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W19 Herbert - ENGLISH 331 / FTVM 331 - Apocalyptic Film and Television

Hana Hamplová
Untitled
1980
gelatin silver print | paper
Gift of Mrs. Marion Hrebek Keys
1990/1.236
Doug Webb
Life Raft
1986
serigraph | paper
Gift of Jack A. and Noreen Rounick
2005/1.413
A "Norton Abrasives" wooden crate is filled with empty rusted gallon paint containers with dried paint inside. A cracked rearview mirror is attached to one side and an American flag is smushed into one side of the box. A small toy platypus sits inside one of the paint cans, although the platypus is moveable; instructions to museum state that museum staff can place platypus where they please.
Tyree Guyton
Untitled (Paint Cans)
1980 – 2010
paint cans, wooden crate, American flag, rearview mirror, ceramic |
Gift of H. David Zucca
2013/2.310
Michael Kenna
The Rouge Study #17, Dearborn, MI
1993
sepia-toned gelatin silver print | paper
Gift of Shirley Kollins in memory of Lee Kollins
2002/2.256
Four spare industrial structures rise at different angles into an empty landscape. On the viewer's right, a scaffolding rises from the lower corner and angles to the left. On the left, another scaffold structure runs from the bottom corner along the left edge. In the middle, a building-like structure rises from the bottom of the composition and leans into the visual space, resting on a long rectangular solid that is draped with a cloth.
Kay Sage
Bounded on the West by the Land Under Water
1946
oil | canvas
Gift of the Estate of Kay Sage Tanguy
1963/2.1
Jacob Lawrence
Hiroshima Series
1983
screenprint, printed in eleven colors | Somerset soft-white paper
Gift of Dr. James and Vivian Curtis
1997/1.533.6
This photograph depicts a view of a desert landscape with a fish hanging from the top of a thin pole in the foreground.  Behind the fish is a small cemetery that has mounds and crosses and in the distance are a few small buildings. Two more poles with fish hanging from them appear farther away in the image to the right of the fish in the foreground.
Patrick Nagatani
Japanese Children's Day Carp Banners, Paguate Village, Jackpile Mine Uranium Tailings, Laguna Pueblo Reservation, New Mexico
1990
dye destruction print | paper
Gift of Beverly Baker in memory of Morris D. Baker
2004/1.106
Laton Alton Huffman
After the Buffalo Run, North Montana
1879
colotype print | paper
Gift of Dr. & Mrs. Michael Fauman

1983/2.70
Man seated at a table with Armageddon sign. He is wearing a striped shirt and looking at the camera. There is a New York City bus map posted on the column behind him.
Duncan Hartley
Armageddon, Midtown Subway Station
1978 – 2013
digital print | Hahnemuhle Photo Rag Baryta
Gift of the artist
2013/2.8
Photograph of building wreckage. Smoke is rising from center of ruins.<br /><br />
Eva Caston 2017
David Seccombe
Ground Zero LXIX, from "Landscapes at Ground Zero"
2001
archival pigment print | Somerset rag paper
Gift of Jean McPhail
2006/2.6
This vertical oriented print shows a robot sitting on a chair with a revolver in his right hand. 
Sir Eduardo Paolozzi
No Heroes Developed
1965 – 1970
screenprint | paper
Gift of Professor Diane M. Kirkpatrick
2000/2.14.39
This woodcut print is vertically oriented. The upper half of the piece is celestial with an angel standing on a cloud blowing a trumpet. Men on fire-breathing beasts exit from the clouds. At the very top center, a white-bearded figure, shown from the torso to the head, holds four trumpets. Rays emanate from his head to form a halo, and he is framed in a half circle. Directly below him is an altar with vines on the sides and four child-faces spitting water out. The upper right corner features an angel blowing a trumpet and the upper left features a smiling angel with hands clasped in prayer. The lower half of the print is terrestrial and depicts a chaotic battle scene. Four angels with wings and swords attack a crowd of men, including a pope, a bishop and a king, as well as commoners. These figures are all crowded into the foreground with contorted postures. There is a city on a hill visible in the distance. The center bottom has D&uuml;rer&rsquo;s signature of letter &quot;D&quot; contained within a letter &q
Albrecht Dürer
The Four Avenging Angels from the 'Apocalypse'
1496 – 1498
woodcut | laid paper
Gift of the Friends of the Museum of Art in honor of Bret Waller
1980/1.214

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Last Updated

January 8, 2019 10:03 a.m.

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