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Copyright
All Rights Reserved ()

Two Cows

Accession Number
1930.18

Title
Two Cows

Artist(s)
Jean-François Millet

Object Creation Date
1814-1875

Medium & Support
drypoint and roulette on pale blue laid paper

Dimensions
3 5/8 in x 6 in (9.21 cm x 15.24 cm);3 5/8 in x 6 in (9.21 cm x 15.24 cm);14 1/4 in x 19 1/4 in (36.2 cm x 48.89 cm);5 1/4 in x 8 1/16 in (13.34 cm x 20.48 cm)

Credit Line
Museum Purchase

Label copy
Gallery Rotation Spring/Summer 2012
Jean-François Millet
France, 1814–1875
Two Cows
n.d.
circa 1847–1855
Etching, drypoint, and roulette
Museum purchase, 1930.18
Millet and Pissarro were important printmakers and contributed to the revival of interest in printmaking in France in the second half of the nineteenth
century. Millet brought to his work an emphasis on line as well as a nuanced tonal quality and a concern with printing effects: the printed impressions of his Two Cows can be tremendously varied in their inks and papers.
Pissarro was a prolific printmaker and his Haymakers, an important subject for the artist, shows his debt to Millet’s imagery. He too was attentive to the printing process and his impressions are often annotated; the inscription on the Vachere au bord de l’eau (cowherder at the water’s edge) indicates that it was an artist’s proof (epreuve d’artiste). This was a work of art in its own right, not one in a series of steps towards a final state of the image. The deep contrasts
of light and dark in this version give it an elegiac quality.

Subject matter
Millet's views of rural life often had a nobility although he did not glamorize or idealize the harshness of country life. This impression does still have some of the burr of drypoint, but there are other impressions that are much darker and richer. Millet also varied the color of the ink and how the plate retained ink in order to convey differences of atmosphere.

Physical Description
A shepherdess stands between two cows who are grazing at the center of the image. In the foreground is the indication of a rough track leading towards the distance at left. At the right is a woman bending over beneath a tree.

Primary Object Classification
Print

Primary Object Type
intaglio print

Collection Area
Western

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
cows
drypoint (printing process)
grass
intaglio printing
rock (inorganic material)
standing
trails
trees

& Author Notes

Web Use Permitted