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Part of: Middle Eastern Art (22 resources )

Middle Eastern Art

Copyright
All Rights Reserved
Created by
Laura Yoo
Last Updated
May 25, 2022 2:47 p.m.

22 Items in this Learning Collection
Entry into Jerusalem, from the Small Passion

Collection Object
Snow in Jerusalem, from the portfolio "Expedition to the Holyland"

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The Opposition Want to Overthrow the Government, from 'Expedition to the Holylan

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The Bible: The People of Israel

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Temple of Horus at Edfu
Egyptian temple decorated with carved motifs seen from a slight oblique angle.
Collection Object
Zal Goes to Rudaba, from the Shahnama of Firdausi
This painted miniature Shahnama page was made by the Shiraz and Timurid schools, ca. 1460 in Baghdad, Iraq. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene shown here is <em>Zal Goes to Rudaba </em>from the Shahnama, the Persian book of kings. 
Collection Object
Tahmina Comes to Rustam, from the Shahnama of Firdausi
Timurid miniature from the Shiraz and Timurid schools, ca. 1460. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene depicts <em>Tahmina Comes to Rustam </em>from the Shahnama of Firdausi, the Persian book of kings. 
Collection Object
Book Cover, made for the 15th-century manuscript of the Shahnama of Firdausi (The "Kervorkian Shahnama")

Collection Object
Seated figure with tripartite crown
The moulded head of the terracotta figurine represents a royal personnage. He wears a three-lobed crown, spherical earrings, and a necklace. He is seated with his legs bent from the hips at right angles to the upper part of the body. The legs are crossed and thus form a circular base which allows the essentially two-dimensional figure to remain erect. The assembling of the limbs was apparently done after the figurine had been cast.
Collection Object
Egyptian Woman II

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Doo Da Post (stamped and cancelled manilla envelope)
This work is a sealed manilla envelope covered in various artist-made postage and printed stamps. Printed on the envelope are the following phrases and items: "STAMP ART", "FIRST DAY OF ISSUE", "DOO-DA POST JUL 24 1980 N.Y. BRANCH", "DOO-DA JUL 24 1980 CHICAGO", Chinese Characters, "ART MAIL COMMEMORATIVE", "DOO-DA POST- 153 LUDLOW, N.Y.C. NY 10000 USA", "MADE IN USA", a two-tailed siren and a winged-nut. The stamps include images of a portrait of a man in a hat, 3 stamps of the Statue of Liberty, a triangular stamp of corn kernels, the Greek god Hermes, Leonardo Da Vinci and a landscape with blue water, green hills, and a white plane overhead.
Collection Object
Cover of Ann Arbor Shahnameh (First heading)
This leaf is from a manuscript of the epic poem, Shahnama of Firdausi and features columns of Persian-Farsi calligraphy with an illuminated chapter heading at the top of the page.
Collection Object
Faramurz taken Prisoner, Shah-nameh of Ferdowski
This Persian manuscript leaf is attributed to the 17th century Safavid period. Its format consists of two sections of calligraphy and a miniature (painted scene) in the middle. The painted scene features a grassy landscape with a mounted soldier and two standing figures. 
Collection Object
Ardshir Papakan Sits Upon the Throne in Baghdad, from the Shahnama of Firdausi
This Persian miniature is attributed to the Shiraz and Timurid schools, ca. 1460. The painting is done in ink, opaque watercolor and gold leaf on paper. The scene, <em>Ardshir Papakan Sits Upon the Throne in Baghdad</em>, is part of the Shahnama of Firdausi, the Persian book of kings. 
Collection Object
Silk fragment showing figures in an architectural setting

Collection Object
Béni-Hassan. Grottes du Nord
Five men sit just outside the rectangular, columned entrances of three grottoes set into the side of a hill. 
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Intérieur de la mosquée Amrou
Photograph of the columns in the interior of a mosque.
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Young Arab Girl

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Untitled
The skeleton of a camel lies in the foreground of this photograph, while scattered groupings of figures on camelback dot the desert landscape in the background. 
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Lobed jar with lid

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Qur’an manuscript page
A page from a Qur'an manuscript.
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Medicinal plants; Leaf from an Arabic translation of the "De Materia Medica," by Dioscorides

Collection Object
German Medieval and Ren

Copyright
All Rights Reserved
Created by
Julia Laplaca
Last Updated
May 25, 2022 2:47 p.m.

54 Items in this Learning Collection
Battle of the Sea Gods
This black and white print depicts an animated and detailed scene of nude figures and mythical beasts on the surface of the sea.Two men, with seaweed hair and riding half horse/half fish creatures, strike out at each other. A man and a woman ride a beast with a scaly body and the head of a fierce dog. In the background, a man holding a trident stands with his back to the viewer. Action and motion are expressed with billowing drapery, flowing hair and moving waves. The wide mouthed expressions of the figures and animals suggest yelling and noise in this chaotic scene. Among the many details depicted by the artist is a plaque held by the woman that has his initials.
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Christ on the Cross, Pierced with a Spear

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Pietà (The Lamentation of the Virgin)

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Christ in Limbo (The Harrowing of Hell) from "The Small Woodcut Passion"
A group of figures at the left stand in a vaulted space under a cross. They look towards the lower right of the composition where a man holding a standard with a cross on top is bending forward and offering his hand to an old bearded man in an arched doorway. Above the doorway are several fantastical figures with beaked or animal heads and arms with claws. Signed in the block "AD", lower right, recto.
Collection Object
The Entombment from "The Small Woodcut Passion"
A group of four men gently lower a figure into a tomb that is placed parallel to the viewer. To the left is a group of mourners with hands clasped.  One female figure kneels at the ledge of the tomb and holds a covered jar.  Behind the figures is a rocky landscape with a fence and guard at the gate in the distance at the left.  An entrance to a cave is indicated on the right, directly behind the tomb, with the use of dense, dark hatching.  At the lower right corner is a circlet of thorny branches.
Collection Object
Christ before Caiphas from "The Small Woodcut Passion"
A man seated on a throne under a canopy on the right looks toward a group of standing figures on the left. A group of soldiers in helmets and armor and spears surround a tall bearded man who stands looking at the seated official. In the distance is a view of a town in a landscape and at the feet of the seated man is a dog.  The print is signed in the block "AD" on the lower left of the recto.
Collection Object
Saint Jerome in His Chamber
Print trimmed to image frame line. Paper repaired along the right edge of the print. Paper size: h 24 7/10cm x tw 18 3/5cm &amp; bw 18 4/5cm.
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Nativity
Paper trimmed to frame. Tacked down to mat on all four sides. Paper size: h 13 x tw 10 1/10cm &amp; bw 10cm.
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The Peasant and His Wife at Market
A couple stand in a very dense and congested space, a broken wall behind them. The woman on the left holds a rooster by the feet and is looking at her husband, on the right, who has his hand extended and his holding a money bagin is left hand. At their feet is a stoppered jar and a basket full of eggs.
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St. Paul

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Bearing the Cross, Plate 10 from the engraved Passion

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Betrayal of Christ, Plate 3 from the engraved Passion

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Nativity

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Christ Disputing

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Satyr's Family

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Christ Before Pilate, from "Small Engraved Passion"

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Descent of the Holy Ghost
Woodcut unevenly trimmed with a clean image; some broken lines in light rays (left and right top) and dark folds of clothing.
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The Last Judgment
Woodcut print with some distortion/fading in lines in upper right corner (hilt of sword, trumpet, light rays); broken lines near right arm of Christ; text visable through paper.
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The Cook and his Wife
Two figures dominate the image with little reference to setting other than a low horizon line and some pebbles in the lower left. A man stands tothe lelft wearing simple tradesman&#39;s clothes; in his right hand he holds a ladle and another cooking implement. A knife in its sheath hangs at his waist. On his left shoulder stands a bird wtih wings open that is facing the man. To the right is a woman with a headdress and veil and cloak wrapped over one shoulder and in front of her.
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The Virgin as Queen of the Angels

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Oceanus (from a Series of 6 Mythological Figures)
A powerfully muscled nude man sits astride a fearsome sea creature. He grasps an oar in his left hand and the beast's reins in his right, while a cloth billows out behind him. A variety of humanoid creatures frolic in the seascape in the background.
Collection Object
Coat of Arms with the Cock
A composition with a heraldic motif: a rooster standing on top of a helmet with visor and throat guard, below which is a sheld or other carving with a rampant lion. Surrounding on either side is vigorous foliage (acanthus leaves).
Collection Object
Christ Before Caiaphas; from the 'Engraved Passion'

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The Circumcision (Life of the Virgin Series)
A crowd gathers in the side chapel of a church around a group of seated figures and an infant. A man with a long flowing beard sits and holds the infant in his hands above a plate, while another man leans forward in his chair and peers through his spectacles at the child as he performs a circumcision. A plaque with the artist&#39;s initials, &quot;HG,&quot; lies on the floor in the foreground.
Collection Object
The Flagellation (Large Passion Series)
At the center of this densely detailed print stands a male figure, nude except for a loincloth, with his hands tied behind him to a column. He is encircled by a crowd of figures, including three men who beat him with whips, switches, and fists. A fourth figure leers at him grotesquely, while another sits on the ground with his feet against the column and pulls the ropes holding their victim. Another figure, wearing elaborate armor, kneels in the foreground as he prepares his switches. Onlookers, some wearing elaborate turbans and robes inspired by Turkish clothing, stand behind the torturers. A crown of thorns sits in the lower right corner and a small dog appears in the center foreground next to the artist&#39;s initials.
Collection Object
St. Jerome in His Study
This engraving depicts a comfortable domestic interior. An old bearded man sits poring over a book at table in the back of the room. A lion and dog rest on the floor in the foreground. Various other objects appear around the room, including a skull, books, slippers, a crucifix, and a pair of scissors.
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The Annunciation, from the Life of the Virgin

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Madonna by the Wall
A young woman, dressed in long robes with her veil drawn over her head, sits next to a wall holding an infant in her lap. She is turned slightly to her right and gazes sweetly upon the child who twists to face the viewer and holds an apple in his left hand. A stream meanders through the landscape of trees and city walls behind them.
Collection Object
Hercules
A nude man seen from behind raises a staff to ward off the blow of a standing female figure, also with a staff. The woman&#39;s swing is directed to two seated figures at the lower left: a nude woman and a satyr. In the distance is an elaborate gated city and landscape.
Collection Object
The Sea Monster
Two figures are seen riding through the water in the foreground; the woman is nude save for an elaborate headdress, the man holds a tortoise shell as a shield and has an antler-like object on his head and has a serpent-like body which supports the woman. Behind is a minutely described landsape with walled town, castle, and along the opposite bank o the water, nude females swimming and a man running in alarm to the water&#39;s edge.
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The Small Passion. Ecce Homo-Christ Shown to the People

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Entry into Jerusalem, from the Small Passion

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Melencolia I

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The Four Avenging Angels from the 'Apocalypse'
This woodcut print is vertically oriented. The upper half of the piece is celestial with an angel standing on a cloud blowing a trumpet. Men on fire-breathing beasts exit from the clouds. At the very top center, a white-bearded figure, shown from the torso to the head, holds four trumpets. Rays emanate from his head to form a halo, and he is framed in a half circle. Directly below him is an altar with vines on the sides and four child-faces spitting water out. The upper right corner features an angel blowing a trumpet and the upper left features a smiling angel with hands clasped in prayer. The lower half of the print is terrestrial and depicts a chaotic battle scene. Four angels with wings and swords attack a crowd of men, including a pope, a bishop and a king, as well as commoners. These figures are all crowded into the foreground with contorted postures. There is a city on a hill visible in the distance. The center bottom has D&uuml;rer&rsquo;s signature of letter &quot;D&quot; contained within a letter &q
Collection Object
Ecce Homo (Large Passion Series)
A crowd of men, rendered as a dense mass of bodies and faces that bristles with pikes and spears, gather before a porch attached to an ornately decorated stone building. A bearded man, wearing rich dress and a turban leans over the balustrade of the porch toward the crowd with his arms outstretched and his hands open as he turns his head to look at the man standing beside him. This sorrowful figure wears only a crown of thorns and a long robe that is partly opened by the man standing behind him to reveal his lean body flecked with drops of sweat or blood.
Collection Object
Fragment of a gaming piece with male slaying beast, possibly Hercules and the Erymanthian boar, zigzag pattern with incised circles in border
Fragment of circular gaming piece carved in elephant ivory in high relief. Standing male figure wearing knee-length robe holds sword in right hand and stabs inverted beast in the chest. Forelegs of beast end in hooves; head of beast characterized by large eye and pronounced nostril. Left arm of figure and rear half of the beast missing. Border contains zigzag pattern with bead motif.
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The Mourning Virgin

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Standing Christ
This figure of Christ wears a volumnious mantle and strides forcefully forward with his left leg. His hands, now broken off, once held either a cross-staff or a globe while he made of gesture of blessing with the other. His robe appears to have originally been gilded and then painted over with red to impart his garment with a lustrous quality.
Collection Object
The Triumph of the Four Elements
Two horses pull a wagon carrying four female passengers in this small bronze plaque. The driver, a seated nude male with a cap takes the reins in his left hand and raises a whip in his right. Behind him sit two pairs of taller female figures, each wearing a long flowing mantle.
Collection Object
Coconut Cup
This cup is fashioned from a coconut shell set in a shallow bowl supported on a long, narrow stem and held in place by three straps and a tall neck band. The shallow domed lid has a plain, overhanging rim and terminates in a finial with a statuette of a nude sea nymph and serpent. The metalwork is densely decorated with various masks, animals, fantastic creatures, and vegetal ornament.
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Illustration from an Augsburg Bible (Incunabulum)

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The Five Kings Hanged (Joshua 10:26)

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Baptism of a Warrior by a Bishop Saint (recto); Young Woman's Head (verso)

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Design For a Fireplace

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Illuminated Manuscript

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Wolgund Sends a Message to Hugdieterich

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Arms of Maximillian. Illustration from 'Quadriuium ecclesiae,' by Ioh. Hug, Lat

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Tankard with Lid and scenes of Judith, Lucretia, and Venus
The body of the tankard is decorated with two narrow bands of gilded abstract vegetal ornament around the neck and base, separated by a wider band that features three repouss&eacute; medallions alternating with three bosses. Each medallion depicts a standing nude female: one of the nudes appears in an interior holding a dagger to her chest; another holds a sword and a man&#39;s head and stands beside a female companion; the third holds an elongated arrow with a blindfolded cupid at her feet. The cast handle consists of a clawed bird&#39;s foot grasping a ball at the base, followed by a satyr mask, a bound female nude, and, surmounting the handle, the bust of a warrior. The lid, a later addition, bears a wreath with a series of initials and the date 1639.
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Perseus and Andromeda

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Coffeepot

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St. Jerome
This small porcelain sculpture represents a gaunt, sinewy bearded figure, who is naked except for a loincloth. With his right knee wedged in a stump, his torso contracts with an inner tension as he pounds his chest with stones in an act of penitence. At his feet sits a lion.
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Man of Sorrows

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The Last Judgement, from the Nuremberg Chronicle

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Leaf from a Choir Book with Nativity

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Entry into Jerusalem, from the Small Passion

Accession Number
1993/2.2

Title
Entry into Jerusalem, from the Small Passion

Artist(s)
Albrecht Dürer

Object Creation Date
1511

Medium & Support
woodcut on laid paper

Dimensions
8 1/2 x 5 13/16 in. (21.43 x 14.76 cm);19 3/8 x 14 3/8 in. (49.21 x 36.51 cm)

Credit Line
Gift of the Estate of Beatrice Bishop Berle

Primary Object Classification
Print

Collection Area
Western

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
Christ

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