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Between and Mortarboard


UMMA Object Specific Fields






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How We Express Ourselves

I.B. Unit of Analysis 

An inquiry into the ways in which we discover and express ideas, feelings, nature, culture, beliefs, and values; the ways in which we reflect on, extend and enjoy our creativity; our appreciation of the aesthetic. 

This column fragment consists of a base with a seated jina in the center with a tiered umbrella above him under an elaborate arch flanked by two figures to either side—two male and dancing females at the outside.  Three virtually identical bands above it represent smaller seated jinas in less elaborate pavilions.  A pair of male cauri bearers with a devotional male on the outside flanks each of the two central figures.  The top figure is flanked by the pair of cauri bearers, but with an elephant surmounted by a lion figure on either side.   There is no cognizance present to identify any of the four jinas, all are depicted in lotus position and their hands in dhyana mudra, a meditation gesture.   <br />
Artist Unknown, India, Rajasthan or Gujarat, Jain
Column with Four Jinas and Attendants (Jain Marble Column)
1100 – 1299
marble |
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
2004/1.151
A panel portrait of two men and two women. One man plays a mandolin while the other watches one of the women. The woman he is watching is standing by the table and holding a dog. The second woman is sitting next to the mandolin player and reading.
Caspar Netscher
The Music Lesson (Musikalishe Unterhaltung)
1660 – 1670
oil | panel
Gift from the Collection of Mr. & Mrs. Heydon
2011/2.179
This anthropomorphic <em>nkisi</em>, or power figure, stands upright with its head turned 90 degrees to the side. Like many <em>minkisi</em>, this one features a wide range of materials. A long metal chain hangs around its neck and a fiber packet containing medicinal substances is tied across its forehead with its loose ends dangling far below. More fiber is wrapped around its lower torso. The face features a slightly parted mouth and large eyes with attentive, black pupils. Protruding from the figure is a large, prominent belly, upon which is affixed a small horn.  
Vili (Kongo)
Power Figure
1870 – 1880
wood, tukula powder, fiber, metal chain, mirror, animal horn, glass, resin, split cane |
Gift of Candis and Helmut Stern
2005/1.177
A drawing of a woman seeming to lurch to the right, with one knee bent as if beginning to run. Her left arm is draped across front of her body, and her right arm is extended to the left, parallel to the top of the frame.
Abraham Walkowitz
Isadora Duncan
1909 – 1950
pen, watercolor, graphite | paper
Gift of Abraham Walkowitz
1950/1.119
A man with dark hair and dark clothes holds the hands of a smiling woman as they both look down at her feet. A man to the woman&#39;s right wears a straw hat and a shirt printed with a pattern of liquor bottles.
Flip Schulke
Inuit couple learning to dance
1959
gelatin silver print | paper
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
2017/2.275
Metal figural sculpture made of decommissioned AK-47s welded together
Ouk Chim Vichet
Apsara Warrior
1999 – 2009
metal |
Museum purchase made possible by Guy and Nora Barron
2007/2.79
This print shows two figures dancing in front of three musicians by the water with a moon in the sky and reflected in the water. A far away seaside fort is visible in the upper left corner.&nbsp;
Miguel Covarrubias
Afro-Cuban Dancers and Percussionists
1920 – 1940
lithograph | paper
Museum Purchase
1953/2.45
Prentiss Taylor
Macedonia A.M.E.
1934
lithograph | paper
Courtesy of the Fine Arts Program, Public Buildings Service, U.S. General Services Administration Commissioned through the New Deal art projects;Courtesy of the Fine Arts Collection, U.S. General Services Administration, New Deal art project
1935.14
This leaf from a manuscript contains seven lines of Latin text with musical notation. The initial letter, "C," of the opening word "Confessio" is made from a curved vegetal form. The text is preceded by a painted miniature in a circular frame that is, in turn, enclosed by a golden square. The miniature depicts a man with a tonsure and a golden halo standing in a verdant landscape. He holds a palm leaf in his left hand and rests his right hand on a grill. The left and upper margins of the page are decorated with green and pink leaves and flowers and small gold circles.
Ludovico de Gaci
Leaf from a Gradual with St. Lawrence
1489
ink, tempera and gold | parchment
Gift of Ann and Leonard Eaton in appreciation for the excellent teaching of Ilene Forsyth and Marvin Eisenberg
1986/2.85
Bruce Giffin
Music on the Streets of Detroit, from "Detroit Focus 2000"
2000
black and white photograph | paper
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
2003/2.69.14
Thomas Hart Benton
I Got A Gal On Sourwood Mountain
1938
lithograph | paper
Gift of Suzanne Beutler
1980/2.173
A woman playing a musical instrument is shown sested on a bed in an open-air terrace during nighttime. A pavilion is represented behind her, and a horizontal wall connected to the pavilion, consisting of an opening/ door, extends to the left border of the scene. Another female figure, possibly an attendant, is shown sitting on the floor beside the bed, facing her mistress. A short verse is painted above the depicted scene.
Artist Unknown, India, Rajasthan, Jaipur School
Ragamala: Gorhalar Ragini
1795 – 1805
ink and opaque watercolor | paper
Gift of Dr. and Mrs. Leo S. Figiel and Dr. and Mrs. Steven J. Figiel
1980/2.299

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Part of 1 Learning Collection

Who Are We? 
I.B. Unit of Inquiry

Where We are in Place and Time
<p>I.B. unit of inquiry&nbsp;</p>

How We Express Ourselves
<p>I.B. Unit of Analysis&nbsp;</p>

How the World Works
<p>I.B. Unit of Inquiry&nbsp;</p>

How We Organize Ourselves
<p>I.B. Units of Inquiry&nbsp;</p>

Sharing the Planet  
<p>I.B. Unit of Inquiry</p>

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Last Updated

July 12, 2018 12:39 p.m.

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