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F18 Murray - SAC 354 - New Media History

On a vertically-oriented page, with printed image extending to the borders of the page, there are various scenes and images combined together. There are two main registers. On the bottom, there is a collaged image of a woman putting on lipstick at the beach, and the rear end of a classic car to the right. To the left, there are two smaller frames: on top there is an urban street scene collaged with demolished cars, and on the bottom there is a single scene of a fashion office orstudio with three women. In the top register, there are four main frames. On the right, the largest scene in the print, there is an image of a soldier with a handgun collaged with an image of a small child with a soldier's helmet on his head. The boy holds a bucket. To the left, there are three smaller images, each showing a man and a woman in varying degrees of fancy dress. The overall scene is printed in a vibrant orange color.
Sir Eduardo Paolozzi
Pig or Person, it's the same, Fortune plays a funny game
1965 – 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.34
This page of an illuminated manuscript on thin parchment is vertically oriented. Centered in the upper two-thirds of the page is a window-shaped scene of a priest celebrating mass. The priest, with red and white robes and a tonsure, holds up a communion wafer at an altar that has a bible and a communion goblet on it and an image of two figures with halos behind them. The altar and the priest’s robes are trimmed with gold leaf. Behind the priest are two kneeling figures, a man and a woman. They are in the interior of a gothic church, with stone vaulting above them. Below the scene are four lines of calligraphy with the first letter, a ‘D’, highly decorated. Decorative detailing surrounds the text and the scene. The left side consists of an ivy-like plant growing out of the "D", and the bottom and right sides have different foliate-derived design depicted in ink, tempera and gold.
French
Priest Celebrating a Mass (Leaf from the Tarleton Hours)
1425 – 1435
ink, tempera and gold | thin parchment
Museum Purchase
1968/2.43
This woodcut print is vertically oriented. The upper half of the piece is celestial with an angel standing on a cloud blowing a trumpet. Men on fire-breathing beasts exit from the clouds. At the very top center, a white-bearded figure, shown from the torso to the head, holds four trumpets. Rays emanate from his head to form a halo, and he is framed in a half circle. Directly below him is an altar with vines on the sides and four child-faces spitting water out. The upper right corner features an angel blowing a trumpet and the upper left features a smiling angel with hands clasped in prayer. The lower half of the print is terrestrial and depicts a chaotic battle scene. Four angels with wings and swords attack a crowd of men, including a pope, a bishop and a king, as well as commoners. These figures are all crowded into the foreground with contorted postures. There is a city on a hill visible in the distance. The center bottom has Dürer’s signature of letter "D" contained within a letter &q
Albrecht Dürer
The Four Avenging Angels from the 'Apocalypse'
1496 – 1498
woodcut | laid paper
Gift of the Friends of the Museum of Art in honor of Bret Waller
1980/1.214
William Hogarth
A Rake's Progress. Plate III (He revels)
1735
etching and engraving | paper
Gift of Jean Paul Slusser
1962/1.109
Francisco José de Goya y Lucientes
The sleep of reason produces mosters (El sueño de la razon produce monstruos)
1799
etching and burnished aquatint | paper
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.152.43
View of a mountain gorge with a fenced-in tunnel path carved through it.
Adolphe Braun
Passage de la Tête Noire
1858 – 1877
albumen print | paper
Gift of Frederick P. and Amy McCombs Currier
1988/1.93
Photograph of a man and woman, surrounded by pedestrians, that embrace below a movie marquee bearing the words "KISS ME, STUPID."
Joel Meyerowitz
New Year's Eve, NYC
1965
gelatin silver print | paper
Gift of Selma & Gerald Lotenberg
2000/2.158.11
A composite print from two negatives, each representing a moment from a dance performance. The woman wears a large cloth, which she manipulates with her motions to create forms and shapes.
Barbara Morgan
Martha Graham—Lamentation
1935
gelatin silver print | paper
Gift of Frances U. and Scott K. Simonds
1992/1.132
Ernst Haas
Surtsey Volcano, near Iceland, from "The Creation"
1965 – 1981
dye transfer print | paper
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.136.2
Edward Hopper
Night Shadows
1921
etching | Van Gelder wove paper
Gift of Dr. & Mrs. S.J. Axelrod
1983/1.146
This photograph is divided in a grid of two rows, each made up of eleven vertical images. In each of these frames, a naked man is shown climbing the rungs of a ladder. Each frame depicts the movement of his body as he makes his ascent.
Eadweard Muybridge
Man Climbing Ladder, Plate III
1884 – 1887
collotype | paper
Gift of the Marvin Felheim Collection
1983/1.291
This black and white stereoscopic image features two images of a man looking at a stereoscope image in a library with his finger in a book and a map of Rome on a table.  It is surrounded by the text: Set No. 8; Underwood & Underwood, Publishers, Unique; 10061—Traveling by the Underwood Travel System—Stereographs, Guide Books, Patent Map System.
Stereo Classics Studio
Stereoscope Image, Set No. 8: Traveling by the Underwood Travel System, Stereographs, Guide Books, Patent Map System
1978
photograph | cardboard
Gift of Margaret and Howard Bond
2010/1.169.19

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Last Updated

October 2, 2018 2:13 p.m.

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