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Copyright
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La Fortaleza

Accession Number
2011/2.63

Title
La Fortaleza

Artist(s)
Emilio Sanchez

Object Creation Date
1970-1975

Medium & Support
oil on canvas

Dimensions
4 x 4 ft. (121.92 x 121.92 cm);4 ft. 1 in. x 4 ft. 1 in. (124.46 x 124.46 cm)

Credit Line
Gift of the Emilio Sanchez Foundation

Label copy
In Focus: 2013
New Acquisition: Emilio Sanchez
I don’t intentionally mean for them to be either abstract or pictures of houses. It’s sort of a play on design.
Emilio Sanchez was born into one of Cuba’s most prominent families but lived in Cuba for only a short time. Although he said “I’ve always been a terrible Cuban,” his interest in the light and color of the Caribbean comes from his early connection with that region. Before he settled permanently in New York in 1952, he studied architecture at the University of Virginia, demonstrating an interest in buildings, the subject of many of his paintings. At the time he painted La Fortaleza, Sanchez, who traveled extensively, was often in the Mediterranean, and it is there he found the inspiration for this image of a fortress, likely in Morocco.
Sanchez came of age as a painter in the 1950s, the heyday of Abstract Expressionism. As you can see here, however, he worked in a minimalist rather than expressionist idiom, reducing his architectural subjects to pure blocks of vibrant color. His quiet, spare, oversized details of the built environment have more in common with Georgia O’Keeffe and Charles Sheeler. In the 1990s he turned his attention from the Caribbean and Mediterranean to his adopted home of New York, capturing storefronts and other street scenes reminiscent of the urban photographs of Berenice Abbott and the more monumental architectural abstractions of Judith Turner.
Recently UMMA and several academic museums in the US benefitted from the generosity of the Emilio Sanchez Foundation when it donated much of Sanchez’s life work. The gift to UMMA of eighty paintings and lithographs, along with other recent acquisitions from Cuba such as two folk paintings given by Dr. James L. Curtis, expand the collection in the direction of the Caribbean, an exciting growth area for the Museum.
Pamela Reister
Curator for Museum Teaching and Learning
[label]
Emilio Sanchez, La Fortaleza, 1970–75, oil on canvas, UMMA, Gift of the Emilio Sanchez Foundation, 2011/2.63

Physical Description
A two-point perspective drawing of a big yellow building with red rooftop around the corner on the street.

Primary Object Classification
Painting

Primary Object Type
cityscape

Collection Area
Modern and Contemporary

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
exterior perspectives
houses
perspective (technique)
yellow

& Author Notes

All Rights Reserved