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Part of: Selected American, European, and Asian landscape paintings, and works of realism; and various sketches, etchings, and studies; and a few photographs.  Works are by Rembrandt, Monet, Benton, Whistler, Picasso, Mattise, Kensett, Innes, Millet, Pissaro, Shahn, and more.  (137 resources )
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Pam and Netti

Floral Prints and Objects

Copyright
All Rights Reserved
Created by
Margaret Grace VanderVliet
Last Updated
May 25, 2022 2:22 p.m.

9 Items in this Learning Collection
Zinnias

Collection Object
Spring Landscape
Landscape painting depicting a dirt pathway with steps and a wooden railing cutting through the center of the composition leading to a house on a hill in the distance. On either side of the path are blooming trees bearing pink and white blossoms in a green meadow.
Collection Object
Roses and Flowers in a Glass
This painting depicts a glass vase with roses, phlox, and other flowers standing on a table. One pink rose lies next to the vase on the table; the background is an undifferentiated background of brown/tan.
Collection Object
La Fleur

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Raffia Textile Panel
Tan rectangular panel consisting of various tan rectilinear shapes that are outlined with thin double black stitching appliqued onto the panel.
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Plants from an Herbal: Chapter 429, Of Fumitorie. Page 927 (recto): 1. Common or purple, 2. White flowered; Page 928 (verso): 3. Fine leafed, 4. Yellow

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Flowering

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Sunflower III
This abstract print has a large dark red and black circular form in the top half of the frame and a large orange and red circular form in lower half.  Black splotches and expressive lines dominate and overlap much of the image.
Collection Object
Equisetum Sylvaticum
This cyanotype photograph displays the silhouettes of six plant stems laid out in a row.
Collection Object
French art and the influence of African art on Picasso 

Copyright
All Rights Reserved
Created by
Robin Little
Last Updated
May 25, 2022 2:22 p.m.

17 Items in this Learning Collection
M. Bachelier, Director of Customs at Lyon (M. Bachelier, Directeur des fermes de Lyon)
M. Bachelier is shown seated at a desk dressed in a high powdered wig and sumptous gold-embroidered velvet coat and waistcoat. Behind the figure is a rich cloth, pulled back to reveal columns. On the elaborately carved desk are papers and a writing set. M. Bachelier extends his left hand towards the viewer, suggesting that we have interepted him while writing at his des. The painting's coloring consists of rich burgundy red, green, tan and gold.
Collection Object
Lycurgus Consulting the Pythia

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Landscape (Paysage)
A densely painted work, this cacnvas portrays a landscape with dramatic clouds. Autumnal colors predominate this rocky landscape with several figures in the middle distance; in the distance a line of trees projects above the horizon line.
Collection Object
Pont de l'Estacade
This painting shows a view of the Seine river in Paris, including the wooden bridge, the Pont de l'Estacade. The foreground is filled is small boats and a dock winch, while the in the distance the bridge and buildings of Paris glow in late afternoon light.
Collection Object
Landscape—Evening
This painting depicts a quiet rural scene. A river runs from the foreground back into the distance, flanked on either side by green trees along the banks. A twilight sky dominates with salmon and blue hues. Ducks or geese fly just above the trees at right. A small figure fishing is visible on the left bank. The painting is signed and dated in paint (l.r.) "Daubigny 1870" (the date is somewhat obliterated).
Collection Object
Le Lever du soleil

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Roses and Flowers in a Glass
This painting depicts a glass vase with roses, phlox, and other flowers standing on a table. One pink rose lies next to the vase on the table; the background is an undifferentiated background of brown/tan.
Collection Object
Victor Hugo, de face
Jean Paul Slusser, donor, Ann Arbor, owned until 1960.
Collection Object
Two Girls Reading (Deux Enfants Lisant)
Two girls, depicted in bold geometric shapes and block colors, reading a book together. The figure seated at viewer's right, slightly taller, is green and wearing yellow. The figure at viewer's left has a face of blue and white and is clothed in red resting her clasped hands upon an open book.
Collection Object
Teeny
This print is a white line drawing of a woman on black ground. The woman with a longish face and wavy hair wears a striped shirt. Sinuous vertical lines and dashes make up the pattern of the background. 
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Dancer, from the series Ten Dancers (Dix Danseuses)

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Royal Mask (Ngaady a Mwaash)

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The Bullfight (Courses de taureaux)
A bull in the center charges to the left toward a horse rearing up with a bullfighter on its back. The bullfighter leans forward to plunge a spear into the bull's shoulder area. Flags and spectator stands lie in the background.
Collection Object
Fruit Pré-adamite
A biomorphically abstract sculpture of bronze. Bulbous at the bottom, the shape stretches and narrows in the middle and then expands into a larger shape from which two rounded points rise.
Collection Object
Little Torso No. 5 (Torse)
A small polished bronze sculpture of a biomorphic form rising gracefully from a small base. Where it contacts the base, the form stands on two leg-like structures. The form rises from there, narrows, then opens up into a wider, more oblong shape at the top.
Collection Object
Hyena Puppet Head (Nama, Sogu kun)
Stylized wood carving of hyena head; two pieces of wood joined to form articulating jaw. edged with prominent teeth. short upright ears, long triangular nose or snout; eyes, teeth, nose and crown of head overlaid with sheet metal. Wood is unpainted.
Collection Object
Ram Rod Puppet Head (Bakòrò, Sogokun)
A naturalistic rendering of a ram, with striations incised into the top of the head and down the first third of the horns which sweep forward in a natural curve toward the nose. Eyes inlaid with green glass, and muzzle is overlaid with strip of metal. Jaw articulates, tied with cord. Cloth ears are attached and dangle on either side of head. Wood is unpainted.<br />
Collection Object
Queer Turn of the Century

Copyright
All Rights Reserved
Created by
Sean Joseph Kramer
Last Updated
May 25, 2022 2:22 p.m.

39 Items in this Learning Collection
Boy with Red Kerchief
A shirtless boy sits wearing blue pants with a red kerchief on his head.
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L'Appollo del Belvedere

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Plaid Shawl
A portrait of a woman seated on a sofa. The figure wears a dress complemented by a plaid shawl around her shoulders. She looks out beyond the pictorial space of the image.
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Business-Men's Class
In an interior space, a large group of men stand with their right arms out and their left elbows bent with their hands on their hips. They are all facing a man whose back is to the viewer. He is also holding his right arm out.
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Carrot with cricket

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Study for 'The Daughters of the Mist'

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Join the Navy, the Service for Fighting Men

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Gee! I Wish I Were a Man - I'd Join the Navy, Naval Reserve, or Coast Guard

Collection Object
For Your Boy - United War Work Campaign

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Portrait of Sir Frederick Leighton, PRA

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Isadora Duncan
Drawing of a woman, kneeling, facing viewer, arms extended to the ground on the sides of her body, head leaning back. 
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Isadora Duncan
A drawing of a woman standing, facing the viewer, with knees turned slightly to the left and arms extended to the sides, slightly raised. 
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St. Michael Vanquishing Satan

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Men's Fashions
Display window advertising men&#39;s suits.
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Bust of Diana
Bust-length figure of a woman with head turned proper left, down-turned eyelids and crescent moon atop head; executed in bronze with a rich, dark patina on a brownish stone base.<br />
Collection Object
Roses and Flowers in a Glass
This painting depicts a glass vase with roses, phlox, and other flowers standing on a table. One pink rose lies next to the vase on the table; the background is an undifferentiated background of brown/tan.
Collection Object
F. Holland Day in Algerian Costume
Photograph of F. Holland Day in an "Algerian costume." Day sits cross-legged and looks down on his clasped hands resting in his lap.
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Goat Herders Reverie

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Young Woman by a Window
Painting featuring a woman wearing a pink and white dress with a train and bustle pulling back a curtain in front of an open window. The woman is in a room decorated with blue and green wallpaper matching the curtain and she stands in front of a table containing potted plants.&nbsp;
Collection Object
Charity (La Charité)
Painting of a woman holding two sleeping nude babies, wearing white fabric draped over her head and shoulders with abundant blue-green fabric wrapped and loosely gathered around the rest of her body standing in front of a lush background with areas of blue sky peaking through the foliage.
Collection Object
Vespasian hearing from one of his generals of the taking of Jerusalem by Titus
The Roman emperor Vespasian sits in an interior receiving a document from a standing figure to the right of the composition. The emperor is dressed in a white robe and sits on a red chair to the left of the composition. The interior is largely dark, with the exception of the emperor, whose figure is brightly lit.<br />The painting is in the original frame, which is constructed to resemble a Roman Temple with base, entablature, and fluted ionic pilasters.
Collection Object
Portrait of Whistler
This image shows a figure set back a bit from the viewer, and standing at an angle facing toward the left of the page. The figure is dressed in a black suit with a white shirt, and is standing on a fairly plain ground with just a few black lines. The figure's hair and outfit blend into the black background.
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Judgement of Solomon

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Ces dames des chars

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Two Figures

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La glace à main

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Head of a Dog

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The Seasons
Four women pose in an outdoor setting. Three women sit on the ground in light dresses, one reads and the other two look toward her book. One woman stands, leaning against a tree that frames the left-most side of the image; she wears a dark dress, her back turned to the viewer.
Collection Object
Balzac, The Open Sky
This photogravure is one of a series of photographs commissioned by Auguste Rodin of his statue of the French writer Honoré de Balzac. The cloaked figure is off-center and facing to the right of the frame. The sculpture emerges from the landscape, illuminated by light from behind and to the left.
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Le foyer de la Comedie-Francaise pendant le siege de Paris

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Les deux amis

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Le matin

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Les Petit Cavaliers, after Vélazquez
The image depicts thirteen men, arranged in three groups and facing in various directions, all standing in a generic outdoor setting. They wear seventeenth century-style costume consisting predominantly of black coats and trousers with white square collars. Several wear black hats, and one waves his hat in the air. The majority either carry or lean on swords. 
Collection Object
Le Chat et les fleurs
On a wooden ledge in the foreground, a cat rubs up against a clawed pot holding flowers. The feline's coat is dark with the exception of a white strip running from its belly up to its chin.  An iron railing spans the width of the background. A second pot of flowers without clawed feet is visible behind the cat; some of its flowers appear to be growing through the lattice of the railing. 
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Bathers

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The Bathers (large plate)

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Bathers

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Croquis d'Eté. Pl.39: On m'a conseillé les bains froids pour...maigrir!...

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Soldier

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Selected American, European, and Asian landscape paintings, and works of realism; and various sketches, etchings, and studies; and a few photographs.  Works are by Rembrandt, Monet, Benton, Whistler, Picasso, Mattise, Kensett, Innes, Millet, Pissaro, Shahn, and more. 

Copyright
All Rights Reserved
Created by
Andrew Orosan-Weine
Last Updated
May 25, 2022 2:22 p.m.

137 Items in this Learning Collection
Glen Lyon Falls
A waterfall takes up the bottom half of the image with trees and hills behind a body of water.&nbsp;
Collection Object
Two Cows
A shepherdess stands between two cows who are grazing at the center of the image. In the foreground is the indication of a rough track leading towards the distance at left. At the right is a woman bending over beneath a tree.
Collection Object
Vachere au Bord de l'Eau
A woman sits at the left on a grassy bank looking at a group of cows standing in water. Behind are trees and a hill rising up in the distance.<br />Possible watermark at center left (of verso); image shows a fleur de lis over a triangle. Paper size: lh 26 2/5cm &amp; rh 26 1/2cm x w 19 1/2cm. Plate size: lh 19 7/10cm &amp; rh 19 9/10cm x w 13 2/5cm. Image size: lh 19 1/10cm &amp; rh 19cm x tw 12 2/5cm &amp; bw 12 1/2cm.
Collection Object
Faneuses (Haymakers)
A group of women can be seen in a field raking hay. The central woman faces the viewer in the foreground; she wears a hat that shades her face. Behind her are two other women, also raking hay, shown from behind.
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Couseuse

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La Cardeuse (The Wool Carder)
A woman is shown seated in a simple interior. She is holding carding combs and is seated next to a pile of uncarded wool on one side and skeins of yarn on the other. Behind her is the wheel of a spinning wheel.
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Le Paysan rentrant du fumier (Man with a Wheelbarrow or Peasant Returning from the Dung Heap)

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The Mendicant

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Mount Hood from The Dalles
Landscape painting with white mountain peak in center background, body of water in foreground, and a Native American encampment to left.
Collection Object
On the White Hills

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Le Givre a Veneux
A country scene with swirls of color all around. There are two distant reddish-colored buildings ibehind a fence that runs along the left side of the dirt path, which recedes to a vanishing point at the center of the work. Trees line the right-hand side of the dirth path. Two people in the lower right corner appear to be working; one stands straight, while the other bends over.
Collection Object
Jamaica Bay
Horizontal landscape of a misty harbor view with several small boats in distance near center
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Bords de Riviere ou les Oies
Paper size: h 36 1/2cm x tw 46 1/2cm &amp; bw 47cm. Image size: lh 21 3/5cm &amp; rh 21 1/2cm x tw 32cm &amp; bw 32 1/5cm.
Collection Object
Bords du Loing, près de Saint-Mammès

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The Break-up of the Ice (La Débâcle or Les Glaçons)
A sweeping winter river scene opens up from the foreground and sweeps away towards the left. Ice floes dot the river surface and snowy hills frame trees that stand along the riverbank in the middle distance. The palette of this painting is restricted to mauves, blues, greens, and whites.
Collection Object
Buildings with Water Tank (Bellevue Plantation, Virginia)
In this painting there are six buildings surrounded by green grass and tall tress without leaves. On the right side of the painting, a green and brown water tank rises out of and stands above the buildings at the height of a tree house. A brown fence separates the water tank from the buildings behind it.
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Landscape with Church and Cows
A landscape with a church and cows, river in the center.
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Perils of the Sea ('Peril on the Sea')

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The Dam Wood
In a desolate, wintery landscape stand a group of leafless trees with tall grasses beyond.
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Self Portrait with Saskia
Trimmed to plate mark. Paper size: lh 12 1/10cm &amp; rh 12 3/10cm x tw 10 3/5cm &amp; bw 11cm.
Collection Object
Sea and Rain
The painting depicts a solitary male figure standing along the shore. The thin layers of paint evoke a misty, overcast day with the figure standing perhaps on a tidal flat.
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Iceberg landscape reflected in water

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Sailboat on choppy water at nighttime

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Sailboat on calm water in the distance at nighttime

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Lonesome Road
This is a print of an African American man in a mule-drawn wooden cart. There is a yew tree in the cart, behind the man. The man wears a white shirt with the sleeves rolled up, dark pants, and a cap. The road is empty, with fields surrounding the road. There is a wooden church in the background with a tall cross in the ground beside the church.
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Self-Portrait

Collection Object
Mine Strike
Two shadowed figures with weapons on the left face a group of four figures, in the light, on the right. Of the four, one is holding a sign and another is lying on the ground. Smoke from a fire billows in the background alongside industrial machinery.
Collection Object
City in Autumn

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The Willow Pond

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Landscape
Landscape of flat terrain; water, perhaps a small stream, in the foreground; four leafless trees (two large, two small) right of center, and two leafless trees left of center, below a cloud-filled sky.
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Upton Lane, Sompting

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The Adur, near Shoreham

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Paysage
Landscape with a horizon line just below center. Land resembles horizontal waves in various shades of green. Line of trees at the horizon on left. The sky is blue-grey with four clouds.
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Reading Beneath the Trees (La Lecture sous les Arbres)
A sketch of a hillside in the background, seen through the trees. The trees heights are low on the left, leaving the left corner of the image open, and extending taller towards the top of the page as they move right. Between the far right tree and the second to the right is a woman, about 1/5 the size of the tree she stands against. About halfway up the trunk, between the same two trees is a square structure with one darkened window in the middle and a dark scribble to the right of it.
Collection Object
The Adirondacks
Landscape with minute figure standing on the banks of a lake among trees and boulders in the foreground and mountains in the distance; blue sky with dark storm clouds on left and white cumulonimbus cloud on right.
Collection Object
White Mountains (Mount Washington from Sunset Hill, North Conway)
Landscape painting with mountain peak at center and rolling mountains to either side; valley in foreground with houses hidden among trees in deep shadow and along hillside; blue sky above with wispy clouds.
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White Mountains in September, North Conway, New Hampshire
Landscape with trees in foreground, valley in middle ground dotted with minute figures of sheep and a farmer with a team of oxen pulling well-filled haywain. Mountains in distance with a snow-capped mountain in center background.
Collection Object
Scene in the Catskills
This landscape painting depicts a rocky hillside beneath a blue sky and towering cloud formations. In the foreground area, a stream flows between boulders and cascades over rocks. There is a large square boulder with the roots and stump of a dead tree. The right side of the painting has green vegetation along the edege of the stream and tall green-leafed trees further back on the side of the hill. On the left, beyond the hill, there is a glimpse of far distant mountains. This scene is painted in warm tones of green and brown in a realistic manner. Patches of sunlight highlight areas of the hillside, boulders and the stream.
Collection Object
Sunset Near Darien
Landscape painting of costal scene overlooking a body of water using an aerial perspective; three tree tops in center in darkened foreground in front of a glowing sky
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Landscape
This painting depicts a lush green countryside with an expanse of blue sky. It shows a hillside overlooking a small lake. There is a vista of fields and hills that extends beyond the lake to the horizon.<br /> In the foreground, a woman wearing a long dress and a bonnet and carrying a walking stick and basket, walks toward the viewer along a dirt path. The path runs from a building on the far left toward the bottom of the painting. The vegetation is painted in sharp detail in dark tones of green and brown.<br /> In the right half of the composition, there is a scene of a distant village and farms viewed through the trees on the edge of the hillside. In contrast to the shadowy wooded area, the view is bathed in bright sunlight. There is a lone bird in flight in the light blue sky that fills the top half of the painting.
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American Landscape

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The Edge of the Forest

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Valley of the Pemigewasset
Landscape painting with blue sky, blue/purple mountains, and forest greenery. Foreground occupied by livestock, felled trees, a cabin, and a figure on horseback. Larson 2/5/18
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Landscape—Evening
This painting depicts a quiet rural scene. A river runs from the foreground back into the distance, flanked on either side by green trees along the banks. A twilight sky dominates with salmon and blue hues. Ducks or geese fly just above the trees at right. A small figure fishing is visible on the left bank. The painting is signed and dated in paint (l.r.) "Daubigny 1870" (the date is somewhat obliterated).
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Evening Glow
This painting shows a landscape with a distant horizon and trees on the left hand side. The evening sky is depicted with yellows, oranges and greens. The painting is signed and dated (l.l.) "H.M. Kitchell / 1910".
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Rembrandt in Velvet Cap and Plume

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Mountain Valley with River and Buildings
Trees, figures by a river, small house on the left hand side, mountains behind.
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The Star
A sailboat with its sails set aloft in the shape of two triangles is silhouetted against a cloudy sky illuminated by the sun. Reflections of the boat and sun reach into the foreground of the image toward the viewer. 
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The Kitchen, One of the 'Twelve Etchings from Nature,' or the 'French Set'
A dark interior view is shown with a deep recessed space. At the end of the space is a window; the recessed space is full of reflected light and a woman is seen framed against the bright view out the window. Closer to the viewer, the foreground is filled with domestic objects: furniture on the left with vases stored on top; a wall rack with plates stored on the right and other objects with basins or pots below the plates.
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The Pool, One of the 'Sixteen Etchings,' or the 'Thames Set'
A man in a cap sits in a rowboat in the foreground, his chin on his hand looking at the viewer. A number of other boats, all unoccupied, create a barrier between the man and the open expanse of the river that curves towards the left in the distance. The water&#39;s edge is congested with wooden buildings and ships, some in dry dock.
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La Vieille aux Loques
An old woman in a white cap sits in a cluttered interior. Positioned just inside the doorway, the woman is surrounded by piles of cloth with domestic objects on shelves and walls that gleam in the darkness.
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La Vieille aux Loques
An old woman in a white cap sits in a cluttered interior. Positioned just inside the doorway, the woman is surrounded by piles of cloth with domestic objects on shelves and walls that gleam in the darkness.
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The Storm
A stormy and blustery landscape dominates the scene; at the lower left corner, a man with a moustache leans into the wind, clutching his coat in front of him with his right hand and holding his hat in place with his left hand. The landscape is flat and largely open; small groups of trees are visible in the distance and dark lines in the sky represent clouds and squall lines. In the center of the image are faint diagonal lines "cancelling" the plate.
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Sketching, No. 1; an illustration for 'Passages from Modern English Poets'
A rural countryside with a river flowing into the distance at the right dominates the scene. Two figures in a rowboat are at the center of the image and at the lower right corner, an artist, seated on a camp stool and facing away from the viewer, sketches the rowers.
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The "Adam and Eve," Old Chelsea
Black and white view of boats in a port. Small sailboats are docked along the edge of the water. Buildings are grouped at the water&#39;s edge.&nbsp;
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Autumnal Scene

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The Return Home

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California Orange Grove
Painting of landscape scene with blue sky and green field. Mountains and three houses in background in the upper-left quadrant. Grove with orange trees in center. Two men fishing along the banks of a stream in the lower right foreground.
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Landscape with Travelers

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Sunset on the Penobscot
A man with a fishing pole on a dock at a lake. There is a yellow cloudy sky above.
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View of the Fortifications at Gennep on the Maas River
The low horizon used in this landscape painting creates a sense of expansive sky and flat terrain, which is divided equally between river and land. Figures and animals engage in variety of activities on the riverbank and in boats, including fishing and ferrying cargo and animals. Silhouetted against the vast sky stands a fortress on a spur of land with an orange flag flying from its tower. The opposite bank is visible in the distance as a dark broken line across the shining stretch of water.
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Mountain Landscape

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Scholar in a Landscape
A vertical painting with signature on the right side. Colors primarily include gray and faded browns/oranges. Paper is faded yellow color.
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Landscape

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Landscape with River

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Boating by the Peach Leaf Crossing, from the album, Twelve Views of Jinling (Nanjing) (one of pair of albums)
Colored pring of a small body of water, surrounded by houses and small mountains. A gray wall is in the background. Text in upper left corner.
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Summer near Bethel, Maine
Landscape featuring three cows in a green and yellow field approaching a water source. Trees occupy the middle ground and a mountain range is visible against the blue sky. Larson 2/5/18&nbsp;<br /> &nbsp;
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The Fifty-Three Stations of the Tokaido (Kichizo Edition): #34 Futagawa
Group of people carrying parcels and leading horses in front of a shop. Other travelers can be seen crossing in the distance. There is a tall tree by the store, and across the water is a smal hill with trees on it. The skyline is edged in pink, suggesting dawn or dusk. Writing in upper right and left corners. Title in red box in upper right corner.
Collection Object
Yosemite Valley, Looking West
Landscape painting, despicts a valley surrounded by steeply inclined mountains. The foreground is occupied by trees, cows, and still water. Light emanates from lower-right end of the valley, illuminating the left-most rock face. (Larson 2/5/18)
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View of the Brooklyn Navy Yard
Horizontal view of harbor scene with water, dock, and boats. Small figures and trees on pier in middle ground. WMC painted in green in lower right corner.
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River Landscape

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Sacred Bridge at Nikko

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Winter in Weehawken
This winter landscape scene is painted in light pastel colors including, white, blue, pink and gray. The artist has used vigorous brushstrokes and the paint has been applied thickly on the canvas. The scenery is not painted in detail but done in an impressionistic manner.<br /> In the foreground, a snow-covered hill slopes downward from the upper right side of the composition to the lower left. There is one tall tree that frames the scene on the far right and several others clustered on the left. In the middleground area, seen through the branches of these trees, there are factories and buildings of a town. Also, there are figures ice skating on a pond, at the far left of the composition. In the far distance, seen over the edge of the slope, is the skyline of a city, the shapes of skyscrapers silhouetted against a cloudy sky.
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Washing Clothes
A group of women gather to wash clothes in a river while a man looks on.
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Sunset
Landscape scene depicting trees silhouetted against a reddening sky with a dead fallen tree trunk lying diagonally across the foreground.
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Bacalan, near Bordeaux

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Landscape--Trees by the River

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Autumn, Hastings-on-Hudson

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Le pont sur le Lot

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The Tetons and the Snake River, Grand Teton National Park, Wyoming
This photograph depicts an elevated, wide view of a curving river winding through a wooded valley, with snowcapped mountains rising in the distance. The sky above the landscape is filled with clouds.
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Landscape
Painting of a blue mountain overlooking a house and river on a gold support with brown flowers.&nbsp;
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The Rape of Europa

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Young Artists

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Tobago, from "The Creation"

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A Path through Autumn Woods

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Le Marais aux Canards

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Sunset, Yosemite

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Fishing at Sunset

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Figures in a Landscape with Sunset Sky

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Frisian Landscape

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Untitled, New York Sunset
An oil painting of New York City skyscrapers against a sunset. A large cloud is set in the middle of the sky.
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Nueva York
A sunset cityscape view with the sun right above the high-rise buiildings in New York City.
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Ann Arbor, Home of the University of Michigan
This landscape of a town has trees and a few figures in the foreground, homes in the midground, and the skyline of a small city in the background.
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Downtown Detroit
Cityscape showing downtown Detroit against a reddish orange sky in 1947. Along the bottom edge of the painting, people wait to load a bus and several vehicles drive on a street perpendicular to them. Multiple buildings several stories tall line the background of the painting.
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Landscape

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Twilight
Landscape painting featuring a row of trees in the middle distance, separating a glowing sky above and a meadow in the foreground. The painting is signed and dated (l.r.) "D W Tryon 1905"
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Morning
This pastel drawing shows a seascape with a beach and body of water, and clouds overhead. The drawing is signed and dated (l.l.) "D.W. TRYON 1906".
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Wooded Landscape with a Distant Sunset
This watercolor painting dominated by shades of browns depicts a wide path leading down to a waterfront. The path is flanked by small hills and shaded with large trees, and a person seems to walk along the left side of the path. In the distance across a body of water are faint outlines of buildings, possibly a city on the shore, and a sunset indicated by the orange tint in the clear sky. 
Collection Object
Fleurs et mains (Flowers and Hands); After the crayon drawing

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Le Repas Frugal
At the center of the scene, a man and a women sit at a table with an empty plate, two glasses, and a large bottle on the table before them. Their gazes are in nearly opposite directions and they appear gaunt.
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Profil de femme (Woman's Profile)

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Rays coming from a break in the sky, 1 - Cha 1

Collection Object
Roses and Flowers in a Glass
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Copyright
All Rights Reserved ()

Roses and Flowers in a Glass

Accession Number
1955/1.76

Title
Roses and Flowers in a Glass

Artist(s)
Henri Fantin-Latour

Object Creation Date
circa 1870-1890

Medium & Support
oil on canvas

Dimensions
14 in. x 12 5/8 in. ( 35.6 cm x 32.1 cm )

Credit Line
Bequest of Margaret Watson Parker

Label copy
March 28 2009
Henri Fantin-Latour painted in a wide variety of genres, but he is perhaps best known for the beautiful still lifes that were his particular specialty. Though in the 1860s he socialized with the most progressive artists of his day, such as the painters Manet and Renoir, he refused to exhibit with the Impressionists in their 1874 show. His work, which was exhibited in the Paris Salons from 1861 to 1899, was both popular and generally well received by critics, and his still lifes were much admired abroad. In 1859 James McNeill Whistler (1834–1903) introduced Fantin-Latour’s work to England, where he had many patrons, and he continued to show at the Royal Academy in London until 1900.
Fantin-Latour was an aficionado of music, especially that of Berlioz and Wagner, and he made many lithographs based on themes inspired by contemporary composers. The balance and grandeur of this intimate depiction of flowers against a neutral background belies the modesty of its subject; the blooms are carefully observed and enveloped in an atmosphere that evokes “la vie silencieuse”—the quiet dignity and life of inanimate objects—and it surely embodies the imagination and lyricism he found so satisfying in music.

Subject matter
Although Fantin-Latour exhibited with the Impressionists, his work is not truly Impressionist in style, but grounded in study of the Old Masters and work in the studio. His still lifes have an almost palpable atmosphere and sense of light. Here, the brilliantly lit flowers stand out against the background, giving them great definition and mass. The classical balance and grandeur of the composition, beauty of coloration, and details of observation elevate Fantin-Latour's still life paintings beyond the ordinary.

Physical Description
This painting depicts a glass vase with roses, phlox, and other flowers standing on a table. One pink rose lies next to the vase on the table; the background is an undifferentiated background of brown/tan.

Primary Object Classification
Painting

Primary Object Type
still life

Collection Area
Western

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
flowers (plant components)
table
vases

6 Related Resources

& Author Notes

Web Use Permitted

On display

UMMA Gallery Location ➜ AMH, 2nd floor ➜ 206 (Thomas H. and Polly W. Bredt Gallery)