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WWII Era Provenance Research Project

The University of Michigan has embarked on a multi-year project to research its museum and library collections to identify objects that may have been unlawfully appropriated during World War II and to make public information that results from this project. The project, coordinated by the Museum of Art on behalf of the University, will focus on objects made or traded in continental Europe that were created before 1946 and acquired by the University of Michigan after 1932.

The project is an effort to comply with guidelines issued by the American Association of Museums in 1999 and 2001 as well as the University’s own standards for ethical practice.

Using AAM guidelines as a framework, the University of Michigan Museum of Art (UMMA) has identified works in its collections that are at highest risk for having been looted during World War II. These include all paintings, sculptures, and drawings by European and American artists created before 1946 and acquired by the museum after 1932 that may have been traded in continental Europe.

The Museum of Art is committed to making the results of this research accessible to the public. All works that are determined to have changed hands in continental Europe during the critical years, or those with a gap in their provenance, will be submitted to the AAM’s Nazi-Era Provenance Internet Portal—a tool designed to provide people searching for lost items with a single searchable registry of objects that changed hands in continental Europe from 1933 to 1945.

Félix Ziem
View of Venice
1841 - 1911
oil | panel
Gift of Dr. Coleman Mopper
1972/2.353
Jean-Antoine Watteau
Assembly in a Park
1825 - 1830
oil | canvas
Gift of Dr. and Mrs. Reed M. Nesbit
1950/1.101
Hendrick Cornelisz. Vroom
A View of Pont Saint Esprit-sur-Rhone
1566 - 1640
pen and ink | white paper
Museum Purchase
1966/2.9
A bowl containing apples rests in the center, flanked by two conical drinking cups.
Maurice de Vlaminck
Still Life with Apples (Nature Morte aux Pommes)
1910
oil | canvas
Museum purchase made possible by a gift from Helmut Stern
1984/1.288
Maurice de Vlaminck
Untitled
1876 - 1958
gouache | paper mounted on canvas
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.108
Claude-Joseph Vernet
Seascape
1700 - 1899
oil | canvas
Gift of George Baumgartner in memory of Max Baumgartner
2002/2.112
Lucas van Uden
Landscape with Travelers
1595 - 1672
oil | paper, mounted on board
Bequest of Doris Margaret Grigaut for the Paul Leroy Grigaut Memorial Collection
1981/1.324
The half-length figure of a woman looks directly out of the painting and holds the bearded head of a man on a platter in her hands. She wears a fine robe with large white sleeves and collar, a soft hat with a small white feather, and a bejeweled pin on her left shoulder. The face of an older woman with deeply wrinkled skin appears in the shadows behind her.
Gaspare Traversi
Judith with the Head of Holofernes
1755 - 1765
oil | canvas
Gift of the Friends of the Museum of Art in Honor of the Museum's Fiftieth Anniversary
1996/2.16
David Teniers the Younger
Tavern Scene
1610 - 1690
oil | panel
Gift of Alice and Henry Landau
1991/2.106
Groups of men gamble, smoke, and drink in a dark guardroom. In the left foreground a seated man wearing a red sash lights his white clay pipe, while his companion pauses his smoking to listen to a man standing next to him. The red of the smoker's sash is repeated in the flag and fabrics strewn about in the right foreground, which form part of a still-life of weapons, musical instruments, and glinting armor heaped together against the wall. Between these brightly lit foreground vignettes the scene recedes into the darkened interior where a group of five men gather about a table to gamble.
David Teniers the Younger
Interior of a Guardroom
1635 - 1645
oil | panel
Museum Purchase
1965/1.185
This small bust-length figure represents a mustached satyr turning his head toward his left. He wears an animal skin tied at his right shoulder over his bare chest. The liquid character of the cast bronze admirably captures the rippling muscles of the satyr's chest and the flowing curls of his hair and the animal pelt.
Massimiliano Soldani Benzi
Bust of a Satyr
1690 - 1700
bronze | wood base
Gift of Anonymous Donors for The Paul Leroy Grigaut Memorial Collection
1970/1.193
Three men praying towards an orange and grey storm, two camels on left hand side. One man is standing, others are kneeling.
Conrad Peter Schreiber
Biskra
1836 - 1894
oil | canvas
Gift of Professor Hereward T. Price
1945.1

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126 Collection Object Sources

View of Venice (1972/2.353)
Untitled (1997/1.108)
Seascape (2002/2.112)
Tavern Scene (1991/2.106)
Bust of a Satyr (1970/1.193)
Biskra (1945.1)
Uomo in movimento (1959/2.100)
The Concierge (1973/1.809)
Eternal Spring (1976/1.235)
John Giles (1969/2.162)
Soldier (1985/1.194)
Untitled (1983/1.402)
Wounded Man (1987/1.263)
The Three Trees (1983/1.409)
The Flood (1985/2.70)
The Laundress (1973/2.78)
Seated Nude (1985/1.127)
Two Figures (1948/1.212)
Seated Nude (1948/2.27)
Composition (1955/2.10)
St. Jude (1968/2.48)
St. Andrew (1968/2.33)
Bust of Diana (1986/2.83)
Deer in the Woods (1958/1.135)
Amphitrite (2002/2.113)
Cow and Bull (1972/2.8)
Young Arab Girl (1981/2.66)
Untitled (2000/2.311)
The Fish Seller (1981/1.326)
Panel (1961/2.7)
Angel (1969/2.157)

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Last Updated

July 24, 2017 2:03 p.m.

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