Visual Adaptations of Literature

Antonio Frasconi
Don Quixote and Rosinante
color woodcut on paper
19 3/16 in x 13 ⅛ in (48.74 cm x 33.34 cm);28 1/16 in x 22 1/16 in (71.28 cm x 56.04 cm);24 ¾ in x 16 9/16 in (62.87 cm x 42.07 cm);20 ⅜ in x 14 ⅛ in (51.75 cm x 35.88 cm)
Museum Purchase
Eugène Delacroix
Death of Ophelia (Act IV, Scene VII); from the series of 16 prints, Hamlet
lithograph on paper
7 3/8 in x 10 1/4 in (18.73 cm x 26.04 cm);13 3/4 in x 20 5/8 in (34.92 cm x 52.39 cm);7 1/4 in x 10 in (18.41 cm x 25.4 cm);18 in x 22 in (45.72 cm x 55.88 cm)
Museum Purchase
Eugène Delacroix
Hamlet et Ophélie (Act III, Scene 1); from the series of 16 prints, Hamlet
lithograph on chine appliqué
9 1/2 in x 7 3/4 in (24.13 cm x 19.68 cm);9 3/8 in x 7 5/8 in (23.81 cm x 19.37 cm);22 3/8 in x 15 3/4 in (56.83 cm x 40.01 cm);28 in x 22 in (71.12 cm x 55.88 cm)
Museum Purchase
This print has rows of stencilled black text in all capital letters on black background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon
Untitled
etching, aquatint, spitbite, and sugarlift on Rives BFK paper
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
This print has rows of stenciled black text in all capital letters on black background. In pencil, the print is signed and dated (l.r.) "Glenn Lignon '92" and numbered (l.l.) "27/45". 
Glenn Ligon; Gregory Burnet
Untitled
etching, aquatint, spitbite, sugarlift on Rives BFK paper
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
A photograph of tin figures in a shallow plane, set against a black backdrop. A woman carries a child across a featureless landscape. 
David Levinthal
Crossing the River
photogravure on paper
17 11/16 in x 20 7/8 in (44.93 cm x 53.02 cm)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
A photograph of two tin figures in a shallow plane, set against a dark, black backdrop. The small figure on the left stands facing the large figure on the right, as the figure on the left points her figure authoritatively.
David Levinthal
Eva and Topsy
photogravure on paper
17 11/16 in x 20 7/8 in (44.93 cm x 53.02 cm)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
A photograph of a tin figure in a shallow plane, set against a black backdrop. Large plants surround the male figure. He holds a large basket on his shoulder, above his head, carrying it and leaning forward, illustrating the burden of the large load.
David Levinthal
In the Cotton Field
photogravure on paper
17 11/16 in x 20 7/8 in (44.93 cm x 53.02 cm)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
A photograph of two toy figures in a shallow plane, set against a black backdrop. The two figures kneel on the ground, flora made of the same tin material on either side of them. The figure on the left reaches out, touching the shoulder of the figure on the right.
David Levinthal
Bidding Farewell
photogravure on paper
17 11/16 in x 20 7/8 in (44.93 cm x 53.02 cm)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
A photograph of a tin figure in a shallow plane, set against a black backdrop. The figure is framed by two large trees in the mid-ground. The figure appears joyful as he jumps and dances into the distance.
David Levinthal
Dancing in the Field
photogravure on paper
17 11/16 in x 20 7/8 in (44.93 cm x 53.02 cm)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
A photograph of two tin figures in a shallow plane, set against a black backdrop, an architecural structure of the same material on the right of the composition. The woman on the left stands, while the woman on the left kneels, looking up at the woman on the right.
David Levinthal
Eva and Aunt Ophelia
photogravure on paper
17 11/16 in x 20 7/8 in (44.93 cm x 53.02 cm)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
A photograph of two tin figures in a shallow plane, set against a black backdrop. They are surrounded by trees made of the same material. On the left, a woman holds a lantern, interacting with the other female figure on the right.
David Levinthal
Planning the Escape
photogravure on paper
17 11/16 in x 20 7/8 in (44.93 cm x 53.02 cm)
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund

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Comparative — by seth@whirl-i-gig.com (February 13 2017 @ 1:09 pm)
Literature — by seth@whirl-i-gig.com (February 13 2017 @ 1:09 pm)
Visual adaptation — by seth@whirl-i-gig.com (February 13 2017 @ 1:09 pm)
Visual narrative — by seth@whirl-i-gig.com (February 13 2017 @ 1:09 pm)
Western culture — by seth@whirl-i-gig.com (February 13 2017 @ 1:09 pm)

65 Collection Object Sources

Untitled (1993/2.13.3)
Untitled (1993/2.13.4)
Crossing the River (2004/2.11.2)
Eva and Topsy (2004/2.11.1)
Bidding Farewell (2004/2.11.3)
The Slave Market (2004/2.11.7)
Untitled (1993/2.13.1)
Europa (1965/2.21)
Noah and the Dove (1960/2.156)
Nayika bathing (1964/2.112)
Faceted bottle (1961/1.182)
Untitled (2010/2.58)

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Last Updated

February 17, 2021 11:31 a.m.

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