C2 - Fouhey - computer vision, 2d / 3d

Clarence John Laughlin
Henry Moore: Reclining Figure
gelatin silver print on paper
7 5/8 in. x 9 5/16 in. ( 19.4 cm x 23.7 cm )
Gift of Charles R. Eisendrath
A painting of two green bottles, a pear, an egg, a shell, and several other objects on a flat brown surface.
Emanuele Cavalli
Still Life
oil on board
15 7/8 in x 13 3/4 in (40.32 cm x 34.92 cm)
Gift of Herbert Barrows
Pierre Daura
Orange Bowl, Two Apples
oil on plywood
9 1/16 x 10 11/16 in. (23 x 27 cm);18 x 22 3/16 in. (45.7 x 56.2 cm);8 9/16 x 10 3/8 in. (21.6 x 26.3 cm)
Gift of Martha R. Daura
A bowl containing apples rests in the center, flanked by two conical drinking cups.
Maurice de Vlaminck
Still Life with Apples (Nature Morte aux Pommes)
oil on canvas
19 3/4 in x 25 9/16 in (50.1 cm x 64.9 cm);28 1/2 in x 34 3/4 in (72.39 cm x 88.27 cm)
Museum purchase made possible by a gift from Helmut Stern
Apple wrapped in a piece of paper, creating a circular cone shape.
Scott Van Allsburg
Untitled
toned gelatin silver print on paper
6 in x 6 in (15.24 cm x 15.24 cm)
Gift of Margaret and Howard Bond
In two vertical rows at the center of the lithograph, there are eight reclining abstract figures. Each pair is colored the same but the designs for each reclining figure are distinct: colors from top to bottom are purple, brown, orange, blue. There is an allover wash of grey in the background and then darker marks and crosshatching around the figures to suggest shadow. The artist's signature and the date is in the stone (l.r. reversed) "Moore / 67.". The artist's signature, date and number is also in pencil "Moore / 67." (l.r.) and "29/50" (l.c.).
Henry Moore
Eight Reclining Figures I
color lithograph on Barcham Green paper
30 5/16 in x 22 1/4 in (76.99 cm x 56.52 cm);31 3/4 in x 23 3/4 in x 1 in (80.64 cm x 60.33 cm x 2.54 cm);30 5/16 in x 22 1/4 in (76.99 cm x 56.52 cm)
Gift of Dr. Seymour and Barbara K. Adelson
Abstracted human figure reclining on its side. Eight strings resembling the strings of a harp extend from the chest area to the hip.
Henry Moore
Stringed Reclining Figure
bronze and string on wood base
4 11/16 x 12 5/16 x 3 11/16 in. (11.9 x 31.2 x 9.3 cm);4 11/16 x 12 5/16 x 3 11/16 in. (11.9 x 31.2 x 9.3 cm);4 x 10 7/8 x 2 3/8 in. (10.1 x 27.5 x 6 cm);3/4 x 12 5/16 x 3 11/16 in. (1.8 x 31.2 x 9.3 cm)
Bequest of Florence L. Stol
The drawing depicts a nude female figure sitting on a stool. Her torso is viewed from the front, with her legs pointing to the left; her arms resting, one on each leg. Her face looks off to the right revealing her hair, which is in a bun at the base of her neck. The drawing is done in heavy black line, and fainter grey lines of an alternate positioning of the figure can be seen around the head and shoulders. A wash of grey ink covers the top half of the figure.
Henry Moore
Study of a Seated Nude
black and gray washes over black chalk on wove paper
21 3/4 in x 13 7/16 in (55.3 cm x 34.1 cm);27 3/8 in x 19 1/4 in (69.53 cm x 48.9 cm);21 3/4 in x 13 7/16 in (55.3 cm x 34.1 cm)
Museum Purchase
A seated nude female figure in three-quarters view seated on a block.
Henry Moore
Seated Figure
pen and wash on paper
16 7/8 in x 13 9/16 in (42.86 cm x 34.45 cm);16 7/8 in x 13 9/16 in (42.86 cm x 34.45 cm)
Museum Purchase
Pablo Picasso
Le pinchet noir et la tête de mort (Black Pitcher and Death's Hand)
lithograph on paper
12 11/16 x 17 1/2 in. (32.2 x 44.3 cm);13 x 17 1/2 in. (33 x 44.3 cm)
Bequest of Florence L. Stol
Line drawing in felt tip marker on ivory ~ 10x13” paper.
Mark Kostabi
Progress of Beauty 1
ink on paper
12 1/16 x 9 1/16 in. (30.5 x 23 cm)
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
Line drawing in felt tip marker on ivory ~ 10x13” paper with shading. Woman’s arm and dress filled in completely with black, as well as a pane of the stained glass window that she holds. The wall, pitcher, parts of the woman’s head and shoulder covering and bodice, and cash register have been modeled in stylized “half tone” of zigzag separating white and black; shadows take the form of dense curlicues. The tablecloth bears splotches of black ink that were possibly made by blowing air on wet ink through a straw. The map has been filled in with ink drips and splatters.
Mark Kostabi
Progress of Beauty 2
ink on paper
12 1/16 x 9 1/16 in. (30.5 x 23 cm)
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services

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50 Collection Object Sources

Still Life (2000/2.301)
Untitled (2013/1.265)
Seated Figure (1959/1.123)
Seated Man (1952/2.19)
Seated Nude (1948/1.303)
Bather Seated (1949/1.176)
Seated Nude (1948/1.273)
Melon (2017/2.104)
Untitled (2013/1.263)
Untitled (2013/1.264)
Untitled (1997/1.105)
Standing Boxer (1948/2.10)
Glasses (1983/1.326)
Pie (2000/2.267)
Breakfast (2012/1.278)
Self-Portrait (2012/2.212)
The Wine Glass (1992/2.4)
Iced Glasses (2017/2.205)
Sculptures (1957/2.5)
Figure (1953/1.27)
Nu de face (1960/2.135)
Standing Figure (1958/1.137)

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December 4, 2019 1:19 p.m.

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