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Between and Mortarboard


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LGBTQ and ACT Up in the Eighties

Robert Longo
Black Flag
1989
lithograph | wove paper
Gift of Herbert Barrows
2000/2.246
Kiki Smith
Untitled (Torso)
1992
lithograph | paper
Museum purchase made possible by a gift from Helmut Stern
1995/2.26
Kiki Smith
Brain Drawing
1995
color woodcut | white Okawara laid paper
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.140
Bust-length portrait of Marilyn Monroe positioned in front of a red background; Haring used a poster of the actress onto which he applied sumi ink in a series of outlines, marks and drips over the face, neck, chest and shoulders.
Keith Haring
Marilyn Monroe
1976 – 1986
Sumi ink | poster
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.123
Oak panel with screen print; signed K.Haring 88 along lower right edge.
Keith Haring
Art Attack
1988
screenprint | oak panel
Gift of Margaret I. McIntosh
1991/1.137
A blurred bust-length portrait of a man's head; he stares straight ahead, his mouth open.
Bill Jacobson
Interim Portrait #373
1992
dye coupler print | paper
Gift of the artist and Julie Saul Gallery, New York
1999/1.103
A blurred image of a nude figure bending forward, the arms nearly reaching the ground.
Bill Jacobson
Song of Sentient Beings #1612
1995
gelatin silver print | paper
Museum purchase made possible by the W. Hawkins Ferry Fund
1999/1.102
Jane Dickson
Couple by Car ( A Kiss)
1984
aquatint | wove paper
Gift of Herbert Barrows
2000/2.270
Jane Dickson
Keep Moving II
1988
aquatint | paper
Gift of Alice A. Simsar
1992/1.145
Joan Snyder
Art and the Nature of Grief
1992
monoprint | paper
Museum purchase made possible by the Jean Paul Slusser Memorial Fund
1994/2.9
A still life of a vase of peonies. The image is tightly cropped and droplets of water are visible on the petals of the flowers. 
John Dugdale
Cornwall Peonies
2002
albumen silver print | paper
Museum Purchase made possible by the Harry Denham Trust
2003/1.380
A photograph depicting a man sitting nude on a porch rail with his back turned toward the camera. Bright light filters through leaves on a nearby tree.
John Dugdale
Smile For Your Lover Comes (Stone Ridge, New York)
2000
cyanotype | paper
Museum Purchase made possible by the Harry Denham Trust
2003/1.379

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Last Updated

May 7, 2019 12:21 p.m.

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