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W19 Lindtner - SI 699 - User Experience and Design

This print has two main sections. At the top is a large photograph of three salad-filled cabbage bowls on a tablecloth. Each one is labeled (clockwise from top left): seafood coleslaw, cottage cheese coleslaw, and california coleslaw. The lower section is flanked at the top and bottom with bands of checkers and polkadots, and at the center there are five images of women, standing in contemporary dress.
Sir Eduardo Paolozzi
Mumbling and Munching to Muzak
1965 – 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.21
This colorful print is broken up in to four panels, which are divided by a black border with white dashes and then surrounded by a red border, which includes designs in white. In the upper left panel is the image of a blue and yellow house. The upper right shows a television set sitting on a table alongside a glass of milk, a key ring, notepad, plate, and cell phone. In the lower left panel, the bust of a girl with blonde hair in pig-tail braids is standing in front of two houses, one traditional and one modern. The lower right panel depicts an orange, yellow, and red store labeled "Shop and Buy" with a parking lot out front. The artist's initals are included in the print (l.r.) in white on red "RG".
Rodney Alan Greenblat
Christina's World
1989
screenprint | paper
Gift of Jack A. and Noreen Rounick
2004/2.42
This print is a colorful image of a sink filled with green water. At the center, there is a miniature boat that floats in the water. On the counter-space of the sink at the back, there sits various toiletries such as mouthwash, perfume, toothbrushes, and a razor. Almost out of the frame, a red washcloth hangs off the left edge of the sink. The print is signed (l.r.) "Doug Webb" and numbered (l.l.) "AP 24/75" in pencil.
Doug Webb
Urban Daydream II
1985
screenprint | paper
Gift of Jack A. and Noreen Rounick
2005/1.415
On a vertically-oriented page, with printed image extending to the borders of the page, there are various scenes and images combined together. There are two main registers. On the bottom, there is a collaged image of a woman putting on lipstick at the beach, and the rear end of a classic car to the right. To the left, there are two smaller frames: on top there is an urban street scene collaged with demolished cars, and on the bottom there is a single scene of a fashion office orstudio with three women. In the top register, there are four main frames. On the right, the largest scene in the print, there is an image of a soldier with a handgun collaged with an image of a small child with a soldier's helmet on his head. The boy holds a bucket. To the left, there are three smaller images, each showing a man and a woman in varying degrees of fancy dress. The overall scene is printed in a vibrant orange color.
Sir Eduardo Paolozzi
Pig or Person, it's the same, Fortune plays a funny game
1965 – 1970
photolithograph | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.34
Roy Lichtenstein
Sandwich and Soda, from "Ten Works + Ten Painters"
1964
screenprint | mylar
Gift of Graham and Marianne Smith
1986/1.194.7
This is an image of a woman at a food stand beneath a suspended sign in the shape of a pretzel.
Joel Meyerowitz
Pretzel Seller, Janet
1984
chromogenic print | paper
Gift of Thomas Wilson '79 and Jill Garling '80;Gift of Jill Garling (BBA '80) and Thomas Wilson (BBA '79), 2015/2.102
2015/2.102
Henri Meunier
Rajah
1897
color lithograph | paper
Donated by Ingrid Hendrickx
1981/2.79
This mixed media collage consists of a long skein of yarn of varying colors attached at point A at the top of the print, creating a jumbled mass of yarn below and exiting at point C, also at the top of the canvas.
Buky Schwartz
Line A-C
1971
mixed media, wool | canvas
Gift in honor of Dr. E. Bryce and Harriet Alpern, by their children
2012/1.220
Elliott Erwitt
Felix, Gladys and Rover, New York City, from "Master Prints Volume I"
1974
gelatin silver print | paper
Gift of Mr. and Mrs. Sheldon Sobel
1987/1.194.4
Elliott Erwitt
Wilmington, North Carolina, from "Master Prints Volume II"
1950
gelatin silver print | paper
Gift of Mr. Clayton E. Wilhite
1987/1.253.6
This screenprint has a series of horizontal lines in pink, orange, green, grey, tan, black, and blue. At the top, there is a grid design in black, tan and white. There is a band of figures at the bottom with images of Mickey and Minnie Mouse. Below, there is a band of colored hexigons and a band of dark pink with white text, which reads: "horizon of expectation". The problem 'Which comes first, the solid. The fashioning power, that has not contained in R*. In the first case we choose Z for A and thus get R* = B. In the second case we may also write the second line in the form (2<em>ˆ</em>1) Z T1, ..., from the dialectical usage. / almost an example of painted philosophy. Thus, the result of these pictures we can carry on a dialogue. fore T = ASi. Consequently the order of B is Zb, half of its operations are proper forming the group T the other half are improper, the coloring serves the visualization of form. The / colored border unconscious expectations, these CtT(a) + CtF(a) = Ct(a) no ve ní, vune ne vea ní.
Sir Eduardo Paolozzi
Horizon of Expectations
1967
screenprint | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.11.3
A mixed media assemblage consisting of welding goggles, rusted metal, a padlock, and two rusted bells hanging from a chain mounted on a wooden board with screws. The position of the objects, with goggles at the top, makes the assemblage look vaguely face-like.
George Vargas
Michigan Worker
1985
welding goggles, metal, hanging bells, rusty bottle cap, pulleys, chains, padlock | plywood
Gift of the artist
2004/1.153

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Last Updated

January 15, 2019 7:43 p.m.

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