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F14 Khan - ENGLISH 375 - Postcolonial Literatures

This image is a circular format black and white photograph depicting four young African American girls wearing floral dresses lounging on a blanket in the grass. Three girls sit or prop themselves up and look at the camera, the fourth girl lays down, with her eyes closed. The glass in the frame has a domed surface, creating a fish-eye effect.
Carrie Mae Weems
After Manet
2002 - 2003
chromogenic print | paper
Museum purchase made possible by the W. Hawkins Ferry Fund
2004/2.3
Photograph of F. Holland Day in an "Algerian costume." Day sits cross-legged and looks down on his clasped hands resting in his lap.
Frederick H. Evans
F. Holland Day in Algerian Costume
1901
platinum print | paper
Museum Purchase
1971/2.146
Enrique Chagoya
UtopianCannibal.org
2000
color lithograph, woodcut, chine collé, and collage
Museum Purchase made possible by the Jean Paul Slusser Memorial Fund
2001/2.81
Laton Alton Huffman
Young Cow, Groom, Fort Keogh
1854 - 1931
colotype print | paper
Gift of Dr. & Mrs. Michael Fauman

1983/2.76
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.4
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.5
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.3
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.2
Kara Walker
One of five prints from the suite "The Means to an End--A Shadow Drama in Five Acts"
1995
aquatint and etching | light cream Somerset Satin wove paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1996/2.4.1
Photographed from atop a high ridge, this photograph depicts a view looking down into a winding desert canyon.
Ansel Adams
Canyon de Chelly National Monument, Arizona
1942
gelatin silver print | paper
Gift of Harry H. Lunn, Jr.
1985/1.153
This photograph depicts a flat, boulder-strewn valley leading up to a range of cloud-swept mountains in the distance. 
Ansel Adams
Mt. Williamson, Sierra Nevada, from Manzanar, California
1944
gelatin silver print | paper
Gift of Harry H. Lunn, Jr.
1981/2.161
Landscape scene with three figures (two standing and one kneeling) near a large sculpture of a God with a figure on horseback in the distance.  Image consists of sharply cut and defined elements.<br />
Paul Gauguin
Maruru (Offering to the Gods)
1894
woodcut | paper
Museum Purchase
1949/1.178

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Colonialism — by seth@whirl-i-gig.com (February 13 2017 @ 12:51 pm)
Comparative — by seth@whirl-i-gig.com (February 13 2017 @ 12:51 pm)
Empires — by seth@whirl-i-gig.com (February 13 2017 @ 12:51 pm)
Identity — by seth@whirl-i-gig.com (February 13 2017 @ 12:51 pm)
Ideology — by seth@whirl-i-gig.com (February 13 2017 @ 12:51 pm)
Imperialism — by seth@whirl-i-gig.com (February 13 2017 @ 12:51 pm)
Nation and nationalism — by seth@whirl-i-gig.com (February 13 2017 @ 12:51 pm)
Politics — by seth@whirl-i-gig.com (February 13 2017 @ 12:51 pm)
Postcolonial theory — by seth@whirl-i-gig.com (February 13 2017 @ 12:51 pm)
Race and ethnicity — by seth@whirl-i-gig.com (February 13 2017 @ 12:51 pm)
Social inclusion and exclusion — by seth@whirl-i-gig.com (February 13 2017 @ 12:51 pm)
University class selection — by seth@whirl-i-gig.com (February 13 2017 @ 12:51 pm)

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Last Updated

March 2, 2018 12:25 p.m.

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