Advanced Search

K-12 Educator
K-12 Student
Museum Visitor
UMMA Docent
UMMA Staff
University Faculty
University Student
Between and Mortarboard


UMMA Object Specific Fields






Query builder

You are free to choose any work from this course-specific collection of surrealist art from UMMA as the subject for your third essay (Visual Analysis).  You can also search through the UMMA Exchange to find a different work to analyze for your paper -- but in this case, please check in with me first about your intentions.

We will spend some time in class Wednesday, Sep. 30 reviewing and discussing some of the works from this collection, so please come to class with specific observations, questions, and/or reflections in mind to contribute to our conversations.


59 Items in this Learning Collection
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object
Collection Object

Copyright
All Rights Reserved ()

Cradles in the Sea

Accession Number
2003/2.82

Title
Cradles in the Sea

Artist(s)
William Moore; Christian Burchard

Object Creation Date
2002

Medium & Support
patinated copper, madrone burl

Dimensions
13 3/4 x 6 x 4 1/2 in. (34.9 x 15.2 x 11.4 cm)

Credit Line
Gift of Robert M. and Lillian Montalto Bohlen

Label copy
In Cradles in the Sea, William Moore and Christian Burchard experiment with combining wood and copper in a seamless union of materials exposing the depth of human imagination. Moore’s carefully patinated copper, joined with Burchard’s extremely thin gourd-like wooden forms, creates a piece evocative of a fantastic sea creature or plant: alive, appearing to dance on its long tapering stems. The assembled piece is surreal and whimsical, but nonetheless retains a strong rational form. It is alluring because it seems to belong to a world separate from ours. Despite its alien nature, it remains familiar.
Receiving degrees from the University of Michigan, William Moore has spent many years exploring the sculptural potential of the vessel form, often using a combination of wood and non-ferrous metal turned on the lathe. Both the form and choice of materials play a role in the reception of the piece created. Christian Burchard has been working with Pacific madrone burl for several years. He likes the way it changes when it dries, allowing the wood to “find its own shape.” The resultant form is often warped, creating “attitude, gesture, and, when grouping these shapes together, relationships.”
from the exhibition Nature Transformed: Wood Art from the Bohlen Collection, June 12 – October 3, 2004

Primary Object Classification
Sculpture

Collection Area
Modern and Contemporary

Rights
If you are interested in using an image for a publication, please visit http://umma.umich.edu/request-image for more information and to fill out the online Image Rights and Reproductions Request Form.

Keywords
fantasy (imagination)
vessels (containers)
wood (plant material)

& Author Notes

All Rights Reserved