Toggle navigation
About
User Guide
Resources
My Exchange
Register
Login
UMMA Home
Advanced Search
|
Query Builder
|
Login
New Resource
New Collection
Close
Advanced Search
Item Type
All
Learning Collection
Resource
UMMA Object
Title
Keywords
Created For
K-12 Educator
K-12 Student
Museum Visitor
UMMA Docent
UMMA Staff
University Faculty
University Student
Rating
Between
0
1
2
3
4
5
and
0
1
2
3
4
5
UMMA Object Specific Fields
Style, Group, Movement
Any
Abstract Expressionism
Abstract Expressionism, Second Generation
Abstraction-Création
Academicism
Aesthetic Movement
African-American Contemporary
American Impressionism
American Modernist
Art Brut
Art Deco
Art Informel
Art Nouveau
Barbizon School
Baroque
Bauhaus Modernism
Biomorphic Abstraction
Blanc de Chine Ware
Bombay Progressive Artist's Group
Cass Corridor
Cizhou Ware
Cobra
Color Field Painting
Conceptual Art
Constructivism
Contemporary Art
Cubism
Dadaism
Der Blaue Reiter
Die Blaue Vier (The Blue Four)
Die Brücke Group
Early Modernism
Earthwork
Existentialism
Expressionism
Fauvism
Feminism
Fluxus
Folk Art
Futurism
Geometric Abstraction
German Expressionism
Gothic
Group f/64
Gruppo Origine
Gruppo Spaziale
Gruppo degli Otto
Hispano-Moresque
Ilkhanid
Ilkhanid
Impressionism
Independent Group
Islamic
Jainism
Jian Ware
Jun Ware
Kangra Painting
Kano School
Kashan Style
Kinetic Art
Kotah School
Kraak Ware
Les Nabis
Liga de Escritores y Artistas Revolucionarios
Longquan Ware
Luminism
Magic Realism
Mannerism
Medieval
Mexican Muralism
Miniature
Minimalism
Modernism
Naturalism
Neapolitan Baroque
Neo-Dada
Neo-Expressionism
Neo-Impressionism
Neo-Plasticism
Neoclassicism
Neue Sachlichkeit
New Vision Photography
New York School
Northern Renaissance
Northwest School
Nouveau Realism
Op Art
Outsider Art
Paintants
Photo-secession
Photojournalism
Pictorialism
Picturesque Style
Pop Art
Post-Black
Post-Impressionism
Post-Minimalism
Post-Painterly Abstraction
Postmodernism
Primitive Art
Process Art
Proto-pop
Qingbai Ware
Rajasthani Painting
Rajput/Rajasthani Painting
Realism
Regionalism
Renaissance
Rococo
Romanticism
Safavid Art
Samanid Pottery
Sancai Ware
School of Paris
Scuola Metafisica
Secession
Seljuk Pottery
Situationist International
Social Realism
Sociedad Mexicana de Grabadores
Soviet Nonconformism
Suprematism
Surrealism
Symbolist Movement
Sōsaku-hanga
Taller de Gráfica Popular
Tonalism
Ukiyo e Genre
Venetian Mannerism
Visionary Art
Washington Color
Yixing Ware
Yue Ware
Zen
graffiti
Collection area
Any
african
asian
inuit
modern and contemporary
photography
western
Medium
Support
Classification / Object Type
Any
abstract
abstract landscape
abstract sculpture
accessory
adze
altarpiece
animal
animal figure
appliqué
apron
architectural drawing
architectural element
architecture
armlet
arms and armor
arrowhead
artist's book
artist's proof
assemblage
ax
axe
bag
banner
bas-relief
basin
basket
basketry
bead
beadwork
beaker
bell
belt
bench
biblical
black and white print
blanket
block
block printing
body ornament
book
bottle
bound work
bowl
box
box for tea caddy
bracelet
brazier
brick
brocade
brush
brush holder
buddhist sculpture
bust
cabinet
cache-sexe
calligraphy
cancellation proof
candlestick
cap
caricature
cartoon
carving
casting
ceramic
chair
chandelier
charger
chest
chiaroscuro woodcut
chisel
cityscape
clock
cloth
coffee service
coin
collage
color
color print
comb
computer drawing
contact print
container
costume and costume accessories
creamer
crewelwork
crown
cup
currency
dagger
decorative arts
design
design plan
desk
device
direct metal sculpture
dish
doll
door
drawing
drum
earthworks
embroidery
enamelware
ewer
fan
fan painting
fiber art
fibula
figure
figure in landscape
figure painting
film still
flask
flower
folding fan
folio
fork
found object
fragment
funerary jar
funerary sculpture
furniture
furniture and furniture accessories
futon cover
gaming piece
genre
gesture drawing
glass
goldweight
grille
hairpin
halberd
hand warmer
handle
handscroll
handwritten certificate
hanging scroll
haori
har
hat
head
headdress
historiated initial
historical
incense burner
incense container
ingot
ink print
inkwell
installation
installation art
instrument
intaglio print
jacket
jar
jar with lid
jardiniere
jardinière
jewelry
kettle
keyboard instrument
kimono
knife
knife sheath
lacquer
ladle
lamp
lamp shade
lamp stand
landscape
leaf
lid
life drawing
light fixture
line drawing
lock
mandala
manuscript
map
maquette
marionette
mask
medallion
metalwork
michiyuki
miniature
minkisi
mirror
mixed media
mobile
model
modeling
monotype
mosaic
mural
musical instrument
narrative painting
narrative relief
necklace
netsuke
niello
nude
obi
obi brooch
obi cord
okimono
outdoor sculpture
painted
painting
panel
panel painting
pedestal
pedestal bowl
pendant
percussion instrument
perfumer
personal accessory
personal adornment
photo-mechanical
photograph
picnic
pillow
pin
pipe
pipe holder
pitcher
planographic print
plants
plaque
plate
portable icon
portrait
post
poster
pot
pouch
powder horn
prayer wheel
preparatory drawing
presentation drawing
print
printing block
puppet
puppets
purse
quilt
raincoat
relief
relief print
rendering
ring
ritual figure
ritual object
ritual painting
robe
roof tile
rubbing
rug
saggar
saucer
scabbard ornament
scoop
screen
scroll container
sculpture
seal
seascape
self-portrait
serving set
serving utensil
shadow puppet
shaped canvas
shard
shawl
sheet
shelf
shoe
silhouette
silver
sketch
skirt
slipper
smoking pipe
snuff bottle
sofa
spearhead
spoon
staff
stamp
stand
statue
steamer
stereoscope viewer
still life
stole
stool
stringed instrument
study
stupa
sugar bowl
sugar caster
suit of armor
surplice
sword
sword guard
sword rack
tabi
table
tankard
tapestry
tea accessory
tea bowl
tea caddy
tea caddy pouch
tea container
tea cup
tea service
teapot
textile
thangka
theorem
three-tone drawing
thumbnail sketch
tie
tie-dyeing
tile
tone drawing
tracing
tray
tree
triptych
ukiyo e
unbound work
undergarment
unmounted scroll
utensil
vanitas
vase
vessel
video
water dropper
water jar
water vessel
whistle
wind instrument
window
wine jar
wood and woodcarving
working drawing
works on paper
zodiac figure
Artist/Maker
Artist Maker Nationality
Any
Acoma
African (general, continental cultures)
Akan (culture or style)
American (North American)
Argentine
Armenian (modern)
Arusi
Asante
Asian
Assiniboin
Australian
Austrian
Bamana
Bamileke
Baule (culture)
Belgian (modern)
Belorussian (culture or style)
Bembe (Kongo)
Bijogo
Botswana (national)
Brazilian
British (modern)
Bulgarian (culture or style)
Bwende
Bété (Kru-speaking culture)
Caddo
Cameroonian
Canadian
Chamba (Nigerian)
Chilean
Chinese (culture or style)
Chokwe (culture or style)
Colima
Congolese (Democratic Republic of Congo culture)
Congolese (Republic of the Congo culture)
Cuban
Czech (culture or style)
Danish (culture or style)
Deccani
Dogon (culture or style)
Dondo
Dutch (culture or style)
Edo (African culture)
Ethiopian Orthodox
Ewe (Guinea Coast style)
Fang (culture or style)
First Nations (culture)
Flemish (culture or style)
Fon (culture or style)
French (culture or style)
Fulbe
Gallo-Roman
German (culture or style)
German (culture, style, period)
Ghanaian
Grebo
Greek (modern)
Guatemalan
Guro
Guyanese
Haida (culture or style)
Haitian
Hemba (culture or style)
Holo
Hopi (culture or style)
Hungarian
Ibibio
Idoma
Igala
Igbo (Southern Nigerian style, culture)
Indian (South Asian)
Inuit (Canadian Arctic Native style)
Inupiaq
Iranian
Israeli
Italian (culture or style)
Japanese (culture or style)
Kamba
Khmer (general)
Kongo (culture or style)
Korean (culture or style)
Kuba (Democratic Republic of Congo style)
Kusu (Luba region style)
Kwese
Lakota (culture or style)
Lega
Limba (African style)
Lobi
Lozi (culture or style)
Luba (culture or style)
Lulua
Lunda (culture or style)
Lwena
Mahafaly
Mambila (culture or style)
Mandingo (peripheral Mande Style)
Mangbetu
Maori (culture or style)
Marka
Matakam
Mauritanian (African national style)
Mbala (culture or style)
Mbun
Mende
Mexican
Mississippian
Mongo
Moorish
Moravian
Moroccan
Mossi
Mozambican
Native American
Navajo (culture or style)
Nayarit (West Coast Mesoamerican)
Ndengese
Near Eastern (Early Western World)
Ngbaka
Ngombe
Nguni
Nicaraguan
Nigerian
North American
Norwegian
Nsapo
Nupe
Nzakara
Ogoni
Ojibwa (culture or style)
Ovimbundu
Pende
Polish (culture)
Pueblo (Native American style)
Punu
Romanian (culture or style)
Russian (culture or style)
Sakata (culture or style)
Salampasu
Seljuk
Sengele (culture or style)
Senufo (culture or style)
Shona
Sierra Leonean
Slovene (culture or style)
Somalian
Songye
Sotho (culture or style)
South African
South Korean
Spanish (culture or style)
Sudanese
Suku
Swedish (culture or style)
Swiss
Tabwa
Tanzanian
Teke (culture or style)
Temne (culture or style)
Tibetan (culture or style)
Tikar
Turkish (culture or style)
Venezuelan
Vili
Wongo
Yaka (Kwango-Kwilu region style)
Yombe (culture or style)
Yoruba (culture or style)
Zambian
Zande
Zombo
undetermined (information indicator)
Credit Line
Object Identifier
Date Created
Currently on Display
Current Location
All galleries
Out
UMMA Gallery Location ➜ AMH, 1st floor ➜ 101 (Entrance Hall)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 102 (Richard and Rosann Noel Gallery)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 103 (Marvin H. Davidson Gallery)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 109 (Lizzie and Jonathan Tisch Apse)
UMMA Gallery Location ➜ AMH, 1st floor ➜ 115 (ArtGym)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 200 (A. Alfred Taubman Gallery I)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 201 (Tiffany: Between Taubman I doors)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 205 (Albertine Monroe-Brown Study-Storage Gallery)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 206 (Thomas H. and Polly W. Bredt Gallery)
UMMA Gallery Location ➜ AMH, 2nd floor ➜ 211 (Tiffany: Between Tiffany Doors and FFW Connector)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 212 (A. Alfred Taubman Gallery II)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 213 (The Robert and Lillian Montalto Bohlen Gallery)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 216 (Japanese Gallery)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 217 (Gallery of South, Southeast and Central Asian Art)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 218 (Eleanor Noyes Crumpacker)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 219 (Elevator Landing-Administration Hallway)
UMMA Gallery Location ➜ FFW, 2nd floor ➜ 221 (Director's Office)
UMMA Gallery Location ➜ FFW, Lower Level ➜ 053 (Education Center Display Cabinets)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M01 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M02 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M04 (Joan and Robert Tisch Gallery of Modern and Contemporary Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M05 (Jan and David Brandon Family Bridge)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M06 (Shirley Chang Gallery of Chinese Art)
UMMA Gallery Location ➜ FFW, Mezzanine ➜ M07 (Woon-hyung Lee and Korea Foundation Gallery of Korean Art)
UMMA Gallery Location ➜ FFW, Stairways ➜ S08 (Stair 8)
Author
Close
Query builder
How to Use the Query Builder
Sp17 Aguayo - COMPLIT 122 - Writing World Literatures - Literature and Resistance in the Americas
Previous
Next
Enrique Chagoya
UtopianCannibal.org
color lithograph, woodcut, chine collé, and collage
7 1/2 in. x 92 in. ( 19 cm x 233.7 cm )
Museum Purchase made possible by the Jean Paul Slusser Memorial Fund
Zoom
Carrie Mae Weems
After Manet
chromogenic print on paper
33 ¾ in x 33 ¾ in x 1 ½ in (85.73 cm x 85.73 cm x 3.81 cm);33 ¾ in x 33 ¾ in x 1 ½ in (85.73 cm x 85.73 cm x 3.81 cm)
Museum purchase made possible by the W. Hawkins Ferry Fund
Zoom
Glenn Ligon
Untitled
etching, aquatint, spitbite, and sugarlift on Rives BFK paper
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
Zoom
Elizabeth Catlett
Malcolm X Speaks for Us
linoleum cut on paper
( )
Gift of Elizabeth Catlett
Zoom
Patrick Nagatani
Japanese Children's Day Carp Banners, Paguate Village, Jackpile Mine Uranium Tailings, Laguna Pueblo Reservation, New Mexico
dye destruction print on paper
16 ⅛ in x 20 1/16 in (40.96 cm x 50.96 cm)
Gift of Beverly Baker in memory of Morris D. Baker
Zoom
Sargent Claude Johnson
Lenox Avenue
lithograph on paper
12 ½ in x 8 9/16 in (31.75 cm x 21.75 cm)
Allocated by the U.S. Government Commissioned through the New Deal art projects
Zoom
Roberto Matta
La Catalyseur
color etching and aquatint on Arches paper
8 3/16 in x 6 5/8 in (20.8 cm x 16.83 cm);12 15/16 in x 9 15/16 in (32.86 cm x 25.24 cm);19 3/8 in x 14 3/8 in (49.21 cm x 36.51 cm)
Museum Purchase
Zoom
Roberto Matta
Untitled (Plate I)
etching and aquatint with soft-ground and chine collé on paper
13 in x 10 3/4 in (33 cm x 27.3 cm);22 1/8 in x 18 in (56.2 cm x 45.8 cm)
Gift of Jean Paul Slusser
Zoom
Roberto Matta
I Want To See It To Believe It
color lithograph on paper
16 1/2 in x 13 in (41.91 cm x 33.02 cm);16 1/2 in x 13 in (41.91 cm x 33.02 cm);22 1/16 in x 18 1/8 in (56.04 cm x 46.04 cm);28 1/8 in x 22 1/8 in (71.44 cm x 56.2 cm)
Museum Purchase
Zoom
Armando Morales
La Ultima Cena del General Sandino
lithograph on paper
30 1/8 in. x 22 7/16 in. ( 76.5 cm x 57 cm )
Gift of the Blanton Museum of Art, The University of Texas at Austin
Zoom
Alfredo Zalce
Oppression
linocut on paper
16 1/8 x 12 3/8 in. (40.96 x 31.43 cm)
Gift of Gilbert M. Frimet
Zoom
Leopoldo Méndez
Lo que puede venir
woodcut on paper
12 in x 6 15/16 in (30.48 cm x 17.62 cm);14 ¼ in x 10 ⅜ in (36.2 cm x 26.35 cm);22 ⅛ in x 18 ⅛ in (56.2 cm x 46.04 cm)
Museum Purchase
Zoom
Lynn Davis
Ken Moody, New York City (Dancer #31)
selenium-toned gelatin silver print on paper
20 in. x 24 in. ( 50.8 cm x 60.96 cm )
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
Zoom
Bill Jacobson
Song of Sentient Beings #1612
gelatin silver print on paper
36 in x 28 in (91.4 cm x 71.1 cm);36 in x 28 in (91.4 cm x 71.1 cm)
Museum purchase made possible by the W. Hawkins Ferry Fund
Zoom
John Dugdale
Smile For Your Lover Comes (Stone Ridge, New York)
cyanotype on paper
15 1/4 in x 13 5/16 in x 2 1/4 in (38.74 cm x 33.81 cm x 5.72 cm);15 1/4 in x 13 5/16 in x 2 1/4 in (38.74 cm x 33.81 cm x 5.72 cm)
Museum Purchase made possible by the Harry Denham Trust
Zoom
Tim Rollins
Untitled
ink and watercolor on paper
8 1/2 in x 5 1/4 in (21.59 cm x 13.34 cm)
Gift of Leonard Rosenberg
Zoom
Armando Morales
Asesinato del General Sandino detras del Viejo Campo de Aviacion
lithograph on paper
30 1/8 in. x 22 7/16 in. ( 76.5 cm x 57 cm )
Gift of the Blanton Museum of Art, The University of Texas at Austin
Zoom
Glenn Ligon; Gregory Burnet
Untitled
etching, aquatint, spitbite, sugarlift on Rives BFK paper
25 in x 17 1/4 in (63.5 cm x 43.82 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Museum Purchase
Zoom
Keith Haring
Art Attack
screenprint on oak panel
30 in x 30 in x 2 in (76.2 cm x 76.2 cm x 5.08 cm);30 in x 29 15/16 in x 2 in (76.2 cm x 76.04 cm x 5.08 cm)
Gift of Margaret I. McIntosh
Zoom
Ruth Bernhard
In the Box - Horizontal
gelatin silver print on paper
17 15/16 in x 24 in (45.56 cm x 60.96 cm);17 15/16 in x 24 in (45.56 cm x 60.96 cm);13 in x 23 1/16 in (33.02 cm x 58.58 cm)
Gift from the Estate of Ruth Bernhard
Zoom
Roberto Matta
Castronautes
color etching and aquatint on paper
24 15/16 in x 17 1/2 in (63.34 cm x 44.45 cm);28 3/16 in x 22 3/16 in (71.6 cm x 56.36 cm)
Museum Purchase
Zoom
Edward (Robbie) Roberson
Tired Marchers Sleep on the Streets—"We were tired, we were tired.", Selma, Alabama
inkjet print on paper
11 in x 14 in (27.94 cm x 35.56 cm)
Gift of Detroit Focus 2000, and partial purchase with funds from the Jean Paul Slusser Memorial Fund
Zoom
0 Comments
Add Comment
0 Tags & 0 Keywords
Tags
Add Tag
22 Collection Object Sources
UtopianCannibal.org
(2001/2.81)
After Manet
(2004/2.3)
Untitled
(1993/2.13.1)
Malcolm X Speaks for Us
(2006/1.96)
Japanese Children's Day Carp Banners, Paguate Village, Jackpile Mine Uranium Tailings, Laguna Pueblo Reservation, New Mexico
(2004/1.106)
Lenox Avenue
(1943.63)
La Catalyseur
(1962/2.35)
Untitled (Plate I)
(1966/2.22)
I Want To See It To Believe It
(1947/2.13)
La Ultima Cena del General Sandino
(2011/1.96.5)
Oppression
(2004/1.118)
Lo que puede venir
(1949/1.181)
Ken Moody, New York City (Dancer #31)
(2012/2.99)
Song of Sentient Beings #1612
(1999/1.102)
Smile For Your Lover Comes (Stone Ridge, New York)
(2003/1.379)
Untitled
(2015/2.91)
Asesinato del General Sandino detras del Viejo Campo de Aviacion
(2011/1.96.7)
Untitled
(1993/2.13.4)
Art Attack
(1991/1.137)
In the Box - Horizontal
(2007/2.20)
Castronautes
(1965/2.88)
Tired Marchers Sleep on the Streets—"We were tired, we were tired.", Selma, Alabama
(2003/2.69.28)
Created For
University Faculty
University Student
Rate this Resource
AVG: 0 | Ratings: 0
Created by
Julie Ellison
Other Resources by this Author
& Author Notes
Creative Commons by-nc-sa
Last Updated
February 7, 2020 2:13 p.m.
Report
Email:
Report:
Reporting Policy
×
Media
![In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text "Mendez" and "1945" is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city. ](/media/W1siZiIsIjIwMjIvMDUvMjUvN3hhd3R0ajJjNl9kZWZhdWx0LmpwZyJdLFsicCIsInRodW1iIiwiMTAwMHgxMDAwIl1d?sha=2c38d6039708796d "In the foreground, there is a man laying on a large human-sized book, one hand on his chin and the other holding a pencil to the page. In front of his pencil, the text "Mendez" and "1945" is printed. On the pages of the book are a skeleten-creature and on the opposite page an angel. Behind the man and the book is a large cactus, and then a large cross rises from its base. The cross is encircled by a large snake-like creature whose head is open, facing away, and an eagle is crucified with knives. Coming from the ends of the cross are what seems to be spears, pointing clockwise. Behind this foreground scene, there is an army marching under a flag with the skull and crossbones. A priest follows behind the army, seemingly coming from the open mouth of the large serpent whose tail holds the feet of the crucified eagle. To the left there are two more crucified figures, whose crosses are on fire. In the far background, there is a vista of a large city. ")
