PAST - Musculoskeletal Anatomy

On display in Study Cases D, E, F, and G for MOVESCI 230 - Musculoskeletal Anatomy, W18 Gross

Bartolommeo da Brescia
etching and engraving on paper
10 ⅝ in x 7 11/16 in (26.99 cm x 19.53 cm);19 7/16 in x 14 ⅜ in (49.37 cm x 36.51 cm)
The Paul Leroy Grigaut Memorial Collection
Giuseppe Scolari
The Dead Christ Supported by an Angel
woodcut on paper
18 ⅛ in x 12 3/16 in (46.04 cm x 30.96 cm);18 ⅛ in (46.04 cm);x 12 3/16 in x 30.96 cm
Museum Purchase made possible by the Friends of the Museum of Art
This study of a male nude set within a niche combines a skilled portrayal of anatomy with a powerful evocation of movement and emotional intensity. Through the carefully rendered arms and swirling draperies the artist expands and animates the space around the figure, who seems to surge forward even as he turns his head back in a gesture of despair.

Study of a Male Nude with Floating Drapery
pen, brown ink and gray wash on laid paper
12 1/2 x 7.9 in. (31.59 x 20.16 cm);12 1/2 x 7.9 in. (31.59 x 20.16 cm);19 1/4 x 14 3/8 in. (48.89 x 36.51 cm)
Museum Purchase
A muscular figure surrounded by an aureole of light steps down from a plain rectangular tomb. Six soldiers, depicted in a variety of complex postures, recoil from the figure in shock.
Marten van Heemskerck
The Resurrection
etching on laid paper
8 3/8 x 5 9/16 in. (21.2 x 14.1 cm);19 3/8 x 14 3/8 in. (49.2 x 36.5 cm)
Museum Purchase made possible by the Friends of the Museum of Art
James Anderson
albumen print on paper
7 3/4 in x 10 1/4 in (19.6 cm x 26 cm);14 5/16 in x 19 5/16 in (36.35 cm x 49.05 cm);10 3/16 in x 7 13/16 in (25.9 cm x 19.9 cm);9 13/16 in x 7 13/16 in (24.9 cm x 19.9 cm)
Transfer from the Kelsey Museum of Archaeology
Hendrick Goltzius
Pietà (The Lamentation of the Virgin)
engraving on thick slightly textured cream laid paper
8 3/4 x 6 3/16 in. (22.2 x 15.7 cm);19 5/16 x 14 5/16 in. (48.9 x 36.2 cm)
Museum Purchase made possible by the Friends of the Museum of Art
A nude man seen from behind raises a staff to ward off the blow of a standing female figure, also with a staff. The woman's swing is directed to two seated figures at the lower left: a nude woman and a satyr. In the distance is an elaborate gated city and landscape.
Albrecht Dürer
engraving on paper
12 1/2 x 8 3/4 in. (31.59 x 22.07 cm);22 1/8 x 18 1/8 in. (56.2 x 46.04 cm)
Gift of Jean Paul Slusser
At the center of this densely detailed print stands a male figure, nude except for a loincloth, with his hands tied behind him to a column. He is encircled by a crowd of figures, including three men who beat him with whips, switches, and fists. A fourth figure leers at him grotesquely, while another sits on the ground with his feet against the column and pulls the ropes holding their victim. Another figure, wearing elaborate armor, kneels in the foreground as he prepares his switches. Onlookers, some wearing elaborate turbans and robes inspired by Turkish clothing, stand behind the torturers. A crown of thorns sits in the lower right corner and a small dog appears in the center foreground next to the artist's initials.
Albrecht Dürer
The Flagellation (Large Passion Series)
woodcut on paper
15 3/10 in x 10 15/16 in (38.89 cm x 27.78 cm);22 1/16 in x 18 in (56.04 cm x 45.72 cm)
Museum Purchase
Jusepe de Ribera
St. Jerome Reading
etching on paper
7 5/8 in. x 10 in. ( 19.4 cm x 25.4 cm )
Gift of Jean Paul Slusser
Jusepe de Ribera
St. Jerome
etching on paper
12 5/8 x 9 5/8 in. (32.07 x 24.45 cm);19 x 14 in. (48.26 x 35.56 cm)
Museum Purchase
Raymond Lafage
Self Portrait with Allegorical Figures
etching on paper
12 1/2 in. x 9 7/16 in. ( 31.7 cm x 24 cm )
Museum Purchase


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January 29, 2020 12:17 p.m.


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