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15 UMMA Objects
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Wooden mask with a superstructure of curling horns with blue pigment. The face of the mask is white and the mouth is open with pointed teeth. Attached below the mouth is a panel of fur, possibly monkey fur. The forehead is dark in color while there is blue pigment above each eye. On each side of the head are possible animal figures or horns, while atop the forehead sits another set of horns or hairstyle that points downward, carved with a spiral design. 
Igbo (Igbo (Southern Nigerian style, culture))
Mask
1900 – 1978
Gift of Mr. and Mrs. Robert T. Weston
1978/2.14

Kissi
Pomdo Figure
1900 – 1978
Gift of Mr. and Mrs. Robert T. Weston.
1978/2.16
Circular tsuba, made of iron. It has two holes in the middle. Two figures, Kanzan and Jittoku, are carved on the lower right corner. Kanzan, who holds a scroll on his hand, and Jittoku, who holds a bloom stick and pointing to the sky, are looking upward. The two figures are carved slightly higher than the surface. On the back, there is the moon partially obscured by clouds. Gold and silver alloy inlays are applied to the moon and the clouds. Gold is also inlayed in their eyes, parts of the garments, and Kanzan's scroll. Shakudô (copper-gold alloy) is inlayed in Jittoku's bloom and his jacket collars.
Japanese (Japanese (culture or style))
Tsuba (sword guard) with design of Kanzan (Chinese, Han Shan) and Jittoku (Chinese, Shihde), two Zen eccentrics
1700 – 1732
Gift of Mr. and Mrs. Robert T. Weston
1978/2.5
It is a round, openwork iron tsuba, in the design of three interconnected irises. The two holes are plugged with gold.
Japanese (Japanese (culture or style))
Tsuba (sword guard) with iris design
1775 – 1785
Gift of Mr. and Mrs. Robert T. Weston
1978/2.8
This small, flat metal piece has a quartrefoil shape. Three holes in the middle. Some chips can be seen around the center hole, which mended with silver and copper. A samurai on horseback is charging into the sea from steep hill; he is wearing a helmet, armor, and sword, and holding a fan. A pine tree is standing on the samurai’s right side; there are rocks and bamboo grass by the ocean. The motifs of the ocean, pine tree, bamboo grass and rocks also appear on the reverse side. Gold and some silver and copper inlays are applied on pine branches, samurai's helmet, horse's mane and bridle, bamboo grass on the shore, and spray from waves.
Harunori
Tsuba (sword guard) with inlaid design of samurai on horseback at the shore
18th century
Gift of Mr. and Mrs. Robert T. Weston
1978/2.2
This small, flat metal piece has a circular shape and an openwork design. It has a triangular shaped sword hole in the center, flanked by two other holes, which are filled with shakudô (copper-gold alloy). The sword hole is mended with gold. Three crests, consisting of pawlownia leaves and flowers, are interconnected with vines. There are some abrasions on the center oval shape around the sword hole. The surface is slightly textured by minute stippling. The outer rim is slightly elevated from the inner design. This openwork carving technique is called "marubori" (round carving).
Kinai School
Tsuba (sword guard) with design of three pawlownia crests and vines
1745 – 1755
Gift of Mr. and Mrs. Robert T. Weston
1978/2.4
Standing male figure on a round base with its hands at the sides and a triangular pendant on the front and back of the chest. The pendant is also on the sides of the hair, which is tall, topped by two small triangles, and coated in blue pigment. 
Yoruba (Yoruba (culture or style))
Male twin figure
1900 – 1978
Gift of Mr. and Mrs. Robert T. Weston
1978/2.15

Japanese (Japanese (culture or style))
Tsuba (sword guard) with design of Kanzan (Chinese, Han Shan) and Jittoku (Chinese, Shihde), two Zen eccentrics
1615 – 1868
Gift of Mr. and Mrs. Robert T. Weston
1978/2.9
This small, flat piece made of light brown brass (called "sentoku" in Japanese) has a round diamond shape. It has a triangular shaped hole in the center and another round hole on one side. Artist’s name is signed between the two holes. The surface is slightly concaved from the rim. The front has relief design of a shrimp, blowfish, and bamboo branch. On the back, there are designs of a spiral shell, a barnacle, and water drops. The sea motifs are inlayed with gold, silver, copper, and shakudô (copper-gold alloy).
Seishinsai
Tsuba (sword guard) with design of blowfish, shrimp and plant
19th century
Gift of Mr. and Mrs. Robert T. Weston
1978/2.3
The flat iron plate with quatrefoil shape and the design of a dragon in midst of clouds. It has three holes: one for blade (middle) flanked by two deformed oval-shape holes (for kougai and kozuka). Around the blade hole, there is the carver’s signature. The design of a dragon, among stylized clouds, is intricately carved in high relief; the dragon has almost three-dimensional quality. On the back, the dragon tail, some parts of the body, one claw are peeking from clouds. The dragon coils around the center holes. The rims of the three circles are wavy, as if they are the part of the cloud design. The stoppers on the blade hole edges are made of gold. Some silver inlays are applied on the dragon’s eye blow and some nails.
Okada Masatoyo
Tsuba (Sword guard) with design of dragon among clouds
19th century
Gift of Mr. and Mrs. Robert T. Weston
1978/2.6
Circular tsuba, made of iron. Inside an exterior circle, eight smaller circles are placed with the same spacing. The eight circles are connected to the exterior circle as well as to the three center holes where kôgai, blade, and kozuka are placed. Each of the eight circles have a different family crests. The openwork technique seen here is called "marubori" (round carving). The surface is slightly textured by minute stippling.
Japanese (Japanese (culture or style))
Tsuba (sword guard) with eight family crests
19th century
Gift of Mr. and Mrs. Robert T. Weston
1978/2.7
The flat iron plate with quatrefoil design. It has three holes: one for blade (middle) flanked by oval-shape hole (for kougai) and oval with bump shape (for kozuka). Chrysanthemums, autumn grass and a rock are carved on lower-right side; a butterfly is descending toward the flowers. Gold inlays are applied to the flowers, grass, part of the rock, and butterfly. The surface is finely granulated by etching (“ishime-ji”).
Japanese (Japanese (culture or style))
Tsuba (sword guard) with chrysanthemum and butterfly design
18th century
Gift of Mr. and Mrs. Robert T. Weston
1978/2.11
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