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W19 Heaton - LING 340 - Introduction to Sociolinguistics

This study of a male nude set within a niche combines a skilled portrayal of anatomy with a powerful evocation of movement and emotional intensity. Through the carefully rendered arms and swirling draperies the artist expands and animates the space around the figure, who seems to surge forward even as he turns his head back in a gesture of despair.
Isaac Claesz van Swanenburg
Study of a Male Nude with Floating Drapery
1562 – 1638
pen, brown ink and gray wash | laid paper
Museum Purchase
1954/2.54
Giovanni Grimaldi
Eight Landscapes. 6. Landscape with Three Men in Conversation
1606 – 1680
etching | paper
Museum Purchase
1970/2.126
Shôzan
Netsuke of emaciated man, seated crosslegged with head thrown back in a scream
19th century
wood
Gift of the William T. and Dora G. Hunter Collection
2002/2.29
Honoré Victorin Daumier
Conférence de Londres
1832
hand-colored lithograph | paper
The Paul Leroy Grigaut Memorial Collection
1969/2.47
Ernst Kirchner
Two Women
1905 – 1915
crayon | wove paper
Gift of Herbert Barrows
2000/2.164
A man clothed in pants, shoes, and a long-sleeved shirt sits at a small table with his hands folded. Part of a loaf of bread sits on the upper left corner of the table. The man is in a small room with a small, square, barred window high on the wall behind him. There is a toilet without a lid behind him to his left.
George Grosz
In Prison
1918
ink | wove paper
Gift of Herbert Barrows
2000/2.224
Max Beckmann
Hunger. No. 4 from the Series of Ten Prints, 'Die Hölle' (Hell).
1919
lithograph | paper
Museum Purchase
1949/1.184
Peter K. Hoag
The Cry
1955
lithograph | paper
Gift of Herbert Barrows
2002/2.97
The print shows a hand coming from the left of the frame on a solid red background. Depicted with the index finger pointing at the viewer, the skin of the hand is patterned with a grid of red dots. Part of the forearm is shown, with the cuff of the white shirt and black suit. The print is signed and numbered.
Roy Lichtenstein
Finger Pointing
1973
screenprint | wove paper
Gift of Mr. Robert Rauschenberg
1976/2.118
This is a line drawing done in colors of red, orange, blue, yellow, brown and green, on white paper. In the top center portion of the sheet are the words, "A LIE". Below this are forms that resemble an egg, a slice of bacon, a piece of bread with a pat of yellow butter. Below these forms are some round shapes, labeled "flakes", a bowl and a carton of milk, labeled "milk".
Jean-Michel Basquiat
A Lie
1981
colored crayons | paper
Gift of Arthur Cohen in honor of Ben and Yetta Cohen
1985/2.18
A mixed media assemblage consisting of welding goggles, rusted metal, a padlock, and two rusted bells hanging from a chain mounted on a wooden board with screws. The position of the objects, with goggles at the top, makes the assemblage look vaguely face-like.
George Vargas
Michigan Worker
1985
welding goggles, metal, hanging bells, rusty bottle cap, pulleys, chains, padlock | plywood
Gift of the artist
2004/1.153
This print has rows of stencilled black text in all capital letters on white background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
1992
etching, aquatint, spitbite, sugarlift | Rives BFK paper
Museum Purchase
1993/2.13.1

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Last Updated

January 17, 2019 10:55 a.m.

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