Exchange: W19 Herbert - ENGLISH 331 / FTVM 331 - Apocalyptic Film and Television

W19 Herbert - ENGLISH 331 / FTVM 331 - Apocalyptic Film and Television

Hana Hamplová
Untitled
gelatin silver print on paper
23 1/16 in x 23 1/8 in (58.58 cm x 58.74 cm);32 3/16 in x 26 3/16 in (81.76 cm x 66.52 cm)
Gift of Mrs. Marion Hrebek Keys

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Doug Webb
Life Raft
serigraph on paper
37 3/16 in. x 29 15/16 in. ( 94.5 cm x 76 cm )
Gift of Jack A. and Noreen Rounick

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A "Norton Abrasives" wooden crate is filled with empty rusted gallon paint containers with dried paint inside. A cracked rearview mirror is attached to one side and an American flag is smushed into one side of the box. A small toy platypus sits inside one of the paint cans, although the platypus is moveable; instructions to museum state that museum staff can place platypus where they please.

Tyree Guyton
Untitled (Paint Cans)
paint cans, wooden crate, American flag, rearview mirror, and ceramic figurine
33 1/2 in x 28 1/8 in x 12 in (85.09 cm x 71.44 cm x 30.48 cm)
Gift of H. David Zucca

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Michael Kenna
The Rouge Study #17, Dearborn, MI
sepia-toned gelatin silver print on paper
7 7/8 in x 7 1/2 in (20 cm x 19 cm);16 in x 20 in (40.64 cm x 50.8 cm)
Gift of Shirley Kollins in memory of Lee Kollins

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Four spare industrial structures rise at different angles into an empty landscape. On the viewer's right, a scaffolding rises from the lower corner and angles to the left. On the left, another scaffold structure runs from the bottom corner along the left edge. In the middle, a building-like structure rises from the bottom of the composition and leans into the visual space, resting on a long rectangular solid that is draped with a cloth.

Kay Sage
Bounded on the West by the Land Under Water
oil on canvas
28 1/8 x 35 7/8 in. (71.4 x 91 cm);29 5/16 x 37 x 1 13/16 in. (74.3 x 93.98 x 4.5 cm);28 1/8 x 35 7/8 in. (71.4 x 91 cm)
Gift of the Estate of Kay Sage Tanguy

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Jacob Lawrence
Hiroshima Series
screenprint, printed in eleven colors on Somerset soft-white paper
15 x 11 1/8 in. (38 x 28.2 cm);19 3/8 x 14 1/4 in. (49.1 x 36.1 cm);13 x 9 15/16 in. (32.9 x 25.2 cm)
Gift of Dr. James and Vivian Curtis

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This photograph depicts a view of a desert landscape with a fish hanging from the top of a thin pole in the foreground.  Behind the fish is a small cemetery that has mounds and crosses and in the distance are a few small buildings. Two more poles with fish hanging from them appear farther away in the image to the right of the fish in the foreground.

Patrick Nagatani
Japanese Children's Day Carp Banners, Paguate Village, Jackpile Mine Uranium Tailings, Laguna Pueblo Reservation, New Mexico
dye destruction print on paper
16 ⅛ in x 20 1/16 in (40.96 cm x 50.96 cm)
Gift of Beverly Baker in memory of Morris D. Baker

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Laton Alton Huffman
After the Buffalo Run, North Montana
colotype print on paper
9 15/16 in. x 7 15/16 in. ( 25.3 cm x 20.2 cm )
Gift of Dr. & Mrs. Michael Fauman

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Man seated at a table with Armageddon sign. He is wearing a striped shirt and looking at the camera. There is a New York City bus map posted on the column behind him.

Duncan Hartley
Armageddon, Midtown Subway Station
digital print on Hahnemuhle Photo Rag Baryta
17 in. x 22 in. ( 43.18 cm x 55.88 cm )
Gift of the artist

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Photograph of building wreckage. Smoke is rising from center of ruins.<br /><br />
Eva Caston 2017

David Seccombe
Ground Zero LXIX, from "Landscapes at Ground Zero"
archival pigment print on Somerset rag paper
19 in. x 13 in. ( 48.3 cm x 33 cm )
Gift of Jean McPhail

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This vertical oriented print shows a robot sitting on a chair with a revolver in his right hand.

Sir Eduardo Paolozzi
No Heroes Developed
screenprint on paper
14 15/16 in x 10 in (37.94 cm x 25.4 cm)
Gift of Professor Diane M. Kirkpatrick

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This woodcut print is vertically oriented. The upper half of the piece is celestial with an angel standing on a cloud blowing a trumpet. Men on fire-breathing beasts exit from the clouds. At the very top center, a white-bearded figure, shown from the torso to the head, holds four trumpets. Rays emanate from his head to form a halo, and he is framed in a half circle. Directly below him is an altar with vines on the sides and four child-faces spitting water out. The upper right corner features an angel blowing a trumpet and the upper left features a smiling angel with hands clasped in prayer. The lower half of the print is terrestrial and depicts a chaotic battle scene. Four angels with wings and swords attack a crowd of men, including a pope, a bishop and a king, as well as commoners. These figures are all crowded into the foreground with contorted postures. There is a city on a hill visible in the distance. The center bottom has Dürer’s signature of letter "D" contained within a letter &q

Albrecht Dürer
The Four Avenging Angels from the 'Apocalypse'
woodcut on laid paper
15 15/16 in x 11 3/10 in (40.48 cm x 28.73 cm);22 in x 18 ⅛ in (55.88 cm x 46.04 cm)
Gift of the Friends of the Museum of Art in honor of Bret Waller

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