96 Items in this Learning Collection
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Copyright
All Rights Reserved ()

Adoration of the Magi

Accession Number
1963/2.44

Title
Adoration of the Magi

Artist(s)
Jan Erasmus Quellinus

Object Creation Date
1634-1715

Medium & Support
oil on paper mounted on canvas

Dimensions
20 1/2 in. x 24 3/4 in. x 2 5/8 in. ( 52.07 cm x 62.87 cm x 6.67 cm )

Credit Line
Museum Purchase

Label copy

In this unfinished painting, Jan Erasmus Quellinus depicts the three Magi (or Wise Men) paying homage to the infant Jesus, an episode mentioned briefly in the Christian Gospel of Matthew (2:11) and greatly embellished in art and legend  over the centuries. The Magi, represented as kings in accordance with the long-established tradition, present their gifts to Mary and Jesus on the steps of a grand building decorated with classical columns and pilasters. By the fifteenth century, the three Magi were seen to represent Africa, Asia, and Europe, the three continents of the Old World. Depictions of the Black magus in works like these came to symbolize the expansion of Christianity to remote and foreign lands. In the Dutch lowlands, the increased presence of people of African descent are evident in the portraits made by Peter Paul Rubens (1577–1640) and Rembrandt (1606–1669). Increasing depictions of the Black magus in European portraiture, coincided with Europe’s growing presence in the transatlantic slave trade. 



Subject matter
This painting depicts the three Magi who came to pay homage to the infant Christ, an episode mentioned only briefly in the Gospel of Matthew (2:11) but greatly embellished in art and legend over the centuries. Here the Magi, represented as kings in accord with long established tradition, appear on the steps of a grand building decorated with classical columns and pilasters. The foremost magus, the elderly Melchior, kneels before the Virgin and infant Christ, while Balthasar, sporting an exotic turban, stands behind him holding a smoking censer, a reference to the gifts of frankincense and myrrh given by the magi. The third magus, Caspar, stands at the bottom of the steps with his back toward the viewer.

Physical Description
This unfinished painted study depicts a crowd of figures gathered around three richly dressed men and a woman and child, who appear on a flight of stairs near the entrance to a large building decorated with classical columns and pilasters. An elderly bald man wearing a red cloak trimmed with ermine kneels with his head bowed at the top of the stairs before a kneeling woman who holds an infant in her right arm. Another man wearing a turban decorated with a large feather stands behind the kneeling man and holds a gold censer hanging from a chain in his left hand. A third richly dressed man stands at the bottom of the stairs with his back turned toward the viewer. A number of other figures crowd around this central group from the sides. A large ox sits in the right foreground with a donkey standing behind it.

Primary Object Classification
Painting

Collection Area
Western

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
Christianity
donkeys
kings (people)
magi (clergy)
oil sketches
oxen
turbans

& Author Notes

Web Use Permitted

On display

UMMA Gallery Location ➜ AMH, 1st floor ➜ 103 (Marvin H. Davidson Gallery)