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Su18 Bell - ENVIRON 462 / SOC 495 - Environmental Justice: Capitalism, Resistance, and Just Sustainabilities

Bruce Davidson
Untitled (Child with a Doll Carriage), from "Welsh Miners"
1981
gelatin silver print | paper
Gift of Mr. and Mrs. Douglas M. Kenyon
1983/2.243.3
This print shows a landscape with a mountain rising in the middle of the background. There are trees and grass in front, and a body of water in the foreground. At the center, on the edge of the water, sits a faucet, a razor, and a toothbrush in a clear glass as if the body of water is a sink.<br />
The print is signed (l.r.) "Doug Webb" and numbered (l.l.) "197/275" in pencil.
Doug Webb
Cleanliness is Next to Godliness
1980 – 1990
screenprint | paper
Gift of Jack A. and Noreen Rounick
2004/2.40
A color photograph of malnourished children, one of whom stares directly at the viewer. He wears a tattered striped shirt and sits with his knees up. To the right, another child holds a smaller one.
Peter Turnley
Famine Crisis, Wajid, Somalia, 1992
1992
archival pigment print | paper
Gift of Kathleen Lauster and Jarir Derouach
2016/2.530
An aerial view of a flooded farmhouse, outbuildings and trees with boats at the farmhouse door.
Arthur Rothstein
Mississippi River Flood
1938
gelatin silver print | paper
Gift of Thomas Wilson '79 and Jill Garling '80
2016/2.433
A "Norton Abrasives" wooden crate is filled with empty rusted gallon paint containers with dried paint inside. A cracked rearview mirror is attached to one side and an American flag is smushed into one side of the box. A small toy platypus sits inside one of the paint cans, although the platypus is moveable; instructions to museum state that museum staff can place platypus where they please.
Tyree Guyton
Untitled (Paint Cans)
1980 – 2010
paint cans, wooden crate, American flag, rearview mirror, ceramic |
Gift of H. David Zucca
2013/2.310
The scene takes place in a dark interior room, seen from the street. The rough stone of the doorway frames a seated woman and a young boy standing nearby. In addition to light illuminating the interior from the street, there is a recessed window niche along the left wall of the room.
James Abbott McNeill Whistler
Rag Pickers, Quartier Mouffetart, Paris
1858
etching and drypoint | paper
Museum Purchase
1991/2.1
This photograph depicts an aerial view of an earth work of a human figure encased by the shape of a pentagon.
Marilyn Bridges
Ha-ak, Blythe Site #1, Blythe, CA
1982
gelatin silver print | paper
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
2012/2.10
Cradling Wheat
1939
lithograph | cream-colored paper
Gift of Suzanne Beutler
1980/2.170
Manuel Alvarez Bravo
Chamula Landscape (Paisaje Chamula), from "Manuel Alvarez Bravo"
1979 – 1981
gelatin silver print | paper
Gift of Lawrence and Carol Zicklin
1987/1.174.13
<br />
Print of an aerial view of plowed fields with U-shaped designs left by the machinery. A green swath cuts through the bottom fo the picture in another U-shape.
Barry W. Andersen
Alabama #18-6
1987
archival inkjet print | epson exhibition fiber paper
Gift of the artist
2015/2.53
This print shows a festive, large, dense crowd of people at a beach. Some figures on the right side of the print appear to be climbing on top of each other in a human pyramid. To the left is a bridge or boardwalk that is also crowded with people.
Reginald Marsh
Coney Island Beach
1934
etching | paper
Museum Purchase
1956/1.52
Marten de Vos;Maarten de Vos
Allegorical Representation of 'America'
1594 – 1600
pen and black ink with ink wash | cream-colored paper
Museum Purchase
1960/2.24

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Last Updated

June 26, 2018 1:58 p.m.

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