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Standing Figure

Accession Number
1958/1.137

Title
Standing Figure

Artist(s)
Alberto Giacometti; Fonderie d'Art Fonderie Susse

Artist Nationality
Swiss

Object Creation Date
1957

Medium & Support
bronze

Dimensions
27 9/16 in x 7 1/16 in x 9 1/8 in (70.01 cm x 17.94 cm x 23.18 cm);27 9/16 in x 7 1/16 in x 9 1/8 in (70.01 cm x 17.94 cm x 23.18 cm)

Credit Line
Museum Purchase

Label copy
March 28, 2009
Giacometti often proclaimed his interest in exploring in sculpture his ideas about vision and perception, and particularly in rendering in three dimensions the phenomenon of vanishing point perspective so easily captured in painting. Notwithstanding his own description of his formal concerns, by the late 1940s, Giacometti was widely regarded as the artist who best represented Existential angst in the aftermath of the two World Wars. Some scholarship suggests that the skeletal thinness of his figures during this period was a manifestation of working through trauma from the ever-increasing flow of evidence from the Nazi concentration camps; the artist is also said to have begun to sculpt in this style soon after he visited the exhibition “Art and Resistance” (1946), where he would have seen grisly images of emaciated prisoners and piles of naked corpses, some drawn and painted by his friend and neighbor Boris Taslitsky, who had been interned at Buchenwald. While we cannot know if Giacometti is directly referencing these powerful images, his work was produced in a historical moment deeply affected by them, and they heavily influenced the prevailing interpretation of his sculpture.

Subject matter
Giacomett's tall thin figures are often described as visualizing the fragility and the resilience of the human body in the aftermath of the Second World War and the Holocaust. Before WWII, Giacometti worked primarily in a Surrealist style and only moved to this new figurative modernism after the war. Influenced by Jean-Paul Sartre and Existentialism, Giacometti wanted to visually express the metaphysical desolation and despair that Existentialism tried to recognize and address.

Physical Description
An elongated female nude figure with minimal features stands on a small rectangular base with left foot slightly forward. The metal has a texture resembling molten wax.

Primary Object Classification
Sculpture

Primary Object Type
figure

Additional Object Classification(s)
Sculpture

Collection Area
Modern and Contemporary

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
abstraction
biomorphic abstraction
figures (representations)
modern and contemporary art
standing
women (female humans)

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