy Family
Three figures, one woman with two children, one is holding a bird.
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Madonna and Child

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Angel
This sculpture represents an angel bending slightly toward the left with his head tilted downward. Carved slots in his back would have held his wings, and the figure has lost his forearms and hands as well as his legs below the knees.
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Aquamanile, Lion

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Lamp

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Double Cloth

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Prayer Book of Service for the Dead, manuscript page

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Places: Noel Gallery Re-install

Copyright
All Rights Reserved
Created by
Julia Laplaca
Last Updated
May 25, 2022 3:18 p.m.

35 Items in this Learning Collection
Coconut Cup
This cup is fashioned from a coconut shell set in a shallow bowl supported on a long, narrow stem and held in place by three straps and a tall neck band. The shallow domed lid has a plain, overhanging rim and terminates in a finial with a statuette of a nude sea nymph and serpent. The metalwork is densely decorated with various masks, animals, fantastic creatures, and vegetal ornament.
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Double Festoon Relief Fragment with Putto's Head

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Eve Tempted by the Serpent
A nude woman with long hair flowing down her back grasps a tree branch with her right hand and bends it downward in order to more easily pluck the green fruit dangling at its tip with her left hand. Her white body contrasts starkly with the darker tones of the surrounding landscape. The less conspicuous figure of a serpent with the head of a bearded man coils about the trunk of the tree next to the woman and fixes her with his stare.
Collection Object
St. John the Evangelist on Patmos
St. John the Evangelist sits in the foreground with a book open on his knee and quill pen poised over its pages. Two books rest next to him and an eagle has alighted on an adjacent rock. St. John looks up and to his right to see a standing figure of the Virgin Mary holding the infant Christ, who appear in a glowing mandorla hovering in the sky. A vast panoramic view of a bustling harbor and formidable mountains unfolds behind St. John and extends into the distance.
Collection Object
Annunciation
An angel, holding a scepter in his left hand and making a gesture of speech with his right, interrupts the Virgin at her reading. She kneels on the floor and rests her left hand on an open book placed atop a lectern. A vase with a flowering lily sits on the floor between the angel and the Virgin and a small white dove encircled by a halo hovers between them. The scene unfolds within an elaborate and richly decorated interior that includes a chair and canopied bed in the background.
Collection Object
Bowl Fragment with Figural Designs
This fragment of a Mongol Islamic bowl comes from 14th century Iran. The side design features a kneeling person with a bottle, while the side panels have leopards and floral decoration. <br /> Colors included are cobalt, turquoise, green, and dark geen-gray on a cream-tan ground. The fragment is about one-third of the original bowl.<br /><br /><br /><br />  
Collection Object
Mina'i ware bowl fragment with confronting equestrian figures
This Mina'i ware bowl profile fragment features painting in blue, black, white, green, and red over turquoise glaze. Two confronted horesman and conventionalized inscriptions near the rim are the main decorative features.<br /><br />  
Collection Object
The Parable of the Unmerciful Servant
This painting depicts the interior of a room where four men are grouped around a table. They are painted as half-length figures, and their forms fill the foreground. They are painted in warm tones of brown, red and green and dressed in 16th century Netherlandish clothing. There is a king, wearing a pointed crown, who, with his right arm awkwardly crossed over his left, points to another man across the table. He has a furrowed brow and his mouth is partially open as if he is speaking. Next to him is a man looking downward, intently counting coins piled on the table. The third man pauses while writing in a book, his hand with the pen is stopped in mid-air, and looks back at the king. The fourth man, on the other side of the table, has his hands clasped in a pleading gesture and his eyes meet the gaze of the king. Items in the room and on the table such as books, scissors, a money bag, and an hourglass, are painted in great detail. In the upper right, a small outdoor scene, painted in tones of light green, shows
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Saint

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Map of the Sun. Illustration from, 'Mundus Subterraneus,' by Athanasius Kircher

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Star-shaped tile with phoenix among clouds

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Shallow bowl with stylized floral medallion

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Casket with inscription in floriated Kufic script
This inlaid bronze casket with Kufic inscription was masterfully produced in the 12th century Seljuk period. Possibly of Syrian origin, the lid is hammered from a flat sheet of brass with the bottom formed by folding and joining a section cut from a flat sheet. The seams are on three sides of the base and in the rear under the right-hand hinge. Brass hinges on the object are attached by copper rivets. Originally, the object would have a handle and front clasp which are now missing. <br /><br />  
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Chest (no lock)

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Credenza
The front of this handsome oak credenza, or sideboard, is divided into halves by three pilasters. Each half is outfitted with a drawer and a door below. The decorative and functional components are artfully arranged across the front of the piece to form a balanced composition of repeated geometric shapes and harmonious proportions.
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Carved Wood Panel

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Christ Child
A nude, standing child figure with the right hand raised to chin-level. The forefinger and middle finger are raised and the thumb is out. 
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Cristo, Oaxaca
Photograph of a tableau in a Catholic church in Oaxaca, Mexico. The scene includes Christ, Mary, and other religious figures.
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Calvario, Patzcuaro
Photograph of a tableau from a Catholic church in Calvario, Patzuaro, Mexico. The scene includes a male figure at the center, with two women and one man arranged behind him.
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Adoration of the Magi
This unfinished painted study depicts a crowd of figures gathered around three richly dressed men and a woman and child, who appear on a flight of stairs near the entrance to a large building decorated with classical columns and pilasters. An elderly bald man wearing a red cloak trimmed with ermine kneels with his head bowed at the top of the stairs before a kneeling woman who holds an infant in her right arm. Another man wearing a turban decorated with a large feather stands behind the kneeling man and holds a gold censer hanging from a chain in his left hand. A third richly dressed man stands at the bottom of the stairs with his back turned toward the viewer. A number of other figures crowd around this central group from the sides. A large ox sits in the right foreground with a donkey standing behind it.
Collection Object
The Annunciation
An angel, draped with a flowing red mantle, descends on the left from a bank of clouds. He holds a scepter and twisting scroll in his left hand while he points with his right toward a white dove encircled by a halo of light that descends toward a woman dressed in long robes and a veil. She sits, holding a book open on the lectern before her, and draws back slightly with her right hand raised and her eyes downcast. Six cherubim sit above on the edge of the cloudbank, which opens to reveal a male figure barely visible in the blinding light that fills the cloud.
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Incense burner lid with peacock-shaped finial

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Deep bowl with vegetal and calligraphic designs
The vibrant coloring of this deep bowl consists dark brown, muddy brown, yellow-green and ivory. The design is organized around an inscription which appears above the base far down on the side. Above the inscription running horizontally is a separate enclosed design which looks like arcaded doorways with a string with a ball on it cutting each arcade in half for a total of seven. Opposite this is a series of four and one-half arcades in a vertical direction. Between these two areas there is a design repeated on opposite sides of the bowl with floral circular motifs on each side of a large, abstracted pear-shape form. The circles are brown and yellow-green and the pear form is orange and brown. Beneath each circle is a 'base' narrowing towards the center and directing the eye to the base. The base is covered with a shield-like design of orange and brown. The ivory background is not filled in but certain lines have been incised to add greater interest.  <br />  
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Faucet with Peacock Spigot and Lion-Headed Spout
This large bronze faucet features a peacock spigot and a lion-headed spout.
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Persian poetry anthology manuscript page

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Dish

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Self-Portrait with carnations
This elegant self-portrait depicts a half-length figure of a man in three-quarters profile with his left arm resting on a stone ledge. The somber colors of his garb, consisting of a white shirt with a dark robe, is offset by luxurious details: the fur collar of his robe, the black ribbon and gold chain around his neck, the embroidered collar and cuffs of his shirt, and the three rings on his right hand. Two pink carnations appear on the ledge before him.
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Gamepiece of an Armed Knight Throttling a Monstrous, Bearded Chimera
Round, carved gamepiece featuring the image of a figure in armor sitting on top of and stabbing a winged creature with a beard.&nbsp;
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Fragment of a gaming piece with male slaying beast, possibly Hercules and the Erymanthian boar, zigzag pattern with incised circles in border
Fragment of circular gaming piece carved in elephant ivory in high relief. Standing male figure wearing knee-length robe holds sword in right hand and stabs inverted beast in the chest. Forelegs of beast end in hooves; head of beast characterized by large eye and pronounced nostril. Left arm of figure and rear half of the beast missing. Border contains zigzag pattern with bead motif.
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Tahmina Comes to Rustam, from the Shahnama of Firdausi
Timurid miniature from the Shiraz and Timurid schools, ca. 1460. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene depicts <em>Tahmina Comes to Rustam </em>from the Shahnama of Firdausi, the Persian book of kings. 
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Star-shaped tile with molded floral design
This star-shaped ceramic tile is decorated with floral patterns and shapes. This kind of tile seems to be very popular in the 15th and 16th centuries of the Iranian Islamic world. The relief decoration is moulded and unglazed while the ground is glazed in blues with black underglaze and covered with a clear overglaze. 
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Interior of a Guardroom
Groups of men gamble, smoke, and drink in a dark guardroom. In the left foreground a seated man wearing a red sash lights his white clay pipe, while his companion pauses his smoking to listen to a man standing next to him. The red of the smoker&#39;s sash is repeated in the flag and fabrics strewn about in the right foreground, which form part of a still-life of weapons, musical instruments, and glinting armor heaped together against the wall. Between these brightly lit foreground vignettes the scene recedes into the darkened interior where a group of five men gather about a table to gamble.
Collection Object
Vanitas (Still Life), with globe, skull, candle, tazza, and covered cup
This remarkable still life depicts a table crowded with, among other things, a gilded covered goblet, a wide saucer-shaped silver tazza, a celestial globe painted with images of the constellations, a skull wearing a laurel wreath, and an extinguished candle, all rendered in exquisite detail with careful attention paid to the effects of light and texture. While the arrangement of objects may appear casual, the composition is artfully balanced along two diagonal axes centered on the two cups that lie crossed on the table. The repetition of ovoid shapes throughout the painting and the monochrome tonality with its restricted range of hues and values, a hallmark of Heda's style, assures the seamless integration of the sundry objects into a unified whole.<br />
Collection Object
Double Cloth

Collection Object
Velvet

Collection Object
96 Items in this Learning Collection
Double-sided Pendant with the Annunciation and the Resurrection
Side A: Etched pendant lined with gilt border with image of two figures, male and female.<br /> Side B: One main figure with a staff surrounded by many figures.
Collection Object
St. Christopher carrying the Christ Child
A standing, bearded figure of St. Christopher, broken off at the knees, holds the Christ child on his right shoulder while leaning upon a staff in his left hand. The child, whose head is encircled by a halo, wears a long cloak over his robe and rests his left hand upon an orb in his lap. The red and brown polychromy is a later addition.
Collection Object
Coronation of the Virgin
A page from a manuscript depicting a woman, kneeling to be crowned, while a standing man blesses her. She is surrounded by a court of angels in an architectural setting in the clouds.
Collection Object
Historiated Initial 'O' with St. John the Baptist

Collection Object
Seraph, half of a medallion from the west rose window of Reims Cathedral
A lunette-shaped panel composed of red, blue, white, brownish purple and yellowish brown stained glass joined together by lead cames depicting a seraph. Four leafy fronds, taken from another medieval window, have been inserted here between the seraph's head and shoulders. The panel is the upper half of a roundel originally installed in the west rose window of Reims Cathedral.
Collection Object
Leaf from a Gradual
A double-sided illuminated manuscript leaf with one column of seven staffs&nbsp;containing brown ink notes and Latin blackletter script. Some red rubrication is&nbsp;present. A large illuminated initial &ldquo;S&rdquo; is found on the verso, decorated with vegetal&nbsp;and floral forms in blue, green, scarlet, and gold leaf.
Collection Object
Bowl with radial design and inscribed rim
"A Persian inscription is incised into the broad band of lustre decorating the vessel's rim. The main element in the decoration is a loosely drawn eight-pointed star from which a further series of eight- and sixteen-pointed stars are generated; beyond them are registers filled with medallions and cartouches. This structure, unusual in ceramic decor, is reminiscent of that found on metalwork vessels of this same period from Iran."<br />  
Collection Object
Floriated Bible Leaf
Two columns of light brown Latin blackletter script with foliate borders of red, blue,&nbsp;and gold leaf.
Collection Object
Leaf from a Psalter
Double-sided illuminated manuscript leaf with two blocks of Latin blackletter script&nbsp;framed by floriated borders of blue, red, and gold leaf featuring interlace and an&nbsp;illuminated initial.
Collection Object
Leaf from a Gradual

Collection Object
Leaf from Missal or Book of Hours
A double-sided illuminated manuscript leaf with two columns of black Latin&nbsp;blackletter script with some red rubrication and illuminated initials in red, blue, and&nbsp;gold leaf.
Collection Object
Calendar Leaf (January) from a Book of Hours
A double-sided illuminated manuscript leaf with three columns of text in gold leaf,&nbsp;red, and blue French blackletter script encased by a floriated border. There are two&nbsp;small miniatures, one on either side of the leaf, framed in arched compartments.<br /> <br /> The illustrated compartment on the recto features a seated man wearing a long blue&nbsp;tunic and red cap seated at a table in an interior marked by a stone fireplace. A&nbsp;smaller servant boy dressed in a long tunic presents the man with a platter. The&nbsp;compartment on the verso contains a landscape with a winding river where a man&nbsp;kneels, dressed in pants and a tunic shirt, and draws water into copper jugs.
Collection Object
Baking Bread, Labor of the Month for December
This enamel roundel depicts three figures in an interior. In the foreground a man with a soft pointed cap maneuvers small round loaves of bread in an oven with a long wooden paddle. Behind him a woman with an elaborate headdress and another figure prepare more loaves for baking. The silvery gray tones of this grisaille enamel impart the scene with a subtle luminosity.
Collection Object
Gushtasp Slays the Wolf, from the Shahnama of Firdausi

Collection Object
Priest Celebrating a Mass (Leaf from the Tarleton Hours)
This page of an illuminated manuscript on thin parchment is vertically oriented. Centered in the upper two-thirds of the page is a window-shaped scene of a priest celebrating mass. The priest, with red and white robes and a tonsure, holds up a communion wafer at an altar that has a bible and a communion goblet on it and an image of two figures with halos behind them. The altar and the priest’s robes are trimmed with gold leaf. Behind the priest are two kneeling figures, a man and a woman. They are in the interior of a gothic church, with stone vaulting above them. Below the scene are four lines of calligraphy with the first letter, a ‘D’, highly decorated. Decorative detailing surrounds the text and the scene. The left side consists of an ivy-like plant growing out of the "D", and the bottom and right sides have different foliate-derived design depicted in ink, tempera and gold.
Collection Object
Silk Fragment

Collection Object
Silk Fragment

Collection Object
Chasuble (Back)

Collection Object
Embroidered Panel

Collection Object
Tapestry;Border Fragment (Central cartouche depicting 'Atlanta and the Caledonia

Collection Object
Luhrasp Addresses the Heroes, from the Shahnama of Firdausi
This Persian miniature is attributed to the Shiraz and Timurid schools, ca. 1460. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene, <em>Luhrasp Addresses the Heroes</em>, is part of the Shahnama of Firdausi, the Persian book of kings. 
Collection Object
Brocatelle

Collection Object
Processional cross with triumphant Christ (Christus triumphans) flanked by busts of the evangelists, Saints Matthew, John, Mark, and Luke (obverse); and suffering Christ (Christus patiens) flanked by busts of the Virgin Mary, God the father, Saint John and unidentified male saint with cross (Saint Philip?) (reverse)
The arms of the cross end in quatrefoil-shaped terminals. The front (obverse) is gilded and features a molding along the edges. The back (reverse) has a deep azurite blue ground and a gilded band punched with tiny rosettes that runs along the border.
Collection Object
Leaf from a Book of Hours

Collection Object
Candlestick with decoration of the Labors of the Months

Collection Object
Champlevé enamel plaque with Christ in Majesty

Collection Object
Architectural ceiling boss with four faces, probably from the Church of St. Andrew at Cullompton
This ceiling boss features four faces with traces of paint that are arranged in a radial pattern with the crowns of their heads converging on a single, central point. Two of the faces are female, identifiable by the wimples worn on their heads, while the other two, wearing small pointed caps and sporting beards, are male. The symmetrical regularity of the piece is counterbalanced by subtle asymmetries introduced by differences in detail and the sequence of facial types.
Collection Object
Self-Portrait with carnations
This elegant self-portrait depicts a half-length figure of a man in three-quarters profile with his left arm resting on a stone ledge. The somber colors of his garb, consisting of a white shirt with a dark robe, is offset by luxurious details: the fur collar of his robe, the black ribbon and gold chain around his neck, the embroidered collar and cuffs of his shirt, and the three rings on his right hand. Two pink carnations appear on the ledge before him.
Collection Object
Scenes of Martyrdom and Monastic Figures

Collection Object
A Censer, Chalice and Incense Boat

Collection Object
Capital with vines

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Diptych

Collection Object
Velvet

Collection Object
Enthroned Madonna and Child with angels and Saints Louis of Toulouse, Zenobius, John the Evangelist, and John the Baptist
The majestic figure of the Virgin with the infant Christ on her lap sits enthroned in the center of this painted panel. Her elaborate throne rests upon a dais and is enclosed on three sides by panels bristling with Gothic ornament. Two bishop saints holding croziers stand at the foot of the dais accompanied by two other saints who stand behind them, while fourteen angels crowd the background.
Collection Object
Christ giving communion to the Apostles in an historiated initial "C"
Eight robed male figures, each with a halo, kneel before a v-shaped bench or rail. They face a male figure with a crossed halo that stands on the other side of the bench, holding a golden chalice in his left hand and a circular white wafer imprinted with a crucifixion scene in his right. An altar draped with a red cloth appears behind him. The entire scene is enframed within the letter &quot;C.&quot;
Collection Object
Pair of turned oak columns

Collection Object
Faucet with Peacock Spigot and Lion-Headed Spout
This large bronze faucet features a peacock spigot and a lion-headed spout.
Collection Object
Coconut Cup
This cup is fashioned from a coconut shell set in a shallow bowl supported on a long, narrow stem and held in place by three straps and a tall neck band. The shallow domed lid has a plain, overhanging rim and terminates in a finial with a statuette of a nude sea nymph and serpent. The metalwork is densely decorated with various masks, animals, fantastic creatures, and vegetal ornament.
Collection Object
Arms of Maximillian. Illustration from 'Quadriuium ecclesiae,' by Ioh. Hug, Lat

Collection Object
Lintel Fragments (From a set of 5)
Two and a half prints, identical, long piece of wood with repeating pattern.
Collection Object
Martyrdom of St. Matthew
A haloed man kneels in three-quarter profile in the left center of the foreground of the composition. A male figure stands behind the haloed figure in a wide stance with an ax raised above the kneeling figure's head. In the background is another male figure wearing a pointed hat and a jester or demonic figure shown falling of a column in the distance in the upper left.
Collection Object
Annunciation
An angel, holding a scepter in his left hand and making a gesture of speech with his right, interrupts the Virgin at her reading. She kneels on the floor and rests her left hand on an open book placed atop a lectern. A vase with a flowering lily sits on the floor between the angel and the Virgin and a small white dove encircled by a halo hovers between them. The scene unfolds within an elaborate and richly decorated interior that includes a chair and canopied bed in the background.
Collection Object
Gamepiece of an Armed Knight Throttling a Monstrous, Bearded Chimera
Round, carved gamepiece featuring the image of a figure in armor sitting on top of and stabbing a winged creature with a beard.&nbsp;
Collection Object
Relief Panel with the Lamb of God ("Agnus Dei")

Collection Object
Leaf from a Glossed Bible (Pauline Letter with Commentary; Epistle to the Thessalonians)

Collection Object
Man of Sorrows

Collection Object
Busts of Saints Jerome and Gregory
This pair of finely carved bust-length figures depicts two men in ecclesiastical garb. On the right appears an older figure who wears elaborate vestments and a papal tiara with a book in his left hand. His deeply lined and wrinkled face conveys a patient wisdom and authority as he stares directly ahead. His more youthful companion, dressed in a simpler collared robe and brimless cap, glances introspectively aside. He grasps an unfurled scroll in his left hand and a diminutive lion stares out from its perch on his left shoulder.
Collection Object
The Triumph of Plenty
This bronze plaque features a pair of oxen pulling a four-wheeled wagon with six passengers. The seated driver holds a rod in his right hand and a two-tined fork in his left. An older figure holding a flaming vessel stands behind him, followed by a seated figure wearing classical drapery and a laurel wreath. The next figure, seated in the middle of the cart, is an older female, nude to the waist, who holds a cornucopia full of fruit and raises her left hand to point skyward. Two smaller standing figures appear next, one holding a bowl of fruit. The final figure is a reclining female nude holding a flower in the crook of her right arm.
Collection Object
Charles V and his Brother Ferdinand I
Two male figures wearing voluminous patterned garmets and flat brimmed hats face one another, surrounded by an ornamental, classically inspired frame. Larson 2/7/18<br /> &nbsp;
Collection Object
Architectural ceiling boss with two dragons, probably from the Church of St. Andrews at Cullompton
Two rampant dragons with open wings, wide flared tails and red-painted eyes stand facing one another with a large plant form held between them.
Collection Object
Fragment from a Choir Stall
Carved animal figure on pedestal.
Collection Object
Pope Boniface VIII Presiding over the Sacred College

Collection Object
Cuttings from an illuminated manuscript consisting of several decorative border pieces, containing dolphins, cherubs, portrait cameos and the arms of Cardinal Antonio Pallavicini.

Collection Object
Incense burner lid with peacock-shaped finial

Collection Object
Baptismal Basin with Lamb of God ('Agnus Dei')

Collection Object
Fragment of a gaming piece with male slaying beast, possibly Hercules and the Erymanthian boar, zigzag pattern with incised circles in border
Fragment of circular gaming piece carved in elephant ivory in high relief. Standing male figure wearing knee-length robe holds sword in right hand and stabs inverted beast in the chest. Forelegs of beast end in hooves; head of beast characterized by large eye and pronounced nostril. Left arm of figure and rear half of the beast missing. Border contains zigzag pattern with bead motif.
Collection Object
Console with bird in vine scroll, rinceau, and angel
A three-quarter length angel, robustly carved in high relief, emerges from a cloud bank on the curved inner face of the console. The outer face of the console bears a tightly wound vine scroll carved in shallower relief with a bird at its center. The bird grasps the vine with its left leg while stretching back to grasp a cluster of grapes in its beak.
Collection Object
Chest (no lock)

Collection Object
The Nativity of the Virgin
This painted panel depicts an intimate domestic setting consisting of a bedchamber with a fireplace and a smaller vaulted antechamber that opens out on a garden. A haloed woman wearing a white veil rests in bed, having recently given birth. She leans to her right as she reaches toward a basin held by an attendant and looks across the room to the infant who is held on the lap of another servant. A halo also encircles the head of the child and a pair of angels fly above her. Several other attendants and midwives bustle about the room, while another woman, more richly clad than the servants, gazes on the child from her seat at the foot of the bed. In the antechamber sits a haloed man in a long white beard, who leans forward to hear news of the birth from the child standing in front of him. A companion sits behind him and a servant passes through the door into the bedchamber.
Collection Object
Velvet Chausable with embroidered panel of St. Paul

Collection Object
Saint Sebastian

Collection Object
Dish with an Escutcheon,

Collection Object
Kneeling Angel Holding a Shield

Collection Object
Medallion

Collection Object
Achilles and Hector
This engraving depicts a frieze-like arrangement of figures in horizontal format. Two central figures are engaged in a duel on horseback. Several other nude male figures are engaged in battle throughout the composition. The artist's monogram is placed in the upper left corner of the image.
Collection Object
Candlestick with scenes of paired figures drinking

Collection Object
Dish: Abraham and the Three Angels

Collection Object
The Banker and his Wife
A husband and wife, looking at books and coins on a wood table. She has a red dress and a white head covering, he is wearing all dark colors and a dark hat.
Collection Object
Hymnal

Collection Object
Cisele Velvet

Collection Object
Caricatures of Voltaire (Thirty-seven heads of Voltaire)

Collection Object
Cloisters, Arles

Collection Object
Monreale
This photograph is a composite of nine individual photographs, each depicting a view of a ornate column’s capital.
Collection Object
Capital from the palace-city of Medinat al-Zahara with stylized acanthus leaves, vine rinceau and fleurons
This capital, based upon the Roman composite order, features stylized acanthus leaves and rinceau on the bell of the capital, which terminates in a band of bead-and-reel motif on the astragal. This, in turn, is capped by an echinus decorated with three fleurons and vine rinceau on each face as well as four projecting volutes also decorated with rinceau and fleurons. Originally the bell of the capital had two tiers of acanthus leaves, but the capital has been cropped below the top of the first tier and the tips of the leaves, which once curved outward from the surface of the capital, have been sheared off.
Collection Object
Intérieur de la mosquée d'Omar, le Rocher—Interior of the mosque of Omar: the Rock
Interior view of a chamber surrounded by a polygonal arcade. The lower register of the photograph shows a large, roughly hewn stone slab.
Collection Object
Crossbow fibula with vegetal ornament on the catchplate
This fibula, a type of brooch used to pin outer garments, features a crossbar that ends in three onion-shaped terminals, which give the fibula a shape reminiscent of a crossbow. An arched bow connects the crossbar to the longer catchplate, which is ornamented with vegetal motifs.
Collection Object
Head of Polydeukion (favorite pupil of Herodes Atticus)

Collection Object
Adoration of the Magi
This unfinished painted study depicts a crowd of figures gathered around three richly dressed men and a woman and child, who appear on a flight of stairs near the entrance to a large building decorated with classical columns and pilasters. An elderly bald man wearing a red cloak trimmed with ermine kneels with his head bowed at the top of the stairs before a kneeling woman who holds an infant in her right arm. Another man wearing a turban decorated with a large feather stands behind the kneeling man and holds a gold censer hanging from a chain in his left hand. A third richly dressed man stands at the bottom of the stairs with his back turned toward the viewer. A number of other figures crowd around this central group from the sides. A large ox sits in the right foreground with a donkey standing behind it.
Collection Object
St. John the Evangelist on Patmos
St. John the Evangelist sits in the foreground with a book open on his knee and quill pen poised over its pages. Two books rest next to him and an eagle has alighted on an adjacent rock. St. John looks up and to his right to see a standing figure of the Virgin Mary holding the infant Christ, who appear in a glowing mandorla hovering in the sky. A vast panoramic view of a bustling harbor and formidable mountains unfolds behind St. John and extends into the distance.
Collection Object
Presentation in the Temple (Leaf from a Book of Hours)

Collection Object
Schöne Madonna
Bust of Madonna with head facing down and to the side. The main sculpture is of wood with layers of paint on the face and veil.
Collection Object
Madonna and Child with St. Thomas Aquinas and a Bishop Saint
This rectangular panel depicts four sacred figures rendered in dark hues with passages of vibrant red against a gold background. The upper edge of the gilded frame bears the prayer known as the &quot;Hail Mary&quot; (&quot;Ave Maria Gratia Plena Domin[us tecum]&quot;).
Collection Object
The Mourning St. John the Evangelist with two male figures (fragment of a crucifixion from a portable altarpiece)
This carved bone sculpture depicts John the Evangelist in profile with his hands held before him, bowing his head in mourning. A male figure wearing a knee-length robe stands on the right and holds a club in his left hand. A second male figure appears behind the saint in a similar pose of grief.
Collection Object
Small Chest
Small, ornately carved chest with metal hardware.
Collection Object
The Annunciation
An angel, draped with a flowing red mantle, descends on the left from a bank of clouds. He holds a scepter and twisting scroll in his left hand while he points with his right toward a white dove encircled by a halo of light that descends toward a woman dressed in long robes and a veil. She sits, holding a book open on the lectern before her, and draws back slightly with her right hand raised and her eyes downcast. Six cherubim sit above on the edge of the cloudbank, which opens to reveal a male figure barely visible in the blinding light that fills the cloud.
Collection Object
Leaf from a Choir Book with Nativity

Collection Object
Leaf from a Book of Hours

Collection Object
Sanctification cross with scenes from the life of Christ and the Virgin Mary and the Evangelists
This small carved boxwood cross is divided on each face into five compartments containing Christian religious scenes. The cross is set in a stand decorated with mother-of-pearl and green glass-paste stones.
Collection Object
Holy Family
Three figures, one woman with two children, one is holding a bird.
Collection Object
Madonna and Child

Collection Object
Angel
This sculpture represents an angel bending slightly toward the left with his head tilted downward. Carved slots in his back would have held his wings, and the figure has lost his forearms and hands as well as his legs below the knees.
Collection Object
Aquamanile, Lion

Collection Object
Lamp

Collection Object
Double Cloth

Collection Object
Prayer Book of Service for the Dead, manuscript page

Collection Object

Copyright
All Rights Reserved ()

Self-Portrait with carnations

Accession Number
1963/2.43

Title
Self-Portrait with carnations

Artist(s)
Bartholomäus Bruyn, the Elder

Artist Nationality
German (culture or style)

Object Creation Date
circa 1525

Medium & Support
oil on panel

Dimensions
19 11/16 in x 13 3/4 in (50.01 cm x 34.92 cm);19 11/16 in x 13 3/4 in (50.01 cm x 34.92 cm);24 7/8 in x 19 in (63.18 cm x 48.26 cm)

Credit Line
Museum Purchase

Label copy
March 28, 2009
Bartholomäus Bruyn the Elder, the foremost painter in sixteenth-century Cologne, portrays himself in this panel as a member of the city’s prosperous bourgeoisie. Bruyn established his workshop in 1512, and he built a career painting altarpieces and portraits of Cologne’s elite, his most important patrons. Bruyn himself held a number of positions in the city government between 1518 and 1553, and this self-portrait testifies to his commercial success and social status. Confident and somewhat aloof, Bruyn wears somber colors offset by the understated luxury of his fur collar, embroidered cuffs, and gold jewelry. The same ethos of sobriety and affluence characterizes Bruyn’s portraits of the city’s most prominent citizens. The two carnations on the ledge before him may be reminders of the fleeting nature of wealth and youth, or they may indicate that Bruyn painted this panel for his betrothal or marriage.

Subject matter
Bartholomaeus Bruyn the elder displays his rank as a successful young painter in Cologne through this elegant self-portrait. For the painting he adopted a casual but self-possessed pose that imbues him with an air of confidence that is reinforced by the understated luxury of his garb and jewelry. The gold chain around his neck perhaps refers to his profession as a painter, and the carnations, popular symbols of conjugal love, on the ledge before him suggest that Bruyn might have painted this portrait for his betrothal or marriage.

Physical Description
This elegant self-portrait depicts a half-length figure of a man in three-quarters profile with his left arm resting on a stone ledge. The somber colors of his garb, consisting of a white shirt with a dark robe, is offset by luxurious details: the fur collar of his robe, the black ribbon and gold chain around his neck, the embroidered collar and cuffs of his shirt, and the three rings on his right hand. Two pink carnations appear on the ledge before him.

Primary Object Classification
Painting

Primary Object Type
portrait

Additional Object Classification(s)
Painting

Collection Area
Western

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
hats
necklaces
self-portraits

5 Related Resources

& Author Notes

Web Use Permitted

On display

UMMA Gallery Location ➜ AMH, 1st floor ➜ 102 (Richard and Rosann Noel Gallery)