PerloveHISTART 393 / JUDAIC 317 / MEMS 360 / RCCORE 334: City of Jerusalem in Jewish, Christian, and Islamic Culture: Paintings, Architecture, Sculpture, Photography, and Maps
Fall 2016
Francis Frith
View at Hebron
albumen print on paper
12 1/2 in x 17 1/4 in (31.7 cm x 43.9 cm);14 in x 18 in (35.56 cm x 45.72 cm)
Gift of Frederick P. and Amy McCombs Currier
Felix Bonfils
Intérieur de l'Ecce Homo – Interior of the "Ecce Homo"
albumen print on paper
14 in x 10 15/16 in (35.56 cm x 27.78 cm)
Gift of Margaret and Howard Bond
Jacques Callot
Conversion of St. Paul [La Conversione de St. Paul]
etching on laid paper
3 15/16 x 2 13/16 in. (10 x 7 cm);4 1/16 x 2 13/16 in. (10.2 x 7 cm)
Gift of Professor Walter M. and Nesta R. Spink
Albrecht Dürer
Christ before Caiphas from "The Small Woodcut Passion"
woodcut print on laid paper
5 in x 3 3/4 in (12.7 cm x 9.53 cm)
Gift of Prof. Eugene and Mrs. Marie Glysson
Leonard Freed
Jewish Funeral, Jerusalem, Israel
vintage gelatin silver print on paper
8 x 10 in. ( 20.32 x 25.4 cm )
Gift of Thomas Wilson '79 and Jill Garling '80
Leonard Freed
Jewish Men Praying, Jerusalem, Israel
vintage gelatin silver print on paper
8 x 10 in. ( 20.32 x 25.4 cm )
Gift of Thomas Wilson '79 and Jill Garling '80
Auguste Salzmann
Details of the Entrance Frieze of the Apostles' Retreat, Valley of Hinnom, Jerusalem
salted paper print on paper
8 11/16 in x 12 7/8 in (22 cm x 32.7 cm)
Museum purchase made possible by the Director's Acquisition Committee, 2014
Jim Dine
Jerusalem Plant
lithograph on paper
41 ½ in x 31 ¼ in (105.41 cm x 79.38 cm)
Gift of Gertrude Kasle
A. R. Penck
The Opposition Want to Overthrow the Government, from 'Expedition to the Holylan
two-color screenprint on Arches vellum paper
29 11/16 x 41 7/8 in. (75.3 x 106.3 cm)
Museum purchase made possible by a gift from Helmut Stern
Marc Chagall
The Bible: The People of Israel
etching on paper
13 3/16 in x 17 1/16 in (33.5 cm x 43.34 cm)
Museum Purchase
Felix Bonfils
Tour de David – The tower of David
albumen print on paper
14 in x 10 15/16 in (35.56 cm x 27.78 cm)
Gift of Margaret and Howard Bond
Francis Frith
View at Hebron
albumen print on paper
12 1/2 in x 17 1/4 in (31.7 cm x 43.9 cm);14 in x 18 in (35.56 cm x 45.72 cm)
Gift of Frederick P. and Amy McCombs Currier
This course studies images of Jerusalem in Jewish, Christian, and Islamic culture, with emphasis upon religious texts and images of paintings, architecture, sculpture, photography, and maps. The course spans the years from the medieval through the 21st century, a period which witnessed intense interest in this region from a religious, political, and even romantic perspective. Jerusalem occupied the very center of the world in T-shaped maps of the middle ages, and the city long remained the focus of attention for Christians, Jews, and Muslims. Christian rulers vainly attempted to launch crusades, now and then, from the fifteenth through the seventeenth centuries; yet despite failures to accomplish this goal, the attraction to Jerusalem remained strong. Biblical sources and scholars, both Jewish and Christian, continuously sought to reconstruct an “authentic” image of the ancient city in order to better understand the historical events of the past, and Christians embarked upon pilgrimages to the holy land to renew their faith and achieve salvation. Christians, Jews, and Muslims also focused upon Jerusalem as the site for events of the end of time. European travelers were attracted by the exotic landscape and people of this region and its Arabic inhabitants in the eighteenth and nineteenth centuries; Jewish settlers of the early decades of the 20th century viewed Palestine as an ancient homeland of Jewish renewal and refuge from persecution, a concept that especial meaning during and after the Holocaust. Visual images of the city are a focus of our studies of this rich history. We will study maps, plans, and photography of the Holy Land in the Harlan Hatcher Map Collection and the University of Michigan Museum of Art. The course will culminate with the study of contemporary Israeli and Palestinian art dealing with the preeminent concept of the Holy Land as homeland