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Gushtasp Slays the Wolf, from the Shahnama of Firdausi

Accession Number
1963/1.59

Title
Gushtasp Slays the Wolf, from the Shahnama of Firdausi

Artist(s)
Iranian

Artist Nationality
Iranian

Object Creation Date
circa 1460

Medium & Support
ink, opaque watercolor, and gold leaf on paper

Dimensions
10 1/2 in. x 7 in. ( 26.7 cm x 17.8 cm )

Credit Line
Museum Purchase

Label copy
Gushtasp was Shah Luhrasp’s eldest son. Mighty in warfare but short on patience and common sense, he demanded that his father abdicate in his favor. Scolded for his insolence, he fled to Rum (lands to the west of Persia) where, after many adventures, he married one of the emperor’s daughters. The next suitor for an imperial princess was required to first dispatch a fierce wolf that was menacing the countryside. The would-be groom was a wealthy nobleman but no hunter, so he appealed to Gushtasp, who readily agreed to help.
Now when the wolf beheld him from the wood
It sent a roar up to the darksome clouds,
And like a lion or a savage leopard
Tore with its claws the ground. Gushtasp, on seeing
The monster, took in hand and drew his bow,
And showering arrows from it swift as wind
He made it as it were a cloud in spring.
When wounded by the arrows of Gushtasp
The beast became yet fiercer for the pain.
It fell, but leaping to its feet came on—
A lusty monster, butting with its horns,
Stag-like, with smarting body and in wrath,
Closed with the charger, gored its sable loins,
And ripped it up from testicles to navel.
The atheling* drew from his waist the sword,
Dismounted, smote the beast full on the head,
And clave asunder back and breast and shoulder.
Warner, IV, 337–38
This painting is unusual for this manuscript in that it departs considerably from the text. Although Firdausi emphasizes that the hunt took place in a forest with no one else present, the painter stages the episode in an open field and cannot refrain from adding witnesses. Compared to Firdausi’s fearsome “wolf,” moreover, with its tremendous size, blue fur, and two elephant-like tusks, the painter offers only a sorry cross between a large brown dog and a unicorn. This is one case where the artist took a conservative approach to his task: the wolf is almost a direct quotation from earlier versions of this same scene and the overall composition follows a well-established template.
* atheling: archaic term for the heir apparent of a royal family
———
Maribeth Graybill, Senior Curator of Asian Art
Exhibited in "A Medieval Masterpiece from Baghdad: the Ann Arbor Shahnama"
August 14 through December 19, 2004

Primary Object Classification
Painting

Collection Area
Western

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
Birds
Shahnama
sword

14 Related Resources

Arts from Persia and Iran
(Part of: Ancient and Classical Civilizations)
Before 1492
(Part of 3 Learning Collections)
Death and Dying
(Part of 8 Learning Collections)
Introduction to Manuscripts and Early Print
(Part of 2 Learning Collections)
Visual Adaptations of Literature
(Part of 2 Learning Collections)
Adventure
(Part of 3 Learning Collections)
Shahnama, the Persian Book of Kings
(Part of: Shahnama, The Persian Book of Kings     )
The Age of Heroes 
(Part of: Shahnama, The Persian Book of Kings     )

& Author Notes

All Rights Reserved

On display