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W19 Marchalonis - ARTDES 235 - Introduction to Printmaking

Antonio Frasconi
Don Quixote and Rosinante
1949
color woodcut | paper
Museum Purchase
1949/1.171
Antonio Frasconi
Birds from My Homeland: Book with 10 original hand-colored woodcuts.
1958
woodcut | paper
Museum Purchase
1959/1.144
Black and white abstract design of various lines and shapes layered over a white and black polka dot background that gradually transitions from grey at the top to black at the bottom.
Frank Stella
Riallaro (Black and White)
1994
four color etching, collograph and relief | TGL paper
Gift of Dr. Seymour and Barbara K. Adelson
2008/2.3
A woman is seated with her hands in her lap looking directly at the viewer. She wears a pronounced hat on her head with long ribbons that hang to her waist.
James Abbott McNeill Whistler
La Rétameuse, One of the 'Twelve Etchings from Nature,' or the 'French Set'
1858
etching, printed in black ink | Japan paper, laid down on white laid paper
Bequest of Margaret Watson Parker
1954/1.321
A two-story building fronting onto a canal is shown in this print. Three figures are gathered on the second floor balcony while a seated woman and standing man are visible at the water door below the balcony. At the top of the image hanging cloth (possibly laundry) creates a kind of canopy over the figures on the balcony. Adjacent buildings are only summarily drawn and the emphasis of this image is on the dramatic juxtapositions of the projecting elements, e.g. balcony, laundry, with the shadows cast on other parts of the building and figures and in the reflections in the dark surface of the water.
James Abbott McNeill Whistler
Balcony, Amsterdam
1889
etching and drypoint, printed in warm black ink | laid paper
Bequest of Margaret Watson Parker
1954/1.405
A woman is shown seated in a simple interior. She is holding carding combs and is seated next to a pile of uncarded wool on one side and skeins of yarn on the other. Behind her is the wheel of a spinning wheel.
Jean-François Millet
La Cardeuse (The Wool Carder)
1855 – 1856
etching and drypoint | laid paper
Bequest of Margaret Watson Parker
1955/1.120
Mary Cassatt
The First Mirror (Looking into the Hand Mirror)
1845 – 1926
aquatint and drypoint | paper
Bequest of Margaret Watson Parker
1954/1.272
Trimmed to plate mark. Paper size: lh 12 1/10cm & rh 12 3/10cm x tw 10 3/5cm & bw 11cm.
Rembrandt van Rijn
Self Portrait with Saskia
etching | beige laid paper
Gift of Ruth W. and Clarence J. Boldt, Jr.
2008/2.406
A woman sits on the edge of a bed in which a figure lays. A child stands next to the woman. A chair with a bag on it sits in the right bottom corner.
Käthe Kollwitz
Visit to the Hospital
1929
woodcut | Japan paper
Museum Purchase
1956/1.59
Enrique Chagoya
UtopianCannibal.org
2000
color lithograph, woodcut, chine collé, and collage
Museum Purchase made possible by the Jean Paul Slusser Memorial Fund
2001/2.81
This etching is a portrait of a woman; just her face is visible. The background is almost solidly black, and the darkness encrouches on the portrait. The woman looks off the left of the page, and a small earring is visible on her right ear. The print is signed in pencil (l.r.) "Kathe Kollwitz".
Käthe Kollwitz
Arbeitsfrau mit dem Ohrring
1910
etching | paper
Gift of the Marvin Felheim Collection
1983/1.265
A woodcut image of a crowd of men carrying weapons, agricultural tools, and flags. A woman flies in the air above the men looking back to the left of the piece.
Käthe Kollwitz
Untitled
1944
print | paper
Bequest of Marion Lawrence
2016/2.229

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Last Updated

January 28, 2019 10:15 a.m.

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