Power FigureArtist(s)ZandeArtist NationalityZandeObject Creation Datecirca 1910Medium & Supportwood, pigment, woven fiber, beads, and metalDimensions
4 5/16 in x 2 in x 1 3/16 in (11 cm x 5 cm x 3 cm)Credit LineGift of Candis and Helmut SternLabel copySubject matter
figure is attributed to the Zande, a North Central African group who today live in the Democratic Republic of the Congo, South Sudan, and the Central African Republic. Yanda
figures are named after the protective spirit of the Mani
secret society, an association admitting male and female members that was first established in the northern Congo basin toward the end of the nineteenth century to counter the authority of royal chiefs and later Belgian colonialists, both of whom, in turn, viewed it as a subversive cult. The society’s activities were significantly curtailed by the colonial administration in the early twentieth century.
figures are small carvings made of wood, terracotta, or soft stone and can be male, female, and zoomorphic. Six types of yanda
figures have been identified; this one is a nazeze
-type characterized by its highly abstract, schematic style and minimal physical features.
figures were believed to be imbued with the power to protect against illnesses, infertility, and malevolent forces as well as to ensure societal harmony and success in hunting and fishing. The operators of Mani lodges, bandakapa
consecrated and activated yanda
figures by applying libele
, a plant mixture, to its surface. Sometimes, medicinal substances would be placed inside a cavity in the figure’s abdomen. A yanda
figure would be concealed in a special receptacle and brought out whenever a member sought its assistance in fulfilling a particular need. While disclosing the problem to the yanda
, the petitioner would anoint it with libele
. Upon the successful resolution of the issue, the member would gift the yanda
with beads, rings, coins, or other similar decorative accessories. Thus, the yanda
would change over time through the additive encrustation of libele
as well as the votive offering of various adornments, reflecting the dynamic usage of these figures.
Cornet, Joseph. A Survey of Zairian Art: The Bronson Collection
. Raleigh: The North Carolina Museum of Art, 1978.
A History of Art in Africa
. 2nd Edition. Eds. Monica Visona, Robin Poynor, and Herbert Cole. Upper Saddle River, NJ: Pearson Education, Inc., 2008.
Felix, Marc Leo. 100 Peoples of Zaire and Their Sculpture: A Handbook
. Brussels: Zaire Basin Art History Research Foundation, 1987.
“Figure (nazeze-type of yanda).” Dallas Museum of Art.<<https://www.dma.org/collection/artwork/african/figure-nazeze-type-yanda
Accessed: August 1, 2016.
Maurer, Evan M. and Niangi Batulukisi. Spirits Embodied: Art of the Congo, Selections from the Helmut F. Stern Collection
. Minneapolis: The Minneapolis Institute of Arts, 1999.
This wooden figure depicts a standing female whose upper body is wrapped with woven fiber and metal rings, while multi-colored beads and metal objects including clips, a pendant, and a smaller ring dangle from her ears. Arms, facial details, a coiffure, and defined toes are not present.
Primary Object Classification Sculpture Primary Object TypefigureCollection AreaAfricanRights
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