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Part of: Abstract Expressionism (1 resource )

Abstract Expressionism

Copyright
All Rights Reserved
Created by
Aidan Michael Alcocer
Last Updated
May 25, 2022 1:42 p.m.

1 Item in this Learning Collection
Untitled

Collection Object
Mod/Con Ideas

Copyright
All Rights Reserved
Created by
Sean Joseph Kramer
Last Updated
May 25, 2022 1:42 p.m.

17 Items in this Learning Collection
Still Life with Apples (Nature Morte aux Pommes)
A bowl containing apples rests in the center, flanked by two conical drinking cups.
Collection Object
Landscape of Quito
This horizontal format painting is done in shades of light and dark gray, cream and yellow. With abstracted forms it depicts jagged mountains sihouetted against a cloudy sky. In front of these mountains there are rolling hills and geometric forms that suggest a cityscape. In the foreground there are more mountain peaks.
Collection Object
Northern Summer Window
A vase with flowers sits before a window, between two books that lie on a table, and framed by open red curtains. The landscape outside the window shows a blue cloud sky above a body of water.
Collection Object
Boy with Red Kerchief
A shirtless boy sits wearing blue pants with a red kerchief on his head.
Collection Object
Street Scene
This is a brightly colored oil painting of a street scene. Buildings are depicted in pink, yellow, and white.  A lavender and blue sky with white and yellow clouds makes up the background. Two women stand in the lower left corner; another woman and a black dog are seen on the right side. The ground is made up of patches of white, yellow, pink, and blue.  Thick black outlines are used throughout and the paint has been applied in a very thick and factured manner. Traces of newspaper appear to have been laid on the painting while it was still wet and became stuck and are visible in the clouds at the top and in the white portion of the central building, just under the street lamp.
Collection Object
Configurations

Collection Object
Grey Landscape
This oil painting has an abstract composition at the lower right with clusters of white patches against a black and deep blue background. The painting is signed and dated (l.c.) "Raza '63".
Collection Object
Untitled
A hexagonal canvas with multi-colored lines breaking the surface into three individual, identically-sized sections. Two of the sections are primarily green and one is primarily gray. 
Collection Object
Untitled Cube
A framework three-dimensional cube sits at an angle so that one of its corners appears to protrude from the center of the piece. The cube is gray, with dark gray shading on the shadowed edges, and dark and light yellow shading on the lit edges. The canvas is cut to the dimensions of the cube.
Collection Object
The Couple in Raccoon Coats
This is a photograph of an African American couple. A man sits inside his car, while a woman stands just outside, as if she is about to sit in the passenger seat. They both wear large raccoon coats. 
Collection Object
Model
A studio portrait of a young African American woman in 1920s apparel, including a short hairstyle, stockings, necklace, and dress. She stands with her left leg resting on a bench with her right arm akimbo.
Collection Object
Girl, Door, Sea, from "Déja Vu"

Collection Object
Afro-Cuban Dancers and Percussionists
This print shows two figures dancing in front of three musicians by the water with a moon in the sky and reflected in the water. A far away seaside fort is visible in the upper left corner. 
Collection Object
Lonesome Road
This is a print of an African American man in a mule-drawn wooden cart. There is a yew tree in the cart, behind the man. The man wears a white shirt with the sleeves rolled up, dark pants, and a cap. The road is empty, with fields surrounding the road. There is a wooden church in the background with a tall cross in the ground beside the church.
Collection Object
Mine Strike
Two shadowed figures with weapons on the left face a group of four figures, in the light, on the right. Of the four, one is holding a sign and another is lying on the ground. Smoke from a fire billows in the background alongside industrial machinery.
Collection Object
I Got A Gal On Sourwood Mountain

Collection Object
Untitled

Collection Object
1 Item in this Learning Collection
Untitled

Collection Object

Copyright
All Rights Reserved ()

Untitled

Accession Number
1972/2.387

Title
Untitled

Artist(s)
Jackson Pollock

Object Creation Date
1944-1945

Medium & Support
engraving and drypoint on heavy white Italia wove paper

Dimensions
20 in x 13 ¾ in (50.8 cm x 34.92 cm);18 ⅛ in x 22 3/16 in (46.04 cm x 56.36 cm)

Credit Line
Gift of Professor and Mrs. Otto Graf, supplemented by funds from the Friends of the Museum of Art, in honor of Charles H. Sawyer, 1972/2.387

Label copy
Best known by his nickname "Jack the Dripper," a reference to his paint-dripped and paint-splashed canvases of the late 1940s and early 50s, Jackson Pollock began as a student of American Realist painter Thomas Hart Benton. Pollock, however, did not find satisfaction in this manner of representation, which Benton used to celebrate American themes such as farmers, sharecroppers, and urban life. Pollock was drawn to certain tenets of the Surrealist school of thought, relying more on the unconscious or subconscious as a source of imagery. In this way, his work of this period bears certain similarities to the work of Arshile Gorky and Paul Klee, among others.
Untitled represents one of Pollock's only forays into etching and engraving. Although some works in his printing experiments are closely related to Surrealism in the style of Joan Miró, this particular image relates to work Pollock was doing in his paintings at this time. Abstracted sculptural forms in lighter values stand in contrast to dense, dark backgrounds. In both his paintings and this print, Pollock's forms are immersed in their environment. Their curvilinear outlines are constantly rising and falling, creating an animated pattern coursed by the viewer's eye. Pollock's passion for line was to become an increasingly important factor in his work of the next few years.
Sean M. Ulmer, University Curator of Modern and Contemporary Art, on the occasion of the exhibition The New York School: Abstract Expressionism and Beyond, July 20, 2002 – January 19, 2003

Primary Object Classification
Print

Collection Area
Modern and Contemporary

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
abstraction
modern and contemporary art

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All Rights Reserved