Advanced Search

K-12 Educator
K-12 Student
Museum Visitor
UMMA Docent
UMMA Staff
University Faculty
University Student
Between and Mortarboard

UMMA Object Specific Fields






Query builder

How to Use the Query Builder

This is a resource for Stamps School of Art students, especially for Drawing II.

54 Items in this Learning Collection
Marble Seat in Church S. Pietro in Castello/Venice

Collection Object
Doorway to San Gregorio, Venice

Collection Object
Well in Venetian Court Yard

Collection Object
Rome

Collection Object
St. Zeno Verona

Collection Object
Azay le Rideau

Collection Object
Untitled

Collection Object
St. Gilles (from photograph)

Collection Object
Pompeii

Collection Object
Roquebrune

Collection Object
Siena

Collection Object
Venetian Well

Collection Object
Eureaux

Collection Object
Sketches of Wro't Iron work in Nurnberg Museum

Collection Object
La Maison de la Reine Blanche Bourges

Collection Object
Hotel de Ville, Amboise

Collection Object
Pal. Riccardi Florence

Collection Object
Cluny Museum, Paris

Collection Object
Rouen

Collection Object
Braunschweig

Collection Object
Mont Saint-Michel

Collection Object
Angers

Collection Object
Trocadero Museum, Paris

Collection Object
Fauteuil à sespirer pneumatique
At the right of the print, there is a line drawing of a figure seated in a large tufted chair, holding a scepter. There is a crown floating above the figure and there are stars above that. To the lower left, there is a simple drawing of a figure and a sailboat in a landscape.There is a collaged image of a lion at the center below a green tufted chair. To the right of the chair, between it and the large seated figure, is a small landscape with a figure and a cord with a plug at the end, connected to the chair. To the left at the center, there is a monogram of the artist and date. The print is signed (l.r.) and numbered (l.l.) in pencil. 
Collection Object
The Two Stools (Les Deux Tabourets)
Two stools centered in an interior setting with several bottles in the upper right corner.
Collection Object
Studies for a Chair Back

Collection Object
Design for Screen for Andrew O'Connor, Jr., Sculptor

Collection Object
Two Designs for Jewelry
Two vertical designs dominate the drawing. Natural forms such as vines and other vegetal forms create designs that are symmetrical and organized around a central vertical axis.
Collection Object
Designs for Jewelry: A Necklace and Earring

Collection Object
A New Design for TV Chair
This vertical print shows a slick advertising image in the top half with a man and a woman watching an early model television set. The woman is smoking a cigarette. A text box is inserted asking three questions. The bottom half is less slick, simply a diagram and text, some of it in a typewriter font. Text above and below asks about how soon television sets will be widely available in homes and museums. The date 1944 is included in parentheses at the top of the image.
Collection Object
Sketches of Seven Brackets, Two Vases, Two Capitals, a Lectern, Mascaron, Standi
Designs for bases, pitchers, capitals, lecturns, and wall brackets are scattered across the sheet. Most are quickly sketched and elaborate on the theme of scrolling designs.
Collection Object
Sketches from a Window

Collection Object
Ornamental Sketches (recto and verso)

Collection Object
Sketch for the Corner of a Painted Ceiling Decoration

Collection Object
The Museum of Modern Art, Wrapped (Rear), Project for New York
This print includes three seperate images and text.  At the top is a sketch in black ink of the Museum of Modern Art, wrapped in textile, with buildings behind it.  Below is a map of the area in NYC around MoMA and a photograph of MoMA, unwrapped. Handwritten labels and notes are included.
Collection Object
The Gothic Arch, from the 'Carceri'

Collection Object
Carceri d'Inuenzione, Plate V

Collection Object
Views of Rome. 73. So-called Villa of Maecenas at Tivoli. Interior With Two Fig

Collection Object
Charme (Weibliche Anmut)

Collection Object
Arsonist Marionette

Collection Object
Winter

Collection Object
Temple in the Mountains
The composition is a well-established type: a complex of temple buildings is tucked into a mountainside, on the shore of a broad body of water, with mists rising to obscure the distant peaks. The artist provides a path leading from the viewer’s space to the temple. Two travelers go before us, a hooded figure riding a donkey over a rustic bridge, and another man striding along on foot, further ahead. The temple buildings themselves are hidden behind thick foliage, as if protected from the secular world.Here the forms of the rocky outcroppings, the trees, and even the mountains are starkly outlined, and there are strong contrasts of light and dark. These features suggest that this is a work of by a professional Kanô School artist, probably of the seventeenth century.
Collection Object
Expulsion of Adam and Eve

Collection Object
The Mocking of Christ

Collection Object
Lion Attacking a Horse (recto), Study of a Seated Woman in a Landscape (verso)

Collection Object
Love and death (El amor y la muerte)

Collection Object
Elevation and Ground Plan of a Small Temple

Collection Object
Doll's House

Collection Object
Elevation of a Small Domed Church
This drawing presents a frontal view of a small two-story church. The first level has a portico entrance flanked by statues in niches. Above the portico continues into the second level and is surmounted by a pediment. Above the second level is a shallow dome on a low drum.
Collection Object
Stage Set: Courtyards with Staircases
An intricate series of arches, stairs, and balustrades are presented obliquely. The deepest recession into space is at the center of the design. Seen from a low vantage point, the soaring columns and arcades create the illusion of deep space.
Collection Object
Untitled (Structural Constellation drawing)
pen and ink drawing on half inch grid graph paper ruled in blue
Collection Object
City Scene

Collection Object
Rome / San Lorenzo

Collection Object
Palazzo Vecchio Florence

Collection Object

Copyright
All Rights Reserved ()

Winter

Zoom
Accession Number
1961/2.3

Title
Winter

Artist(s)
Matsubayashi Keigetsu

Object Creation Date
Autumn 1922

Medium & Support
hanging scroll, ink and color on silk

Dimensions
56 7/8 in. x 16 5/8 in. ( 144.4 cm x 42.2 cm )

Credit Line
Gift of Yoichi Nakajima

Label copy
Gallery Rotation Fall 2013
Matsubayashi Keigetsu
Japan, 1876–1963
Winter Landscape
Showa period (1926–1989)
Hanging scroll, ink and color on silk
Gift Yoichi Nakajima, 1961/2.3
This romantic idealization of nature draws on the centuries-old tradition of literati (amateur scholar-artist) painting in both China and Japan. For scholars and other members of the intelligentsia, nature was a place of mental refuge, even if it was only encountered through art. In this striking scroll, Matsubayashi Keigetsu, a successful commercial painter in the modern metropolis of Tokyo, presents a dramatic view of a winter landscape. Its high, snow covered mountains and the tall, bare trees offer little solace to the lone traveler making his way through the forest. This painting is a companion to Summer Landscape, in which a scholar bends his ear to the sound of a rushing stream under deep blue-green foliage. When viewed together, the scrolls demonstrate the stark contrasts of the two seasons. The painting is inscribed “Autumn of 1922.”This romantic idealization of nature draws on the centuries-old tradition of literati (amateur scholar-artist) painting in both China and Japan. For scholars and other members of the intelligentsia, nature was a place of mental refuge, even if it was only encountered through art. In this striking scroll, Matsubayashi Keigetsu, a successful commercial painter in the modern metropolis of Tokyo, presents a dramatic view of a winter landscape. Its high, snow covered mountains and the tall, bare trees offer little solace to the lone traveler making his way through the forest. This painting is a companion to Summer Landscape, in which a scholar bends his ear to the sound of a rushing stream under deep blue-green foliage. When viewed together, the scrolls demonstrate the stark contrasts of the two seasons. The painting is inscribed “Autumn of 1922.”
Label from Fall Gallery Rotation, 2013
See commentary for 1961/2.2.

Primary Object Classification
Painting

Primary Object Type
hanging scroll

Additional Object Classification(s)
Painting

Collection Area
Asian

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
Japan
Landscapes
figures in landscape
hanging scroll
mountains
snow
trees
winter

2 Related Resources
Ink and Realisms
(Part of: Artist Associations and Art Movements)
Landscape and Nature, Comparative and Historical
(Part of 3 Learning Collections)

& Author Notes

All Rights Reserved