104 UMMA Objects
Sort by


English
The Chuzenji Lake at Nikko
1850 – 1899
Gift of Margaret and Howard Bond
1995/1.63
Long hanging scroll with printed gold and blue cloth on either side of the image. Image depicts an aged man sitting on a rock holding a relic in his right hand. A halo sits around his head. Above and behind him are waves and more rocks, suggesting he is seated on a rocky outcropping near a mass of water. The colors are heavily faded, though the robe around the man is primarily gold, with green and red accenting.
Japanese (Japanese (culture or style))
Arhat with Reliquary, (one of a pair)
1400 – 1599
Gift of the Hays Family - Frances Blakiston, James Griffith IV, Edward Lukens, and Charles Campbell - in memory of their grandmother, Mary Campbell Hays
2019/2.82

Japanese (Japanese (culture or style))
Cotton Rep
19th century
Bequest of Margaret Watson Parker
1955/1.223

Japanese (Japanese (culture or style))
Vase
20th century
Bequest of Margaret Watson Parker
1955/1.176

Saitō Kiyoshi (Japanese (culture or style))
Katsura Kyoto (I)
1962
Gift of Susan Schlecht
1987/1.150

Japanese (Japanese (culture or style))
Vase
19th century
Transfer from the School of Art and the College of Architecture and Urban Planning.
1997/1.185
Long hanging scroll with gold and blue-green fabric surrounding the image. The image depicts a man seated in a rock cave. There is a ring around his head, and above that is smoke. A pair of red and black sandles are seen in the lower right corner of the image. The man is seated with his hands crossed and is sitting atop what appears to be straw. His robe is a faded yellow-brown with green accenting, and a piece of red along the chest. The robe covers the top of his head.
Japanese (Japanese (culture or style))
Arhat Meditating in a Cave (one of a pair)
1400 – 1599
Gift of the Hays Family - Frances Blakiston, James Griffith IV, Edward Lukens, and Charles Campbell - in memory of their grandmother, Mary Campbell Hays
2019/2.81
An oil painting on canvas, this is an abstract painting predominantly using black and white oil paints. The background appears to be white paint with a black box on the upper half. The two colors are connected by a long black brushstroke down the middle. The brushstroke does not touch the edges of the canvas but instead takes up 2/3 of the canvas length-wise and 1/3 width-wise. 
Sugai Kumi
Cousin du Diable
1963
Gift of Mr. Keith Wellin
1971/2.65

Japanese (Japanese (culture or style))
Plaid Silk in Tan, Brown and Black
19th century
Bequest of Margaret Watson Parker
1955/1.222
In a similar style of 1955/1.96, this painting depicts what seems to be grapes instead of blueberries. This piece has the same gold frame with a cloud design and a thinner gold frame closer to the paper. This piece is far less damaged than the other panel.
Japanese (Japanese (culture or style))
Flowers
17th century
Bequest of Margaret Watson Parker
1955/1.97

Japanese (Japanese (culture or style))
Furo: brazier for heating water in tea kettle (in tea room)
19th century
Bequest of Margaret Watson Parker
1955/1.174
This is an ink painting of two camels. The camels are centered toward the bottom of the hanging scroll with an inscription above it reading right to left (from the viewer's pov). One camel looks off to the right of the page while the other camel behind the first one bows down to the left and appears to be grazing. The main inscription is five lines. To the right at the beginning is a red stamp. At the end on the left is what appears to be a signature and two red stamps. Below the inscription and just above the camels on the left is perhaps another signature with a red stamp. 
Mori Tetsuzan (Tessan)
A Pair of Camels
1800 – 1849
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1986/1.164
xxxx
Loading…