Advanced Search

K-12 Educator
K-12 Student
Museum Visitor
UMMA Docent
UMMA Staff
University Faculty
University Student
Between and Mortarboard


UMMA Object Specific Fields






Query builder

Fear

Francisco José de Goya y Lucientes
Los Proverbios (also known as "Los Disparates"), plate 2: Por temor no pierdas honor ("Do not lose honour through fear") or Disparate de miedo (Folly of Fear)
1864 – 1900
etching, burnished aquatint and drypoint? | paper
Transfer from the University Library
1949/2.4
Brenda Goodman
Mother Fear Mother Dear
collage | board
Gift of Brenda Goodman in honor of Gertrude Kasle
2008/1.168
Max Klinger
Fears (Ängste), pl. 7 from 'A Glove' (Ein Handschuh), Opus VI
1878 – 1881
etching | off-white wove paper
Museum purchase made possible by a gift from Helmut Stern
1986/1.155.7
In a nocturnal setting, a large crowd of people is corralled into a space encased by a railing.  The figures are in various states of distress and unrest.  
George Wesley Bellows
The Crowd
1923
lithograph | paper
Dr. Herbert & Doris Sloan
2013/2.250
René Magritte
The Terror Stopper (Le Bouchon d'Epouvante), Plate VI from the series "Dawn at the Antipode (Aube à l'Antipode)
1966
etching | paper
Museum Purchase
1968/2.11
A skeleton chasing a woman who is holding on to a piece of clothing that she was wearing, while her bra is also being torn off of her body. The woman has a very scared look on her face as she is trying to get away.
Eli Levin
Skeleton Chasing Woman
etching and aquatint | paper
Gift of Stephen and Bettina Pollock
2012/1.230
Rico Lebrun
Terrified Woman with Child
1947
ink | brown paper
Museum Purchase
1949/2.90
Morris Topchevsky
Refugees
1899 – 1950
lithograph | paper
Gift of Chet LaMore
1950/1.153
A girl and a man standing in front of a dollhouse.
Sally Mann
Untitled
1983 – 1985
gelatin silver print | paper
Gift from the Collection of David S. Rosen MD, MPH
2013/2.159
A nude man and woman at center struggle with one another; a snake and a seated figure are visible in the background. The two central figures with intertwined limbs suggesting a struggle are positioned above a sharp-toothed mammal resembling a fox.
Max Pechstein
The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung)
1921
woodcut with hand-coloring | paper
Museum Purchase
1948/1.430
Francisco José de Goya y Lucientes
Los Proverbios (also known as "Los Disparates"), plate 4: Tras el vicio viene el fornico ("After vice comes fornication") or Bobalicón (Simpleton)
1815 – 1828
etching, burnished aquatint, burin and drypoint? | paper
Transfer from the University Library
1949/2.6
Francisco José de Goya y Lucientes
Here comes the bogey-man (Que viene el coco.)
1799
etching and burnished aquatint | paper
Gift of Kurt Delbanco in honor of Nicholas Delbanco, and partial purchase with the funds from the W. Hawkins Ferry Fund
2008/1.152.3

0 Comments

0 Tags & 0 Keywords

Tags

57 Collection Object Sources

The Crowd (2013/2.250)
Refugees (1950/1.153)
Untitled (2013/2.159)
Beasts at Night (1964/2.28)
The Underworld (1981/2.176)
Underworld (1981/2.177)
The Operation (1965/2.16)
A Dream (1970/1.188)
Juggler (1951/2.62)
Hiroshima Series (1997/1.533.5)
Hiroshima Series (1997/1.533.8)
Hiroshima Series (1997/1.533.1)
Hiroshima Series (1997/1.533.2)
Hiroshima Series (1997/1.533.3)
Hiroshima Series (1997/1.533.6)
Hiroshima Series (1997/1.533.4)
Hiroshima Series (1997/1.533.7)
Marching Women (1948/1.72)
Night Shadows (1983/1.146)
Two Barns (1976/1.203)
Fury (1979/2.2)
Time Split II (1999/1.84)
Untitled (2016/2.196)
Untitled (2014/2.151)

Rate this Resource

AVG: 0 | Ratings: 0

& Author Notes

Creative Commons by-nc-sa

Last Updated

November 7, 2017 1:31 p.m.

Report


Reporting Policy